Something was flashing in front of my eyes. Snelz was flipping some gold-colored credit notes in front of my face. I steadied his hand.
That morning I had drawn the hundred and fifty-five credits I still had left in a year's pay advance. I had given it to Crobe. He had snarled that I was still ten credits short and he would now go to Lombar anyway if I didn't come through by nightfall. But there was another hitch. I had gotten sick down there again and I couldn't stand to go near him even once more.
And here were ten credits!
"Heller sent a man out to buy a lot of things this morning," said Snelz. "It was Timyjo that went and he is a great thief. He stole most of it, so your cut is big. It was eleven credits but this book cost one credit. Hey, what's the matter?" I had sat down weakly on a ledge. After a little, I said, "Snelz, I happen to owe Crobe ten credits. Take it down and give it to him."
"Oh? Right!"
"Wait," I said, reviving a bit. "Give me those dice."
"Indeed, yes! I wouldn't use them again for anything!" I took the six dice, gave them a blasphemous funeral prayer and threw them off the rampart and into the depths below. Let the ghosts of the ancients and the executed Apparatus offenders get in trouble with them way down there in their black chasm and let the living live!
PART FIVE
Chapter 1
A half an hour later, I was in the training hall, sitting by the desk. I was about to get one of the worst shocks in my life. At the moment my worries consisted only of a dull nausea in my stomach and the realization that if I were taken off the mission, I would find myself hopelessly overdrawn on pay, bankrupt and cashiered. I was sitting there, hoping to get some idea of how to pry Heller out of Spiteos, observing the scene before me to find any inspiration.
The vast hall was a patchwork of independent projects. Four assistant trainers, in four different places, were trying to get four different acts into shape. One was a wrestling act, one was a juggler and the other two were in such early stages I could not make them out, consisting as they were of just some minor exercises.
The Countess Krak was far back on the right side of the room, quite distant. She was instructing one of her trainers to teach a juggler: the objects were six medium sized lizards, the kind with razor-sharp spines; it would be a good act when perfected but the juggler was afraid of cutting his hands and the assistant trainer needed coaching on how to get his student to overcome this fear with confidence. I couldn't hear what the Countess was saying to him but now and then she would herself flip a couple of lizards into the air and grasp them correctly and then pass them to the assistant so he could show the juggler. I didn't envy the assistant: you could lose a finger on a spiny lizard; but the Countess was being very patient and reassuring. She seemed to have on new clothes and I hoped she wouldn't be fool enough to wear them on a trained act parade: Lombar would be investigating like a swooping bird of prey.
I hadn't paid much attention to Heller when I came in beyond making sure he was there as stated by the guards at the door. But now my attention shifted to him.
Heller was through with his studies for the day. Clear over at the opposite corner of the hall from Krak, he was simply going through some ring exercises to keep in shape.
He was doing what is called a "startler" – so labelled because it always brings a shock of indrawn breath from an audience which, of course, supposes the gymnast has lost his grip and is falling.
Performed with a single, hanging ring about ten feet from the floor, the gymnast does a single handstand on the ring, his body rising upward, parallel to the rope. It is difficult enough to do one of those handstands on a ring – I never could. But the rest of the stunt is why it is called a startler.
Heller's hand would slip off the bottom of the ring and his body would start to plummet downward vertically. But his heels would flick forward and, tight together, would catch the rounded top of the ring, one on either side of the rope, and abruptly stop the fall. It is difficult to make heels hold on the rounded top of an iron ring but, even after a drop, he was having no trouble with it. Then he'd reach up for the ring with the other hand and do the startler using that one.
He was having no trouble at all. He was very graceful. To him it was just casual exercise. He was doing it over and over, right hand, then left hand. It really looked like he was thinking of something else – and probably he was: the evening and night with the Countess Krak.
My attention shifted to the wrestling act. It was going on a short distance to the side of Heller's ring. The assistant trainer there apparently had his hands full – full of trouble. The assistant was a tall, muscular fellow in the usual loincloth. The two he was trying to train were not cooperating: one was a primate, a shaggy beast covered with hair, captured in the jungle of some wild planet; the other was a yellow-man, probably from the Deepst Mountains, one of the race you often see in circuses doing "strong acts" – you know, the kind with no body hair, huge muscles, given to a lot of roaring and posturing. Both primate and yellow-man were about six foot eight inches tall and weighed maybe three hundred pounds. Big.
I got interested in the act. Apparently the primate and the yellow-man were supposed to be having a fight over a big, red, piece of fake fruit. It was really a comedy-acrobatic wrestling act, all rehearsed and precisely timed. But to an audience it would look like a funny fight. It was supposed to begin with the primate hunched down eating the fruit. Then the yellow-man was supposed to jump on the primate to take the fruit away and they would leap and spin and so on for a time and finally the primate would solve it by splitting the fruit in half and they'd both sit down to eat it, the funniest part being that it was the primate, an ape, really, that solved it.
The assistant trainer wasn't having any trouble with the primate. Like any big ape, it could spin and somersault with great agility. The trouble was with the yellow-man. And I must say that I would not have liked to meet him in an alley. He was so motivated by brute force that he was really punishing the primate and it was making the ape a bit sullen to be side-punched and kicked when it wasn't part of the scenario.
At one point of the act, the yellow-man was supposed to get a strangle armlock on the primate. The ape was then supposed to front somersault out of it. Apparently the yellow-man wouldn't let go enough so the primate could flip. The yellow-man, hate in his eyes, was trying to finish the grip and really strangle the ape.
I heard the assistant trainer's voice dimly in the din and clatter of the hall. He said to the yellow-man, "Look. I'll take the place of the ape and you put the grip on me and I will show you exactly where to clamp so the ape can get out of it and do his somersault." I thought, trainer, I wouldn't do that if I were you, that yellow-man is kill-crazy.