It was one of those sudden shifts of movement that occur in a mob scene. Instead of pushing George and Peter back, the crowd between them and the white helmets were parting. A slender man fell heavily against George, anguish in his eyes. There was a terrible thump, and the man fell to the ground.
George saw the dark brown wooden cross before he saw the man who wielded it. There was blood and hair at the end of the crossarm. The God's Lightning man was dark, broad and muscular, with a blue shadow on his cheeks. He looked Italian or Spanish- he looked, in fact, a lot like Carlo. His eyes were wide and his mouth was open and he was breathing heavily. The expression was neither rage nor sadistic joy- just the unthinking panting alertness of a man doing a difficult and fatiguing job. He bent over the fallen slender man and raised the cross.
"All right!" snapped Peter Jackson. He pushed George aside. There was a silly-looking yellow plastic water pistol in his hand. He squirted the oblivious God's Lightning man in the back of the neck. The man screamed, arched backward, the cross flying end over end into the air. He fell on his back and lay screaming and writhing.
"Come on now, motherfucker!" Pete snarled as he dragged George into the crowd, broken-field running toward Forty-second Street.
"An hour and a half to go," Hagbard says, finally beginning to show suppressed tension. George checks his watch- it's exactly 10:30 P.M., Ingolstadt time. The Plastic Canoe is wailing KRISHNA KRISHNA HARE HARE.
(Under the noon sun, two days earlier, Carmel speeds in his jeep away from Las Vegas.)
"Who am I going to meet at the Norton Cabal?" Joe asks. "Judge Crater? Amelia Earhart? Nothing would surprise me now."
"A few real together people," Simon replies. "But no one like that. But you'll have to die, really die, man, before you're illuminated." He smiles gently. "Aside from death and resurrection, you won't find anything you'd call 'supernatural' with this bunch. Not even a whiff of old Chicago-style Satanism."
"God," Joe says, "was that only a week ago?"
"Yep," Simon grins, gunning his VW around a Chevrolet with Oregon license plates, "It's still nineteen sixty-nine, even if you seem to have lived several years since we met at the anarchist caucus." His eyes are amused as he half turns to glance at Joe.
"I suppose that means you know what's been happening in my dreams. I'm getting the flash forwards already."
"Always happens after a good dirty Black Mass with pot mixed in the incense," Simon says. "What sort of thing you getting? Is it happening when you're awake yet?"
"No, only in my dreams." Joe pauses, thinking. "I only know it's the real article because the dreams are so vivid. One set has to do with some kind of pro-censorship rally at the Sheraton-Chicago hotel, I think about a year from now. There's another set that seems farther in the future- five or six years- where I'm impersonating a doctor for some reason. And a third group of images comes to me, now and then, that seems to be the set of a Frankenstein movie, except that the extras are all hippies and there seems to be a rock festival going on."
"Does it bother you?"
"A little. I'm used to waking up in the morning with the future ahead of me, not behind me and ahead of me both."
"You'll get used to it. You're just beginning to contact what old Weishaupt called 'die Morgensheutegesternwelf- the tomorrow-today-yesterday world. It gave Goethe the idea for Faust, just like Weishaupt's 'Ewige Blumenkraft' slogan inspired Goethe's 'Ewige Weibliche.' I'll tell you what," Simon suggested, "You might try wearing three wristwatches, like Bucky Fuller does- one showing the time where you're at, one showing the tune where you're going, and one showing the time at some arbitrary place like Greenwich Mean Time or your home town. It'll help you get used to relativity. Meanwhile, never whistle while you're pissing. And you might repeat to yourself, when you get disoriented, Fuller's sentence, 'I seem to be a verb.'"
They drove in silence for a while, and Joe pondered on being a verb. Hell, he thought, I have enough trouble understanding what Fuller means when he says God is a verb. Simon let him mull it over, and began humming again: "Rameses the Second is dead, my love/He's walking the fields where the BLESSED liiiiive…" Joe realized he was starting to doze… and all the faces at the luncheon table looked at him in astonishment. "No, seriously," he said. "Anthropologists are too timid to say it out in the open, in public, but corner one of them in private and ask him."
Every detail was clear: it was the same room in the Sheraton-Chicago Hotel, and the faces were the same. (I've been here before and said this before.)
"The rain dances of the Indians work. The rain always comes. So why isn't it possible that their gods are real and ours isn't? Have you ever prayed to Jesus for something and really gotten it?" There is a long silence and finally an old tight-faced woman smiles youthfully and declares, "Young man, I'm going to try it. How do 1 meet an Indian in Chicago?"
Like tomahawks the crosses of God's Lightning rose and fell on the slender man's defenseless skull. They'd found their injured comrade lying on the street twisting and moaning beside his erstwhile victim. A couple of them hauled the wounded God's Lightning man away, while the rest took their revenge on the unconscious peace demonstrator.
("You, Luke," says Yeshua ben Yosef, "don't write that down.")
Space-time, then, may be slanted or kiltered when you're lost out here: Fernando Poo looks through his glass at a new island, not guessing that it will be named after himself, not imagining that someday Simon Moon will write "In Fourteen Hundred and Seventy Two, Fernando Poo discovered Fernando Poo," and Hagbard says, "Truth is a tiger," while Timothy Leary does a Crown Point Pavanne out of San Luis Obispo Jail and four billion years earlier one squink says to another, "I've solved the ecology problem on this new planet." The other squink, partner to the first (they own Swift Kick Inc., the shoddiest contractors in the Milky Way) says "How?" The first squink laughs coarsely. "Every organism produced will be programmed with a Death Trip. It'll give them a rather gloomy outlook, I admit, especially the more conscious ones, but it will sure minimize costs for us." Swift Kick Inc. cut the edges every other way they could think, and Earth emerged as the Horrible Example invoked in all classes on planetary design throughout the galaxy.
When Burroughs told me that, I flipped, because I was 23 that year and lived on Clark Street. Besides, I immediately saw the application to the Law of Fives: 2 + 3 = 5 and Clark has 5 letters.
I was mulling this over when I happened to notice the shipwreck in Pound's Canto 23. That's the only shipwreck mentioned in the whole 800-page poem, in spite of all the nautical voyages described. Canto 23 also contains the line, "with the sun in a golden cup," which Yeats says inspired his own lines, "the golden apples of the sun, the silver apples of the moon."
Golden apples, of course, brought me back to Eris, and I realized I was onto something hot.
Then I tried adding the Illuminati Five to 23, and I got 28. The average menstrual period of Woman. The lunar cycle. Back to the silver apples of the moon- and I'm Moon. Of course, Pound and Yeats both have five letters in their names.