Impatience had begun to creep over him, and he could feel that something would have to happen soon. He couldn’t wait much longer. It was getting more and more difficult to keep his expression calm. Sometimes he was scared that he had taken on more than he could handle.
He got out at Central Station and fell into step with the rushing crowds. He followed the flow of people through the swinging doors and headed for the subway. The train was already at the platform, and he sprinted the last few yards. Gamla Stan, the Old Town, was only one station away.
M onika Wallin got in touch with Knutas before he had a chance to contact her. He was on his way to work when she rang his mobile. She sounded upset.
‘I’ve found something. I want you to come over here.’
‘What is it?’
‘I can’t tell you on the phone. But I was going through our storage room last night, and I discovered something that I’m certain you’ll want to see.’
Knutas glanced at his watch. He was going to be late for the morning meeting, but it couldn’t be helped. Fortunately he’d decided to drive to work this morning. Even though it wasn’t far to Snackgardsvagen, which was on the other side of the hospital, it would be much faster by car. Instead of pulling into police headquarters, he drove past and turned on to Kung Magnus Road, circling the roundabout near the classic Norrgatt pastry shop before he headed towards the hospital. When he pulled into the small parking area, he saw Monika Wallin standing there waiting for him. She was wearing a pink down jacket, and he was surprised to see that she had also put on pink lipstick.
‘Hi,’ she greeted him, her voice sounding a bit strained. She held her hand out to him. Even her gloves were pink.
Then she led the way to the terraced house. The storage room was at one end of the building, and the door was open. Monika Wallin stepped inside the poorly lit space, which was much larger than it seemed from outside. It was cluttered with all sorts of things. The Wallins’ house was neat and tidy, but this was a whole different story. Jumbled together were clay pots, old skis, shovels, lampshades, bicycle tyres, cardboard boxes, tools and gardening equipment.
‘The storage room was Egon’s domain,’ said Monika Wallin apologetically. ‘I never came in here. I’ve always refused because it’s so messy. I couldn’t even change a light bulb because I never knew where to find one.’
She sighed and looked around in resignation. They were standing close together in the only empty patch left on the floor. The walls were lined with shelves filled with all kinds of gadgets, and in the far corner was a table piled high with boxes.
‘Over here,’ she mumbled, leading Knutas along the narrow passage-way that she had apparently cleared in order to reach the very back of the storage room. There he saw a door, which was unlocked.
‘It leads to the furnace room. It’s connected to the laundry room, and there’s a door from the inside too. But we put a dryer in front of it, so now this is the only way to get in.’
Knutas followed as they entered a smaller room. Here everything was very orderly. Cardboard boxes were neatly stacked along the walls. On one side stood a kitchen table, old-fashioned but nice-looking. Monika Wallin moved aside a piece of chipboard and lifted up a tarpaulin. Knutas’s curiosity grew. He leaned forward eagerly to see what was underneath.
She pulled out a small box, placed it on the table and moved the tissue paper inside.
‘Look,’ she said. ‘I have no idea where it came from.’ Knutas looked down at the contents of the box.
There was a painting inside, no bigger than a sheet of A4 paper. The scene showed part of the Royal Palace in Stockholm, and Riddarholm Church was visible in the background. Otherwise the painting was dominated by the waters of Stockholm’s rapids. Judging by the golden colour reflected in the palace windows, it was the light of the setting sun that the artist had captured. Knutas was no art connoisseur, but even he could tell that this was a fine painting. He didn’t see any signature.
‘Who painted this?’
‘I’m not sure. I’m not really an art expert. I mostly took care of the administrative side of the business, but if I were to make an educated guess, I’d say it’s a Zorn.’
‘Anders Zorn?’ exclaimed Knutas with astonishment. ‘Then it must be worth a lot.’
‘If it’s a real Zorn, yes. But there are more.’
The next painting was a little bigger and had a beautiful gold frame. The motif was so recognizable that Knutas immediately knew who the artist was. Two plump, naked women, their skin white but their cheeks flushed red, on a shore that was undoubtedly Lake Siljan.
‘Now this one has to be a Zorn, right?’ he said excitedly. He looked for a signature and found it in the lower right corner of the painting.
He couldn’t believe his eyes. Here he stood in this little storage room in Visby, looking at work by one of Sweden’s most famous artists of all time. It was crazy.
Monika Wallin had more paintings to show him. There was one with a horse motif by Nils Kreuger, one with several sparrows in the snow by Bruno Liljefors, and another of two boys looking at an apple tree with a villa in the background. It was signed ‘C.L.’ — Carl Larsson.
Knutas had to sit down on a stool in the cramped space.
‘You had no idea that these paintings were here?’
‘Of course not. We’ve never had them in the gallery, we didn’t buy them, and there’s no documentation anywhere.’
‘They all appear to be by famous artists. What do you think they’re worth?’
‘A fortune,’ she said with a sigh. ‘Altogether we’re probably looking at millions of kronor.’
‘Have you looked through any of the other boxes in here?’
‘No. I can’t handle it any more. You’ll have to take over.’
‘We’ll need to do a search of your house. You realize that, don’t you?’
She nodded and threw out her hands in a gesture of surrender.
While they waited for reinforcements from police headquarters, Monika Wallin served Knutas coffee. That was when Knutas decided to take up the delicate issue. He chose to get right to the point.
‘Why didn’t you tell me when I was here before that you’re having an affair with Rolf Sanden?’
Apparently Monika Wallin had been expecting the question. Her expression didn’t change. ‘I thought it was of no interest to the case whatsoever.’
‘Everything to do with you and your husband is relevant to the case. Did Egon know about it?’
She sighed heavily. ‘No, he didn’t. He didn’t notice a thing. He stopped paying any attention to me long ago.’
‘How can you be so sure?’
‘Rolf and I had it all arranged so well. We met in the daytime, when Egon was at the gallery. I do a lot of my work at home. Usually I go to the gallery only on Mondays.’
‘Evidently your neighbours were aware of what was going on.’
‘I suppose that’s unavoidable in this neighbourhood. Not that I care. We don’t socialize with anyone from around here.’
‘Except you and Rolf?’
‘Yes, except for us.’
30
The paintings found in the Wallin storage room were confiscated by the police and sent by the next plane to Bukowski’s Auction House in Stockholm. There they would be identified and valued. Erik Mattson received them on Tuesday afternoon.
It took him less than an hour to identify them and confirm that they were genuine. All were originals. The larger Zorn painting with the Dalecarlian women on the shore of Lake Siljan was valued at between three and four million kronor. The others were worth several hundred thousand each. He calculated the total value to be between four and five million kronor. The works were registered, and after he looked them up in the databases, it turned out that they had all been stolen.