She doesn't answer him. Tears jump out.
"You know what, folks?" Marino scans the room. "It just might be that Mitch got tangled up in something that doesn't have a damn thing to do with your undercover operation here. Wrong place, wrong time. Caught something he sure as hell wasn't fishing for."
"You got any idea where Mitch was at three o'clock Wednesday afternoon, when Matos checked into the motel and the fire started?" Stanfield is putting the pieces together. "Was he here or out somewhere?"
"No, he wasn't here," she barely says, wiping her eyes with a tissue. "Gone. I don't know where."
Marino blows out in disgust. He doesn't need to say it. Undercover partners are supposed to keep track of each other, and if Agent Mclntyre didn't always know where Special Agent Barbosa was, then he was up to something that maybe wasn't germane to their investigation.
"I know you don't even want to think it, Jilison," Marino goes on in a milder tone, "but Mitch was tortured and murdered, okay? I mean, the guy was fucking scared to death.
Literally. Whatever someone was doing to him, it was so awful, he had a fucking heart attack. He wet his fucking pants. He was taken somewhere and strung up, gagged and then has a weirdo key put in his pocket, planted, what for? Why? He into anything we ought to know about, Jilison? He fishing for more than bass out there in that creek by the campground?"
Tears are rolling down Mclntryre's face. She wipes them away roughly with the tissue and sniffles loudly. "He liked drinking and women," she barely says. "Okay?"
"He ever go out at night, barhopping and that sort of thing?" Pruett asks her.
She nods. "It was part of his cover. You saw…" Her eyes jump to me. "You saw him. His dyed hair, the earring, all the rest. Mitch played the role of a sort of, well, wild party guy and he did like the women. He never pretended to be, uh, faithful to me, to his so-called girlfriend. It was part of his cover. But it was also him. Yeah. I worried about it, okay? But that was Mitch. He was a good agent. I don't think he did anything dishonest, if that's what you're asking. But he didn't tell me everything, either. If he got onto something going on at the campground, for example, he might have started poking around. He might have."
"Without letting you know," Marino confirms.
She nods again. "And I was out doing my thing, too. It's not like I was here every minute waiting for him. I was working in the office at Overland. Part-time, anyway. So we didn't always know what the other was up to every hour of every day."
"I'll tell you this much," Marino decides. "Mitch stumbled onto something. And I'm just wondering if he wasn't out at the motel around the time Matos showed up, and maybe whatever Matos was into, Mitch had the misfortune of being spotted in the area. Maybe it's just that simple. Somebody thinks he saw something, knew something, and next thing, he gets picked up and gets the treatment."
No one argues, Marino's theory, actually, is the only one so far that makes any sense.
"Which brings us back to what Matos was doing here to begin with," Pruett comments.
I look at Stanfield. He has wandered out of the conversation. His face is wan. He is a nervous wreck. His eyes drift to me and quickly move away. He wets his lips and coughs several times.
"Detective Stanfield," I feel compelled to say to him in front of everyone. "For God's sake, don't tell any of this to your brother-in-law." Anger sparks in his eyes. I have humiliated him and don't care. "Please," I add.
"You want to know the truth?" he angrily retorts. "I don't want nothing to do with any of this." He slowly draws himself to his feet and looks around the room, blinking, his eyes glazing over. "I don't know what this is all about, but I don't want no part_I mean, no part of it. You feds are in it already, up to your eyeballs, so you can just have it. I quit." He nods. "You heard me right, I quit."
Detective Stanfield, to our amazement, collapses. He falls so hard the room shakes. I spring up. Thank God, he is breathing. His pulse is running wild, but he is not in the grips of a cardiac arrest or anything life-threatening. He simply has fainted. I check his head to make sure he hasn't injured himself. He is all right He comes to. Marino and I help him to his feet and get him on the couch. I make him lie down and prop several pillows under his neck. Most of all, he is embarrassed, acutely so.
"Detective Stanfield, are you diabetic?" I ask. "Do you have a heart condition?"
"If you just got a Coke or something, that would be good," he says, weakly.
I get up and head into the kitchen. "Let me see what I can do," I say as if I live here. Inside the refrigerator, I get out orange juice. I find peanut butter in a cabinet and scoop out a big spoonful. It is while I am looking for paper towels that I notice a prescription bottle by the toaster oven. Mitch Barbosa's name is on the label. He was taking the antidepressant Prozac. When I return to the living room, I say something about this to Mclntyre and she tells us that Barbosa went on Prozac several months ago because he was suffering from anxiety and depression, which he blamed on the undercover assignment, on stress, she adds.
"That's interesting," is all Marino has to say about it.
"You said you're going back to the motel when you leave here?" Jay asks Marino.
"Yeah, Vander's going to see if we might have any luck with prints."
"Prints?" Stanfield murmurs from his sickbed.
"Jesus, Stanfield," Marino blurts out in exasperation. "They teach you anything in detective school? Or did you get sent ahead several grades because of your goddamn brother-in-law?"
"He is a goddamn brother-in-law, you want to know the truth." He says this so pitifully and with such candor that everybody laughs. Stanfield perks up a little bit. He sits higher against the pillows. "And you're right." He meets my eyes. "I shouldn't have told him one peep about this case. And 1 won't tell him nothing else, not a word, because it's all politicking to that one. It wasn't me who dragged in this whole Jamestown thing, just so you know."
Pruett frowns. "What Jamestown thing?"
"Oh, you know, the dig out there and the big celebration the state's planning. Well, thing is, if the truth be known, Din-widdie got no more Indian blood in him than I do. All this horse crap about him being a descendent of Chief Powhatan. Pshaw!" Stanfield's eyes dance with resentment that I doubt he rarely touches. He probably hates his brother-in-law.
"Mitch has Indian blood," Mclntyre says somberly. "He's half Native American."
"Well, for Christ's sake, let's hope the newspapers don't find that out," Marino mutters to Stanfield, not buying for one second that Stanfield is going to keep his mouth shut. "We got a gay guy and now an Indian. Oh boy, oh boy." Marino shakes his head. "We got to keep this out of politics, out of circulation and I mean it." He stares right at Stanfield, then at Jay. "Because guess what? We can't talk about what we think is really going on, now can we'? About the big undercover operation. About Mitch being undercover FBI. And that maybe in some fruitloop way, Chandonne is all wrapped around what- ever the shit's going on out here. So if people get all caught up in this hate crime shit, how do we turn that around when we can't tell the truth?"
"I don't agree," Jay says to him. "I'm not ready to say what these murders are about. I'm not prepared to accept, for example, that Mates and now Barbosa aren't related to gun smuggling. I do think without a doubt their murders are connected."
No one disagrees. The modi operandi are too similar for the deaths not to be related, and in fact, committed by the same person or persons.
"I'm also not prepared to totally ignore the idea that they're hate crimes," Jay goes on. "A gay male. A Native American." He shrugs. "Torture's pretty damn hateful. Any injuries to their genitalia?" He turns to me.