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“No.”

“But imagine ramming your tender lubya against that thick woolen plug inside an Arab woman. Anyway, I should distrust the efficacy of that method. What would an Arab woman know about preventing conception? Unless an Arab man wants to make a baby, he never does zina with his woman except through her rear entrance, as he is accustomed to using other men and boys, and they him.”

I was relieved to learn that the Princess Shams was not going to be fruitful and multiply her ugliness, thanks to her pomegranate preventive, though by rights I should have been disquieted, because I was thereby participating in one of the most abhorrent and mortal sins a Christian can commit. At some time in my travels, or when I returned home to Venice, I should again be in the vicinity of a Christian priest, and I should be obliged to make confession. Of course the priest would belabor me with penances for my having fornicated with two unmarried women at one time, but that was only a venial sin in comparison to the other. I could well foresee his horror when I confessed that, through the wicked arts of the East, I had been enabled to copulate for the sheer enjoyment of the act, with no Christian intention or expectation of progeny resulting from it.

Needless to say, I went on sinfully enjoying it. If there was any slight thing that hampered my total and complete enjoyment, it was not any nagging sense of guilt. It was my natural wish that each of my zina consummations could take place inside the Princess Moth to whom I was making love, and not in the unloved, unlovely Princess Shams. However, when Moth sternly repulsed my few tentative hints in that regard, I had the good sense to stop making them. I would not risk losing a happy situation out of greed for an unattainable happier one. What I did instead, I invented for myself a story, of a kind that might have been told by the story-telling Shahryar Zahd.

In my mind’s story, I made Sunlight not what she was, the ugliest female person in Persia, but the most gloriously beautiful. I made her so beautiful that Allah in His wisdom decreed: “It is unthinkable that the divine beauty and the blessed love of the Princess Shams should be limited to the enjoyment of any one man alone.” And that was why Shams was not married, and never would be. In obedience to almighty Allah, she was constrained to dispense her favors to all good and deserving suitors, and that was why I was currently the favored one. For a while, I utilized that story only when necessary. During most of each night’s zina, I had no need of anything more than the real loveliness and closeness of the Princess Moth to stir and sustain my ardor. But then, when our mutual play had made the delicious pressure mount inside me until it could no longer be contained, and I had to let it go, then I brought to mind my invented, alternate, imaginary, unreally sublime Princess Sunlight, and made her the receptacle of my surge and my love.

As I say, that sufficed me for a while. But after that while, I gradually fell prey to a sort of mild lunacy; I began to wonder if my story might not be something near the truth. Getting increasingly demented, I began to suspect a deep secret here, and to suspect that, by the workings of my subtle mind, I had been the first and only to uncover that secret. Eventually, I had got so deranged that I began making new hints to Moth : hinting that I really would like to see her unseeable sister. Moth looked worried and agitated when I did that, and even more so when I daringly began mentioning her sister’s name on occasions when we were in the presence of her parents and grandmother.

“I have had the honor of meeting most of your royal family, Your Majesty,” I would say to the Shah Zaman or the Shahryar Zahd, and then add in an offhand manner, “Except, I think, the estimable Princess Shams.”

“Shams?” he or she would say guardedly, and would look about in a shifty sort of way, and Moth would begin talking volubly to distract us all, while she rudely and almost literally elbowed me out of whatever room we were in.

God knows where that behavior might finally have got me—perhaps committed to the House of Delusion—but then my father and uncle returned to Baghdad, and it was time for me to say farewell to all three of my zina partners: to Moth and Shams and my story-made Shams.

6

MY father and uncle returned together, having met somewhere on the roads north from the Gulf. On first setting eyes on me, before we even exchanged a greeting, my uncle jovially roared out:

“Ecco Marco! For a wonder, still alive and still vertical and still at liberty! Are you not in any trouble then, scagaròn?”

I replied, “Not yet, I think,” and went to make sure I would not be. I sought out the Princess Moth and told her that our liaisons were at an end. “I can no longer stay out at night without causing suspicion.”

“It is too bad,” she pouted. “My sister has by no means tired of our zina.”

“Nor have I, Shahzrad Magas Mirza. But in truth I am much weakened by it. And now I must regain my strength for the rest of our journey.”

“Yes, you do look somewhat strained and haggard. Very well, I give you leave to desist. We will say our formal farewells before you depart.”

So my father and uncle and I sat down with the Shah, and they told him they had decided against taking the sea route to shorten our way eastward.

“We thank you sincerely, Shah Zaman, for having made the suggestion,” my father said. “But there is an old Venetian proverb. Loda el mar e tiente a la tera.”

“Which means—?” the Shah said affably.

“Laud the sea and attend to the land. In more general application it means: Praise the mighty and the dangerous, but cling to the small and secure. Now, Mafìo and I have done much sailing on mighty seas, but never aboard such ships as those of the Arab traders. No overland route could be less safe or more risky.”

“The Arabs,” said my uncle, “build their ocean-going ships in exactly the same slipshod way they build their ramshackle river boats, which Your Majesty sees here at Baghdad. All tied and fish-glued together, not a bit of metal in the construction. And deckloads of horses or goats dropping their merda into the passenger cabins below. Maybe an Arab is ignorant enough to venture to sea in such a squalid and rickety cockleshell, but we are not.”

“You are perhaps wise not to do so,” said the Shahryar Zahd, coming into the room at that moment, although we were a gathering of men. “I will tell you a tale … .”

She told several, and all of them concerned a certain Sindbad the Sailor, who had suffered a series of unlikely adventures—with a giant rukh bird, and with an Old Sheikh of the Sea, and with a fish as big as an island, and I do not remember what else. But the point of her recitation was that Sindbad’s every adventure had proceeded from his repeatedly taking passage on Arab ships, and each of those craft getting wrecked at sea, and his surviving to drift alone onto some uncharted shore.

“Thank you, my dear,” said the Shah, when she had concluded the sixth or seventh of the Sindbad tales. Before she might begin another, he said to my father and uncle, “Was your trip to the Gulf entirely unprofitable, then?”

“Oh, no,” said my father. “There was much of interest to see and to learn and to procure. For example, I bought this fine and keen new shimshir saber in Neyriz, and its artificer told me it was made of steel from Your Majesty’s iron mines nearby. His words bewildered me. I said to him, ‘Surely you mean steel mines.’ And he said, ‘No, we take the iron from the mines and put it into an ingenious sort of furnace, and the iron becomes steel.’ And I said, ‘What? You would have me believe that if I put an ass into a furnace it will come out a horse?’ And the artificer had to make much explanation to convince me. In solemn truth, Your Majesty, I and all of Europe have always believed that steel was a totally different and much superior metal to mere iron.”