“Yes,” Tom replied. “They pretend to be what they are not.”
“The books do pretend, Mr. Branagan. Surely. But that is not all. Novels are filled with lies, but squeezed in between is even more that is true-without what you may call the lies, the pages would be too light for the truth, you see? The writer of books always puts himself in, his real self, but you must be careful of not taking him for his next -door neighbor.”
“It is still only imagination. Isn't it?”
“Let me show you something. Suppose this wineglass on the table were a character.” Tom nodded at the demonstration. “Good. Now, fancy it a man, imbue it with certain qualities, and soon fine filmy webs of thoughts spin and weave around it until it assumes form and beauty and becomes instinct with life. From there, the writing comes of itself until those two words, sorrowfully penned at last, stare at me, in capitals: THE END. But if I don't strike while the iron is hot-by iron I mean myself-I drift off again.”
Tom was not certain he fully understood, but he said he saw what Dickens meant.
“Do you?” asked Dickens. “That was a quick change of heart, Branagan. You're a slap-up man of good sense, I think. I'd rather you be honest with me next time, I'd always much rather that, whatever dear Dolby tells you.”
Taking Dickens's instruction to be honest to heart, Tom's thoughts turned to what was really on his mind since the cancellation of the readings. If Mrs. Barton had been attending all of Dickens's readings in Boston, as Tom suspected, she would have been disappointed, bitterly, by their cancellation. She would have felt personally insulted. If every other person in the country was too distracted by the impeachment to notice, she would not be-she might not even know there was an impeachment.
That night, Tom woke to the usual fire engines clanging outside. He had been dreaming when the noises pulled him out of his sleep.
He shook out his head as he sat in bed with his old flannels hanging on him. How strange the dream had been. The scene was a terrible railway accident like the one at Staplehurst where Dickens had nearly perished. Only Tom was in the novelist's place in this vision, and lowered himself down rocky ledge by rocky ledge to the bloodstained ravine where people screamed. Sheep and cattle, too, glided by his face as he tried to pull the victims to the shore of the river, only they were all dead, human and animal. Above, the first compartment of the train dangled over the broken bridge, raining loose pages of all Dickens's books into the river below.
Tom thought about this terrifying dream as he splashed his face with water from the wash basin and rubbed his eyes. His fingertips felt raw and cold against his skin. It was then he had an urgent premonition. Since tomorrow they would be leaving Boston, if Louisa Barton were going to act, it would be tonight. If she was not already at the Parker House, she would be. Tom knew it to be so.
Perhaps he was emboldened by the fact that Dolby and Osgood were not there to reprimand him. Tom dressed hastily and went down the hall to Dickens's door, where a hotel waiter sat guarding the entrance.
“What is it now?” asked the waiter, stirring spasmodically from a half sleep. He brushed Tom's hand off of his arm. “I'm dead beat tonight, fellow.”
“I need to speak with Mr. Dickens.”
“I doubt he desires an audience with anyone at this hour! Especially some Paddy porter! Come back in the morning.”
“You've had too much at the bar.” Tom waited, his eyes remaining fixed on the waiter.
“Very well,” the waiter huffed. He knocked on the door to the room and said there was a caller. Would Dickens allow him to enter?
“I'll be damned if I will!” came the novelist's reply from behind the door.
The waiter grinned triumphantly. Tom stood for a few more moments then, relenting, began to walk away. Just before opening the door to his own room, he heard sounds of a struggle-someone being strangled, a woman screaming out-all coming from inside Dickens's room. The waiter at the door looked paralyzed with fear. Tom ran back and dashed through Dickens's door.
There was Dickens in his velvet dressing gown, alone, standing before the massive mirror, his face wildly contorted and his hands squeezing a blanket as though it were his enemy's throat.
“Branagan! Come in,” he said cheerfully.
“Chief, I thought I heard…” Tom began, doubting his own senses.
“Ah, yes,” Dickens replied, laughing and then coughing. “I was just practicing a new short reading I've made-very different from the others. I have adapted and cut about the text with great care. Close the door there, if you would, and you'll hear some of it.”
The reading from Oliver Twist, one of the earliest novels of his career, told of Bill Sikes, the criminal, beating and killing his lover, Nancy, for betraying him by helping orphan Oliver's cause. Dickens acted this out step by step with vigor and violence that all brought out the inevitability of death. Tom felt a chill through his body as he seemed to watch the honest prostitute die before his eyes.
When it was done, Dickens fell back into an armchair and rolled his head in a circle to the left and right. “Nobody has seen it yet,” he said excitedly when he had his breath back. “I told Dolby, Fields, and Osgood about it at dinner. I have been trying it secretly, but I get something so horrible out of it I am afraid to do it in public.”
“It was petrifying, Chief. If any one woman in the audience screams, there could be an outbreak of hysteria.”
“I know it.”
“I suppose you can't sleep well with that on your mind,” Tom wondered.
“I can't sleep anyway! I have been coughing badly for three hours now and have not closed my eyes. Laudanum is the only thing that has done me good, but even soporifics fail me tonight. I have tried allopathy, homeopathy, cold things, warm things, sweet things, bitter things, stimulants, narcotics.”
Dickens pulled out the opiate mixture made from the various vials in his traveling medicine case and took another bitter spoonful. His previous energy had drained from him in the way it did when an actor went behind the back curtain after a scene. There was a sense that a combination of exhaustion and narcotics had taken a full hold of him.
“I hope to get sword in hand again soon,” said Dickens wearily. “I am as restless, Branagan, as if I were behind bars in the zoological gardens. If I had any to spare, I would wear a part of my mane away by rubbing it against the windows of my cage.”
“Chief, you asked me before to be honest,” said Tom.
“Did I?” Dickens asked, sucking at his tongue. “What do you say? Perform the new scene or not? I thought it was one of my finest. Though perhaps I should not commit the murder in America, it may be too much for this country's sensibilities.”
Tom had to raise his voice to be heard over the other man's regular bouts of coughing. “Mr. Dickens, not that. I am concerned about Louisa Barton, the woman who came into your room once before, and has attended your readings regularly, following us to New York and assaulting that widow, possibly stealing your diary: I believe that lady could be looking for you here tonight.”
“Even with the Argus-eyed guardian at my door?” Dickens asked sarcastically. “You have a reason to think so tonight in particular, Mr. Branagan, I take it.”
“The last series of Boston readings have been canceled-I'll be bound she would have attended, and I know not what the result on her mental state would be after being denied this. This is the last night-she will try something to find you and get what she has wanted from you.”
“Which is what?”
Tom's confidence waned. “I don't know.”
“Have you finished?” Dickens asked angrily.
“I have said what I feel.”
“Your infernal caution will be your ruin one of these days!” said Dickens, releasing a loud sigh, and he sat at his desk. Tom knew his words had not been persuasive enough, even to his own ears, but was surprised at Dickens's furor. He readied himself to leave the room.