"I c-can be Sammy…"
She heard these words more with her breast it seemed than her ears. A flush of cold about the heart. Even still, she continued to face the mirror.
"What do you mean? Kel, what are saying?"
Our children are so familiar to us that we often forget them, which is why the details of their existence sometimes strike us with discomfiting force. Either because she watched him through the mirror or in spite of it, Esmenet suddenly saw her son as a little stranger, the child of some unknown womb. For a moment, he seemed too beautiful to be…
Believed.
"If you don't…" Kelmomas began in a pinched voice. He was twisting the fabric of his tunic against his right hip, causing the hem to ride up his thighs.
At last she turned, sighing as if irritated and feeling instantly ashamed for it. "Sweetling. If I don't what?"
His little shoulders jerked in a soundless gasp. He stared down with the fierce concentration that only injured boys seemed able to summon-as though seeing could choke what was seen.
"If you don't w-want me… If you don't want… Kelmomas, I can be Sam-Sammi."
Heartbreak crashed over her, numbed her to the extremities. In a rush she saw the full compass of her selfishness. Had she even truly mourned for Samarmas, an anguished part of her wondered, or had she simply made him evidence of her own hardship? For whom had she grieved?
She tried to speak, but there was no voice in the sound she made.
Kelmomas warred with his trembling lips. "I l-look… look j-just like…" He fell to his rump, then slumped into a silken bundle onto the floor. He did not sob, nor did he wail; he keened, a noise every bit as small as his frame and yet animal in its intensity, its honesty.
Abandoning her reflection, Esmenet pressed through cool fabric to kneel over him. Now that she could see her crime, it seemed she had known all along. Trapped in circles of self-pity, pinned by the weight of endless duty and obligation, she had never paused to consider what Kelmomas suffered. As devastated and desolate as she had been the past days, she possessed the same vein of flint that tempered the heart of all mothers, the same hereditary knowledge. Children died. They died all the time, such was the cruelty of the world.
But for Kelmomas. He had lost so much more than a sibling or a playmate. He had lost his days. He had lost himself. And he could not comprehend.
I'm all he has left, she thought, stroking his fine, golden hair.
Even still, something dark in her recoiled.
Children. They wept so much.
Save for the long gold-and-white banners depicting the Circumfix, the Imperial Audience Hall on the Andiamine Heights looked much the same as it had during the Ikurei Dynasty. Everything was designed to overawe petitioners and to concentrate the glory and the dignity of those sitting upon the Mantle. The old Nansur Emperors had always aspired to an architectural and decorative opulence at odds with their actual power, perhaps thinking that the illusion, if pursued with enough patience and zeal, could be made manifest.
It was as Kellhus said: Monuments were as much prayers as they were tools, overreaching arrested in dwarfing stone. That the world was littered with their ruins illustrated more than a few uneasy facts regarding the human soul. Men were always inclined to bargain from a position of strength, especially where the Gods were concerned.
Today, Esmenet could not help but reflect, would almost certainly be a case in point.
She had grown quite accustomed to her seat just below the Mantle on the dais, fond of it even. Several paces from her slippered feet, steps descended in broad hemispheric arcs to the Auditory, the main floor where the penitents and courtiers assembled. An arcade of immense pillars soared to either side, diminishing both in perspective and illumination. Ornate tapestries hung motionless between the marble trunks, each a Gift from some province of the New Empire, each featuring the Circumfix as its central motif. Animal totems from Thunyerus. Tigers and twining lotus from Nilnamesh…
Everything, it seemed, had been pinned to her position, as though stone and space had faces that could turn, that could lower in obeisance. She was the windless centre, the intangible point of balance.
But it was the missing rear wall that pleased her most, the sense of natural light showering over her shoulders, the knowledge that everyone gathered across the Auditory saw her against the sky-bright firmament. It rendered what could be the most vulnerable position, the place of the effigy, into something too elusive to serve as a convincing target of curses. She loved nothing more than evening audiences, where petitioners often held their hands against the sun to see. It let her act and speak with the impunity of silhouettes.
She even liked the fact that birds continually became fouled in the nearly invisible netting that had been draped over the opening to prevent them from nesting in the vaults. There was something at once sinister and reassuring to the sense of flutter and battle hanging over her periphery. They relieved her, it seemed, of the need to make threats. On any given day, there would only be one or two trapped, their felt-limbed struggles too small and their cries too shrill to bring about any real compassion.
Today there were four.
Sometimes after sunset, she had allowed Samarmas help the slaves set them tree. Eyes miracle wide. Hands trembling. His smile was like tear, it was so intense.
The gentle swell of orisons from the upper galleries announced the Matriarch's imminent entrance-one of innumerable hymns to the Aspect-Emperor.
Our souls rise from darkness, at once near and far.
Our souls fall into darkness, through gates left ajar.
He comes before,
A candle carried into forever after.
He comes before…
Thinking of the twins, Esmenet set her teeth, warred against the pang that threatened to crack her painted face. Kelmomas had been inconsolable, and she had been forced to leave him bawling, begging for her to hold him, promising to become his dead brother for her sake.
"We l-love you, Mom-mommy… So-so m-much…"
We, he had said, his voice small and forlorn. She could scarce think of the episode without blinking the heat from her eyes. She exhaled slow and deep, doing her best to appear motionless. The great bronze doors swung soundlessly open, and she watched Hanamem Sharacinth, the nominal ruler of the Cult of Yatwer, stride into the abandoned Auditory. The Matriarch was supposed to dress in gunny to signify her poverty, but vertical bands gleamed across her earth-coloured gown with her every step. Maithanet accompanied her, resplendent as always in commodious white and gold.
He comes before,
A candle carried into forever after.
He comes before…
The end of the chorus faded into the pitch of ringing stone. The Yatwerian Matriarch stiffly dipped to one knee, then the other. "Your Glory," she said, before pressing her face to her reflection across the marble floor.
Esmenet nodded to demonstrate Imperial Favour. "Rise, Sharacinth. We are all children of the Ur-Mother."
The older woman lifted herself, though not without some effort. "Indeed, your Glory." She looked to Maithanet, as though expecting some kind of assistance, then remembered herself. She was not accustomed, Esmenet realized, to the company of her betters. Esmenet had received many petitioners over the years, long enough to reliably guess the tenor of an audience from the first exchange of words. Sharacinth, she could tell, had made hard habit out of authority, to the point where she could not be trusted to show either grace or deference. Defensiveness hung about the old woman like an odour.
Esmenet cut directly to the point. "What do you know of the White-Luck Warrior?"
"I thought as much," the Matriarch huffed, her eyes narrow with arrogance. Her face was angular and curiously bent, as though it were a thing of clay left too long on one side.