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So the little plane queued for take off. The little plane was a little plane, among all these big ones, and hoped it wasn't in the way. But it was. The passenger jets, dog-nosed (their noses black and damp in the dew or sweat of the coming storm), waited in line behind them like rigid pointers cocked for the hunt. Richard looked out through the propeller blades, which were moving invisibly fast, seeming to smudge the air or bruise it. Ahead of them, round the turn, were the tensed haunches of the important shuttles-to New York, to Washington-waiting to take Americans where they needed to go: around America. Over and above the compound anguish of the checked planes, all screaming at each other to get out of the way, you could hear the sky and the epic groan of the middle air. Darkness, night, was wheeling in from the north. But from the defiant south came a negligent and unanswerable demonstration of light, the electromagnetic: god's whips, knouts and sjamboks of solder and copper.

No one spoke. Gwyn suddenly leaned forward and engaged the publicity boy. His inquiries were muffled by the headrest, and when the publicity boy replied he seemed to be talking or shouting to himself,like a bum or a wacko, like American fever. Come on, you seen what's behind us . . . They do this like nine times a day … No way is it a hurricane. It's a storm . . . You mean like a hurricane with a name?

"Hurricanes used to be all girls," said Richard. He had spoken, really, to make the publicity boy seem saner. It made him seem saner too, though, and he continued ramblingly, "Now they alternate them. Girl, boy. Boy, girl. I think that's better, I don't know. Hurricane Demi. Hurricane Gwyn. Hurricane Gina. Hurricane Marius. Hurricane Anstice. Hurricane Scozzy."

"Hurricane who?"

"Nothing."

"Listen to this one," said Gwyn. "He's already flipped. Jesus. All this for a party."

The pilot put his face into profile and monotonously informed them that it would be a whole lot cooler in here when they were off the ground. This was good news. Because the passengers were finding out what happened to the air on planes and what would happen to the air on jets unless they doctored and gimmicked it. How soon it was exhausted, and went blood-heat and pungent. How soon you were all breathing each other's yawn. On the jets you could wait at the can door for half an hour and step right in after some exploding nonagenarian had dragged himself out of there: that's how good these guys were. But on the little plane the air was already critically delicate. You wouldn't even want to worry it with speech . . . Now all the passengers were silent, giving themselves up to that strange modern activity, fancy-priced suffering, in which America leads the world; but when the plane rounded the last corner and found nothing ahead of it except sea and sky, and made its rat-ding gallop for the bruised yonder, and was up, away, exchanging one medium for a new and better one, and was immediately sent skidding sideways, windmilling its arms, then all eight of them moaned in harmony, answering the moan above their heads.

They steadied, and climbed. Over car park, over graveyard, over the harbor, over the bay. Soon the patchy whitecaps were no more than flecks of dandruff on the broad shoulder of the sea. Richard looked casually out of his porthole, to the south. And he couldn't believe it. The storm was there, like a gothic cathedral, with all its glaring gargoyles … Diurnal time was a figure for the human span: waking, innocent morning, full midday and the pomp of the afternoon, then loss of color, then weariness, then mortal weariness and the certainty of sleep, then nightmare, then dreamlessness. Outside, day was gone but it wouldn't go to bed. The day was dead and gone but wouldn't believe it and wouldn'taccept it, the day and its sick comeback, trying to return and saying, I'm still day. Don't you see me? Don't you like me more? I'm still day, and not letting go, jerkily reanimated, hot-wired, and pulsing under the jump-leads. And the rain: the rain was wanting to lubricate this desperate tension between day and night, wanting to soothe and cleanse. But the rain was panicking and completely overdoing it and sounding like psychopathic applause.

"That red switch," said Gwyn. "What's he doing with that red switch?"

Next to the digital clock on the dashboard, which recorded their flighttime (nine minutes elapsed), there was a red switch and a flashing and beeping red light which did seem to be exercising the pilot in an unencouraging way. He kept twiddling it, as if hoping that the light would go off, or change color, or stop beeping. But his movements were perhaps more curious than agitated. The stiff cream carapace of his backside was still stalwartly ensconced in its chair.

"We're losing height. I think we're losing height."

"He'd tell us if something was up. Wouldn't he? Or wouldn't he?"

Without turning round the pilot said, "We're having a weight problem. Hopefully it won't be a … a problem. It'll keep us under this weather here." And now he did swivel round, eyeing each passenger in turn with reasonable suspicion, as if searching for a superfat stowaway.

"I'm not going to worry," said Gwyn, "until he starts to worry."

The pilot didn't seem worried. He had even started to whistle.

"That sounds wise," said Richard, and turned to his porthole. And the sea looked as close as the tarmac had looked ten minutes ago, and the plane suddenly seemed to be traveling not through the air but through the churned water. The dip, the climb, the crest, the fall. The wave, the wait, the wave, the wait, the wave, the wait, the wave.

"Oh man," said Gwyn.

"He's stopped fucking with that red switch."

"Has he? Good."

Above their heads the cabin lights dimmed and flickered and dimmed again.

It was when the patch of shit appeared on the pilot's cream rump that Richard knew for certain that all was not well. This patch of shit started life as an islet, a Martha's Vineyard that soon became a Cuba, then a Madagascar, then a dreadful Australia of brown. But that was five minutes ago, and no one gave a shit about it now. Not a single passenger, true, had interpreted the state of the pilot's pants as a favorable sign, but that was five minutes ago, that was history, and no one gave a shit about it now, not even the pilot, who was hollering into the microphone, hollering into a world of neighing metal and squawking rivets, hollering into the very language of the storm-its fricatives, its atrocious plosives. The gods had put aside their bullwhips and their elemental rodeo and were now at play with their bowling balls clattering down the gutters of space-time. Within were the mortals, starfished from white knuckle to white toe-joint, stretched like Christs, like Joans in her fire. Richard looked and now felt love for the publicity boy, his sleek, shaking, tear-washed face.