“Did you wreck the scoreboard?” Brodsky said. “Did you?”
The first “did” was too loud and his voice faltered on the second, like he heard the first one and didn’t like what he’d heard.
I thought: He doesn’t like treating me the way he is treating me. He’s treating me differently than usual because he wants me to act differently than usual.
Click click click.
I thought: There are a million kinds of different-than-usual.
I decided to try the first one I could think of.
In between deciding and actually trying, though, I got completely paralyzed. The paralysis lasted twice as long as a decision to blink takes to become the action of my eyes blinking. That is less time, even, than it takes to say the word No. The first time I ever got paralyzed like that was in a shopping cart when I was four. My mom took me to the Jewel for fruit to make fruit salad for a barbecue at her colleague’s house. The lemons were shiny and I wanted one, but I didn’t want to ask my mom to buy it for me because I was playing a game that day where I would not ask my parents for anything, so I just grabbed one of the lemons and looked at it and waited for my mom, who was looking at whipped toppings, to see the lemon in my hand and offer to buy it for me. She didn’t see. She put some whipped topping in the cart and pushed us past the melon stand, where this kid in a baseball uniform was pulling on his little sister’s hair while she cried and their mother sniffed cantoloupes. We got some apples and walnuts and went to the checkout line. We were right behind the mean kid’s family. The mother got her change and took the mean kid’s hand and told him to hold his sister’s hand while she pushed the cart, which was very full. I still had the lemon. I had put it in the pocket of my hoodie by then. The mean kid’s family started walking off, and I saw by the way that the sister was moving side-to-side in these little circles that the mean kid was either crushing her fingers together or twisting her arm, and I reached my hand into my pocket to take the lemon out and set it on the runway so my mother, who was looking in her wallet for her credit card, would offer to buy it, but then I thought: I will steal this lemon, and right when I was about to remove my hand from the lemon to leave it in my pocket, the paralysis passed through me and I knew it was my muscles reacting to the sound of Adonai telling them No! so I kept hold of the lemon and took it from my pocket after all. Then I threw it hard at the mean kid’s neck. His head jerked forward and he let go of his sister’s hand and spun around to see who did it. I pointed at him and he started crying. He didn’t revolve again til I dropped my finger, and then he was pulling on his mother’s shirt, but she shooed him off and I didn’t get in trouble. I still can’t say for sure how it is that Adonai knew I was about to steal the lemon, or how He ever knows when to shout No! at the muscles, but I do know He can’t hear your thoughts, and so I believe that He must be a highly talented reader of faces, and that there must be something very startling to Adonai that a human face does right before the human it belongs to is about to do wrong. In Brodsky’s office, it was different than the time with the lemon because I did not understand how what I was about to do was wrong, and the paralyzing No! of Adonai lasted only as long as it always does, which, if you’re not expecting it, is little enough time to deny it just happened. So I denied it, quick as a blink, and did what I’d decided to do to get out of there:
I pretended to have a pretend itch in my eye, to pretend-rub that pretend itch with my wristbone, and in as trembling a voice as I could fake, I said to Leonard Brodsky:
I think you’re really bullying me.
It was like I’d suddenly died. It was like I’d pulled my own head off and tossed it in his lap. I said “bullying,” and the wrinkles around his mouth disappeared and he sat down in his chair and he sat back in his chair and, on the shelf behind where his head had been, three things glinted at me: the bell of his soundgun, the glass in the frame of his family portrait, and — this last one between the first two, and duller, barely visible — the wingnut I’d given him that morning.
With his hands on his knees, rubbing them, Brodsky said to me, “I didn’t… I got carried away, Gurion. Please accept my apology.” His eyes were suddenly very wet.
Another No! passed through me, and I did not deny it happened this time, but I kept up the fake-out, anyway: I ducked my head a little, like I was hesitating, and then I nodded many small nods = I reluctantly accept your apology.
While I did that, my own eyes got wet, not fakely, and I blinked the wetness away because it was not my privilege to be sad. Leonard Brodsky was the one who was hurt, and I was the one who’d hurt him, and it didn’t matter that I hadn’t wanted to hurt him or that I didn’t know how I’d hurt him. It didn’t matter that I knew not what I did to him. It didn’t need a name to be wrong. It didn’t need reasons I could understand. Verbosity is like the iniquity of idolatry.
Adonai had twice shouted No! at me and I had twice ignored it.
I was dismissed.
In the outer-office, Miss Pinge wrote me a hall-pass, my favorite thing to have at school. I went straight to detention.
It was 3:48 and I was safe, a miserable sinner. Then things got ironic.
I wasn’t allowed in detention: I had entered through the southern doorway of the cafeteria, but before I’d even gotten past the first bathroom, Miss Gleem rushed over, saying, “Go to the library.”
Why? I said.
Miss Gleem pressed a finger against her glossed lips and shooed me back into Main Hall. I spotted June at the table by the stage on the eastern side. She had her back to me. My sadness over having hurt Brodsky made me slow, so instead of shouting June’s name across the room, I only thought about shouting June’s name across the room, and by the time I decided I should actually do it, Miss Gleem had gently pushed me through the doorway.
“I’m so sorry,” Miss Gleem said. She meant about the push, but Miss Gleem was always exaggerating her emotions. Even if she was sorry, there’s no way she was so sorry. The push was fine with me, anyway. Miss Gleem was a big-time toucher, but it wasn’t perved. It was affectionate. In her head, I’m sure she called the push “encouragement.” She was the art teacher. She monitored detention on Tuesdays and Wednesdays against her will. She told me that once. I liked her. She wore fake tortoiseshell combs in her fuzzy hair, like the sweeter, less pretty sister of a bony princess whose combs are made of gold. It wasn’t just me who liked her, either. She was mostly pinged-out and everyone liked her, and if I’d met Miss Gleem first I’d have probably called Miss Pinge gleemed-out.
She bent her knees and leaned toward me and I could see the tops of her tits in her shirt. Her tits were really white and pushed together. I thought about how if I put a watercolor brush on her tits sideways, then while the brush rolled forward it would trail a fleeting, tubular dent in the skin behind it. By the time the brush fell on the ground there’d be goosebumps on her tits and maybe even her throat because the rolling watercolor brush would feel like how it feels when you run a hangnail along the paler side of your arm. I don’t know why I thought of that. What her tits mostly did was make me want to press the side of my face against their top parts while I was kneeling in between her legs and she was sitting in a rocking chair. I would reach up with my hands to put them on her ears and in her hair and then go to sleep on my knees, just like that. But then I thought about how I would rather put the side of my face on June’s tits and reach up with my hands and fall asleep. But June didn’t really have tits, so then I thought it would be better to put the side of my face on June’s stomach while we were laying down in the shape of the letter T, and my arms would be long like Nakamook’s, and only one of my hands would be in her hair and the other hand would be holding her ankle, and I would fall asleep hearing the sounds inside her stomach, and the sounds would be humming sounds, and she would have one of her hands on my head, too, but none of that could happen, not any time soon, not with me in the hall and her in the cafeteria, a sound-killing wall of cinderblocks between us.