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"Marshall-Wythe?" I inquire, taking notes.

"Right, at William and Mary. Mitch usually ran the same route, from here along Route Five, then over on Francis Street and to South Henry, then back. Usually an hour or so."

"Do you remember what he was wearing and what he might have had with him?" I ask her.

"Red warm-up suit and a vest. He had on a down vest over his warm-up. Uh, gray, North Face. And his butt pack. He never went anywhere without his butt pack."

"He had a gun in it?" Marino assumes.

She nods, swallowing, face stoical. "Gun, money, portable phone. House keys."

"He wasn't wearing the down jacket when his body was found," Marino informs her. "No butt pack. Describe the key."

"Keys," she corrects him. "He has the key for here, for the townhouse, and his car key on a steel ring."

"What does the key for your townhouse look like?" I ask, and I feel Jay staring at me.

"Just a brass key. A normal-looking key."

"He had a stainless steel key in the pocket of his running shorts," I say. "It has two-three-three written on it in permanent Magic Marker."

Agent Mclntyre frowns. She knows nothing about it. "Well now, that's really strange. I have no idea what that key might be to," she replies.

"So we gotta figure he was taken somewhere," Marino says. "He was tied up, gagged, tortured, then driven to Richmond and dumped in the street in one of our lovely projects, Mosby Court."

"Hot drug-trafficking area?" Pruett asks him.

"Oh yeah. The projects are big into economic development. Guns and drugs. You bet." Marino knows his turf. "But the other nice thing about places like Mosby Court is people don't see nothing. You want to dump a body, don't matter if fifty people were standing right there. They get temporary blindness, amnesia."

"Someone familiar with Richmond, then," Stanfield finally offers an opinion.

Mclntyre's eyes are wide. She has a stricken expression on her face. "I didn't know about torture," she says to me. Her professional resolve shivers like a tree about to fall.

I describe Barbosa's burns and go into detail about the burns Matos had, as well. I talk about the evidence of ligatures and gags, and then Marino talks about the eyebolts in the motel room ceiling. All present get the picture. Everyone can envision what was done to these two men. We have to suspect the same person or persons are involved in their deaths. But this doesn't begin to tell us who or why. We don't know where Barbosa was taken, but I have an idea.

"When you go back there with Vander," I say to Marino, "maybe you ought to check out the other rooms, see if another one has eyebolts in the ceiling."

"Will do. Got to go back there anyway." He glances at his watch.

"Today?" Jay asks him.

"Yup."

"You got any reason to think Mitch was drugged like the first guy?" Pruett asks me.

"I didn't find any needle marks," I reply. "But we'll see what comes up on his tox results."

"Jesus," Mclntyre mutters.

"And both of them wet their pants?" Stanfield says. "Doesn't that happen when people die? They lose control of their bladders and wet their pants? Just a natural thing, in other words?"

"I can't say losing urine is rare. But the first man, Matos, took his clothes off. He was nude. It appears he wet his pants and then disrobed."

"So that was before he got burned," Stanfield says.

"I would assume so. He wasn't burned through his clothing," I reply. "It's very possible both victims lost control of their bladders due to fear, panic. You get scared badly enough, you wet your pants."

"Jesus," Mclntyre mutters again.

"And you see some asshole screwing eyebolts in the ceiling and plugging in a heat gun, that's enough to scare the piss right out of you," Marino abundantly illustrates. "You know damn well what's about to happen to you."

"Jesus!" Mclntyre blurts out. "What the fuck is this about?" Her eyes blaze.

Silence.

"Why the fuck would someone do something like that to Mitch? And it's not like he wasn't careful, not like he would just get in someone's car or even get close to some stranger trying to stop him on the road."

Stanfield says, "Makes me think of Vietnam, the way they did things to prisoners of war, tortured them to make them talk."

Making someone talk can certainly be one reason for torture, I respond to what Stanfield has just said. "But it's also a power rush. Some people are into torture because they get off on it."

"You think that's the case here?" Pruett says to me.

"I have no way of knowing." Then I ask Mclntyre, "I noticed a fishing pole when I was coming up the walk."

Her reaction is a flicker of confusion. Then she realizes what I am talking about. "Oh, right. Mitch likes to fish."

"Around here?"

"A creek over near College Landing Park."

I look at Marino. That particular creek is at the edge of the wooded camping area at The Fort James Motel.

"Mitch ever mention to you the motel over there by that creek?" Marino asks her.

"I just know he liked to fish over there."

"He know the lady who runs the joint? Bev Kiffin? And her

husband? Maybe you both know him since he works for Overland?" Marino says to Mclntyre.

"Well, I do know that Mitch used to talk to her boys. She has two young boys and sometimes they'd be out there fishing when Mitch was. He said he felt for them because their dad was never around. But I don't know anybody named Kiffin at the trucking company, and I do their books."

"Can you check that out?" Jay says.

"Maybe his last name's different from hers."

"Yeah."

She nods.

"You remember the last time Mitch went fishing out there?" Marino asks her.

"Right before all the snow," she replies. "It was pretty nice weather up until then."

"I noticed some change, a couple beer bottles and some cigars on the landing," I say. "Right by the fishing pole."

"You sure he hasn't been fishing out there since it snowed?" Marino picks up my thought.

The expression in her eyes makes it evident that she isn't sure. I wonder just how much she really knows about her undercover boyfriend.

"Any illegal shit going on at the motel that you and Mitch are aware of?" Marino asks her.

Mclntyre starts shaking her head. "He never mentioned anything about that. Nothing like that. His only connection to the place was fishing and being nice to the two boys, on occasion, if he saw them."

"Just if they happened up when he was fishing?" Marino keeps pushing. "Any reason to think Mitch might have ever wandered over to the house to say hi to them?"

She hesitates.

"Mitch a generous guy?"

"Oh yes," she says. "Very much so. He might have wandered over. I don't know. He really likes kids. Liked them." She tears up again and at the same time simmers.

"How did he identify himself to people around here? He say he was a truck driver? What did he say about you? You supposed to be a career woman? Now, you two weren't really boyfriend and girlfriend. That was just part of the front, right?" Marino is on to something. He is leaning forward, his arms braced on his knees, staring intensely at Jilison Mcln-tyre. When he gets like this, he fires questions so rapidly, people often don't have time to answer. Then they get confused and say something they regret. She does that this very moment.

"Hey, I'm not a fucking suspect," she snaps at him. "And our relationship, I don't know what you're getting at. It was professional. But you can't help being close to someone when you live in the same damn townhouse and act like you're involved, make people think you are."

"But you weren't involved," Marino says. "Or at least he wasn't with you. You guys were doing a job, right? Meaning, if he wanted to pay attention to a lonely woman with two nice little boys, he could do that." Marino leans back in his chair. The room is so silent, it seems to hum. "Problem is, Mitch shouldn't have done that. Dangerous, fucking stupid in light of his situation. He one of those types who had a hard time keeping his pants on?"