"No," said Una, "I'll never forget the trip."
But she tried to keep the frenzy out of her voice. The frenzy was dying, as so much of her was dying. She hadn't realized a woman can die so many times and still live. Dead had her heart been at Pemberton's, yet it had secreted enough life to suffer horribly now, when it was again being mauled to death.
And she wanted to spare this man.
She realized that poor Ed Schwirtz, puttering about their temporary room in a side-street family hotel, yawning and scratching his head, and presumably comfortable in suspenders over a woolen undershirt-she realized that he treasured a joyous memory of their Savannah diversions.
She didn't want to take joy away from anybody who actually had it, she reflected, as she went over to the coarse-lace hotel curtains, parted them, stared down on the truck-filled street, and murmured, "No, I can't ever forget."
Part III. MAN AND WOMAN
CHAPTER XVI
For two years Una Golden Schwirtz moved amid the blank procession of phantoms who haunt cheap family hotels, the apparitions of the corridors, to whom there is no home, nor purpose, nor permanence. Mere lodgers for the night, though for score on score of tasteless years they use the same alien hotel room as a place in which to take naps and store their trunks and comb their hair and sit waiting-for nothing. The men are mysterious. They are away for hours or months, or they sit in the smoking-room, glancing up expectant of fortunes that never come. But the men do have friends; they are permitted familiarities by the bartender in the café. It is the women and children who are most dehumanized. The children play in the corridors; they become bold and sophisticated; they expect attention from strangers. At fourteen the girls have long dresses and mature admirers, and the boys ape the manners of their shallow elders and discuss brands of cigarettes. The women sit and rock, empty-hearted and barren of hands. When they try to make individual homes out of their fixed molds of rooms-the hard walls, the brass bedsteads, the inevitable bureaus, the small rockers, and the transoms that always let in too much light from the hall at night-then they are only the more pathetic. For the small pictures of pulpy babies photographed as cupids, the tin souvenirs and the pseudo-Turkish scarves draped over trunks rob the rooms of the simplicity which is their only merit.
For two years-two years snatched out of her life and traded for somnambulatory peace, Una lived this spectral life of one room in a family hotel on a side street near Sixth Avenue. The only other dwelling-places she saw were the flats of friends of her husband.
He often said, with a sound of pride: "We don't care a darn for all these would-be social climbers. The wife and I lead a regular Bohemian life. We know a swell little bunch of live ones, and we have some pretty nifty parties, lemme tell you, with plenty poker and hard liquor. And one-two of the bunch have got their own cars-I tell you they make a whole lot more coin than a lot of these society-column guys, even if they don't throw on the agony; and we all pile in and go up to some road-house, and sing, and play the piano, and have a real time."
Conceive Una-if through the fumes of cheap cigarettes you can make out the low lights of her fading hair-sitting there, trying patiently to play a "good, canny fist of poker"-which, as her husband often and irritably assured her, she would never learn to do. He didn't, he said, mind her losing his "good, hard-earned money," but he "hated to see Eddie Schwirtz's own wife more of a boob than Mrs. Jock Sanderson, who's a regular guy; plays poker like a man."
Mrs. Sanderson was a black-haired, big-bosomed woman with a face as hard and smooth and expressionless as a dinner-plate, with cackling laughter and a tendency to say, "Oh, hell, boys!" apropos of nothing. She was a "good sport" and a "good mixer," Mr. Schwirtz averred; and more and more, as the satisfaction of having for his new married mistress a "refined lady" grew dull, he adjured the refined lady to imitate Mrs. Sanderson.
Fortunately, Mr. Schwirtz was out of town two-thirds of the time. But one-third of the time was a good deal, since for weeks before his coming she dreaded him; and for weeks after his going she remembered him with chill shame; since she hadn't even the whole-hearted enthusiasm of hating him, but always told herself that she was a prude, an abnormal, thin-blooded creature, and that she ought to appreciate "Ed's" desire to have her share his good times, be coarse and jolly and natural.
His extravagance was constant. He was always planning to rent an expensive apartment and furnish it, but the money due him after each trip he spent immediately and they were never able to move away from the family hotel. He had to have taxicabs when they went to theaters. He would carol, "Oh, don't let's be pikers, little sister-nothing too good for Eddie Schwirtz, that's my motto." And he would order champagne, the one sort of good wine that he knew. He always overtipped waiters and enjoyed his own generosity. Generous he really was, in a clumsy way. He gave to Una all he had over from his diversions; urged her to buy clothes and go to matinées while he was away, and told it as a good joke that he "blew himself" so extensively on their parties that he often had to take day-coaches instead of sleepers for a week after he left New York.... Una had no notion of how much money he made, but she knew that he never saved it. She would beg: "Why don't you do like so many of the other traveling-men? Your Mr. Sanderson is saving money and buying real estate, even though he does have a good time. Let's cut out some of the unnecessary parties and things-"
"Rats! My Mr. Sanderson is a leet-le tight, like all them Scotch laddies. I'm going to start saving one of these days. But what can you do when the firm screws you down on expense allowances and don't hardly allow you one red cent of bonus on new business? There's no chance for a man to-day-these damn capitalists got everything lashed down. I tell you I'm getting to be a socialist."
He did not seem to be a socialist of the same type as Mamie Magen, but he was interested in socialism to this extent-he always referred to it at length whenever Una mentioned saving money.
She had not supposed that he drank so much. Always he smelled of whisky, and she found quart bottles of it in his luggage when he returned from a trip.
But he never showed signs of drunkenness, except in his urgent attentions to her after one of their "jolly Bohemian parties."
More abhorrent to her was the growing slackness in his personal habits.... He had addressed her with great volubility and earnestness upon his belief that now they were married, she must get rid of all her virginal book-learned notions about reticence between husband and wife. Such feminine "hanky-panky tricks," he assured her, were the cause of "all these finicky, unhappy marriages and these rotten divorces-lot of fool clubwomen and suffragettes and highbrows expecting a man to be like a nun. A man's a man, and the sooner a female gets on to that fact and doesn't nag, nag, nag him, and let's him go round being comfortable and natural, the kinder he'll be to her, and the better it'll be for all parties concerned. Every time! Don't forget that, old lady. Why, there's J. J. Vance at our shop. Married one of these up-dee-dee, poetry-reading, finicky women. Why, he did everything for that woman. Got a swell little house in Yonkers, and a vacuum cleaner, and a hired girl, and everything. Then, my God! she said she was lonely! Didn't have enough housework, that was the trouble with her; and darned if she doesn't kick when J. J. comes in all played out at night because he makes himself comfortable and sits around in his shirt-sleeves and slippers. Tell you, the first thing these women have gotta learn is that a man's a man, and if they learn that they won't need a vote!"