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She inspected me for a few moments. "About time, Lovejoy," she said. "We're both suffering from malnutrition with those corny dinners you insist on serving up. I'll bring my things on Sunday to stay for as long as we last."

"I'll meet you at the station, seeing I'll be able to start the car now."

"There's a switch near the starting pump. Push it down, and she'll start with the first crank of the handle." She pulled me into the driver's seat and showed me an exotic circular gear wheel, five gears and one reverse. I sat like a beginner as she explained the controls.

"The London train, lady." The tea man knocked on his window to attract our attention.

"That's it, then, Lovejoy." She brushed her hair back and got her case out.

"I love you." I embraced her. "Give us a kiss, love."

The train came and took her away.

"Go easy in that monster," she called, her very last words to me. Go easy in that monster. Some exit line.

"I will. See you Sunday."

The tea man was out of his booth and examining the Armstrong as I came up. "You've a right bit of gorgeous stuff there," he said.

"Yes. I thought it was an Armstrong." I kicked a tire.

"Eh? Oh, no. I meant your young lady."

"Oh, yes. Her too."

I did the necessary and notched an intrepid forty-five on the trunk road back. The Armstrong—was it still an Armstrong?— didn't cough once and went like a bird.

I rolled up to George Field's house in style.

I was beginning to realize there was a lopsided distribution of wealth in the Field family. On the one hand was Eric, evidently wealthy, complete with mansion, eighty acres of manicured grass, and gardeners touching forelocks to the boss and his lady as they strolled out for a morning row on the two-acre pond. On the other was George, here in a two-bedroom farce on a small estate, with bicycles and wrecks of lawn mowers and old bits of wood bulging the garage. His little Ford, clean as a new pin, was parked in a drive barely long enough for it. Despite all this, he had dashed out a handful of notes, hired me as a would-be sleuth because of my knack of sniffing out antiques, and promised all those lovely D's for what could be a pipe dream.

He came to the door agog for news. It was obviously a major disappointment to him when I told him I'd only called to give him a progress report. We went into the living room and he asked his wife, a dumpier female version of himself, to bring some coffee. I told him some of the events but was careful when I said I'd visited Muriel.

"I'm so glad she's better now," Mrs. Field said. "She went through a very bad patch."

"She's still rather nervous," I agreed, setting her clucking at the tribulations all about. "Was she always?"

It seemed she was, but much worse since poor Eric's sudden end. I told George of my find in the apothecary box, mentally absolving myself of the payment I'd promised Sheila the day before.

"Do you recognize it?" I handed it over and he put on glasses.

"I wouldn't," he said. "I never touched the weapons, nor the screwdrivers. I wasn't much interested, as I said before."

I ran down the main events of the past couple of days for him and remembered to ask him if he had any details about the sale of Eric's stuff at the auctioneers, but without luck.

"It seems the cased weapons might have come from near a bird sanctuary near a coastal resort."

"There's a nice holiday place near Fellows Nab," Mrs. Field said. "Too many caravans there now, though. That's in Norfolk."

Mrs. Ellison's antique shop was a few miles from Fellows Nab. I'd seen the sign.

"You never saw the wrapping?" I asked George.

"No. You have to realize I only saw him and Muriel once a week on average, and he was always showing me this and that."

"You should have taken more notice, George," his wife said.

"Yes, dear," he said with infinite patience. I'd have to watch myself with Sheila, I thought uneasily, if this is marriage.

"I'm making a systematic study of every possible flinter transaction during the past two years." I was eager to show I was really trying. "It'll take a little time, though."

"But if you found out where they did come from, what then?" He was a shrewd nut.

"I don't honestly know," I said as calmly as I could. "But what else is there? They've vanished. The police are—"

"They've given it up," Mrs. Field said, lips thinned with disapproval. "I always said they would, didn't I, George?"

"I suppose what I'll do is find whoever sold them to your brother and ask who else knew where they were."

"Well, you know best, of course," he said, worried. "But poor Eric was a real talker. He wasn't the sort of person to conceal any of his finds in the antique world. He loved company and used to have his friends in."

"Friends?" I interrupted. "Collectors?"

"Oh, yes. And dealers."

"And dealers," Mrs. Field echoed. "Ever so many people thought highly of Eric's opinion. Very knowledgeable, he was, about practically everything. Old furniture as well."

"So it's probable a lot of people may have seen the Durs?"

"For certain."

I rose and thanked them. George came with me to the door.

"Look," I began hesitantly. "Please don't think I'm rude, Mr. Field, but—"

"Yes?"

"Well…"

Understanding began to dawn in his eyes. "You're wondering where I can get so much money from, Lovejoy," he observed with a smile.

"It's a lot of money," I said in embarrassment.

"Oh, I'm a careful man. Only thing I've ever done is run a shoe shop, and I didn't make good like Eric did in the property business." He was quite unabashed at my rudeness. "I have some savings, insurance. And the mortgage on the house is almost paid. I could take out a new one. You needn't be afraid the money would be forthcoming. After all, the Judas guns are the only real evidence, aren't they? If we can buy them back from whoever the… murderer… sold them to, they'll be proof, won't they?"

I listened as he rambled on about them for a moment, and chose my words with care.

"Mr. Field." I cleared my throat. "Do you mean to say that now, when you're comfortably settled and solvent at last, you'll chuck it all up and start working and paying all over again, just to—?"

"Don't say it, Lovejoy," he said gently. "Of course I would. And don't go looking at Eric's wealth for a reason, either. That just doesn't come into it. I approached you because somebody did Eric wrong. It shouldn't be allowed. It's wrong. It always was. Even these days, robbery and killing is still wrong."

I mumbled something I hoped sounded humble.

"You see, Lovejoy," he finished, "if you take away people, there's nothing else left, is there?"

I drove away. Ever feel you're beginning to lose your faith in human nature?

There was something wrong with the cottage. You get feelings like that even though there's nothing in particular you can detect consciously. I hadn't switched the alarm on that morning because I had planned only to run Sheila to the station, pop back to the cottage to collect my Adams revolving percussion gun, then drive to Dick Barton's boatshed and complete the deal, all this before going to George Field's. If Sheila hadn't been so knowledgeable about the car I'd have been back in time to prevent the robbery, for robbery it was. You can smell it.

Naturally I'd been done over before. Show me the antique dealer who hasn't. It's a hazard of the trade. Like injuries in motorcar racing, it comes with the job. Hence my usually meticulous concern for security. And the bloody alarm which had cost me the earth wasn't even switched on. Serves me right, I was thinking as I prowled about to make sure he'd gone. The place wasn't a complete shambles, but had suffered. Somebody in a hurry, obviously.

There were a couple of letters addressed to Sheila care of me on the doormat, so the post girl had called on time. Maybe her arrival had scared him off, I hoped, as nothing seemed out of place at first. The carpet hadn't been disturbed over my clever little priest hole, thank heavens, but I realized pretty quickly that my walnut-cased so-called carriage clock had gone.