Detective Stanfield answers and greets us distractedly, his eyes darting everywhere. Tension between him and Marino is a wall between them. "Sorry I didn't make it by the motel," he announces curtly as he steps aside to let us in. "Something's come up. You'll see that in a minute," he promises. He is in gray corduroys and a heavy wool sweater, and he won't meet my eyes, either. I am not sure if this is because he knows how I feel about his leaking information to his brother-in-law, Representative Dinwiddie, or if there is some other reason. It flashes across my thoughts that he might know I am being investigated for murder. I try not to think about that reality. It serves no good purpose to worry right now. "Everybody's upstairs," he says, and we follow him up.
"Who's everybody?" Marino asks.
Our feet thud quietly on carpet. Stanfield keeps moving. He doesn't turn around or pause when he replies, "ATF and the FBI."
I notice framed photographs arranged on the wall to the left of the staircase and take a moment to peruse them, recognizing Mitch Barbosa grinning with tipsy-looking people in a bar and hanging out the window of the cab of a transfer truck. In one photograph, he is sunbathing in a bikini on a tropical beach, maybe Hawaii. He holds up a drink, toasting the person behind the camera. Several other poses are with a pretty woman, perhaps the girlfriend he lives with, I wonder. Halfway up is a landing and the window the fishing pole leans against.
I stop, a strange sensation lightly whispering across my flesh as I examine, without touching, a Shakespeare fiberglass rod and Shimano reel. A hook and split-shot weights are attached to the fishing line, and on the carpet next to the rod's handle is a small blue plastic tackle box. Nearby, as if set down when someone entered the townhouse, are two empty Rolling Rock beer bottles, a new pack of Tiparillo cigars and some change. Marino turns around to see what I am doing. I join him at the top of the stairs and we emerge into a brightly lit living area that is attractively decorated in spare modern furniture and Indian rugs.
"When's the last time you went fishing?" I ask Marino.
"Not freshwater," he replies. "Not around here these days."
"Exactly." I am cut off by an awareness that I know one of the three people standing near the picture window in the living room. My heart jumps when the familiar dark head turns to me and suddenly I am facing Jay Talley. He doesn't smile, his glance sharp as if his eyes are tipped like arrows. Marino makes a barely audible noise that is like a groan from a small, primitive animal. It is his way of letting me know that Jay is the last person he wants to see. Another man in a suit and tie is young and looks Hispanic, and when he sets down his coffee cup, his jacket falls open and reveals a shoulder holster holding a large caliber pistol.
The third person is a woman. She doesn't demonstrate the devastated, confused demeanor of a person whose lover has just been killed. She is upset, yes. But her emotions are well contained beneath the surface, and I recognize the flare in her eyes and angry set of her jaw. I have seen the look in Lucy, in Marino and others who are more than bereft when something bad happens to a person they care about. Cops. Cops are offended and in an eye for an eye mode when something happens to one of their own. Mitch Barbosa's girlfriend, I suspect right away, is law enforcement, probably undercover. In a matter of minutes, the scenario has dramatically shifted.
"This is Bunk Pruett, FBI." Stanfield makes introductions. "Jay Talley, ATF" Jay shakes my hand as if we have never met. "And Jilison Mclntyre." Her handshake is cool but firm. "Ms. Mclntyre's ATF"
We find chairs and arrange them so all of us can look at each other and talk. The air is hard. It is flinty with anger. I recognize the mood. I have seen it so many times when a cop is killed. Now that Stanfield has set the stage, he slips behind a curtain of sullen silence. Bunk Pruett takes charge, typical FBI. "Dr. Scarpetta, Captain Marino," Pruett begins. "I want to state the obvious right off. This is highly, highly sensitive. To be honest, I hate saying anything about what's going on, but you got to know what you're dealing with." His jaw muscles bunch. "Mitch Barbosa is_was_undercover FBI, working a big investigation here in this area, which now of course we have to dismantle, at least to a certain degree."
"Drugs and guns," Jay says, glancing from Marino to me.
Chapter 24
IS INTERPOL INVOLVED?" I DON'T UNDERSTAND WHY Jay Talley is here. Barely two weeks ago, he was working in France.
"Well, you should know," Jay says with a trace of sarcasm, or maybe I imagine it. "The unidentified case you just contacted Interpol about, the guy who died in the motel down the road? We have an idea who he might be. So yes, Interpol's involved. Now we are. You bet."
"I wasn't aware we'd gotten a response from Interpol." Marino barely tries to be civil to Jay. "So you're telling me the guy from the motel's some sort of international fugitive, maybe?"
"Yes," Jay replies. "Rosso Matos, twenty-eight-year-old native of Colombia, as in South America. Last seen in Los Angeles. Also known as the Cat because he's such a quiet guy when he goes in and out of places, killing. That's his specialty. Taking people out, a hit man. Matos has a reputation for liking very expensive clothes, cars_and young men. I guess I need to talk about him in the past tense." Jay pauses. No one responds beyond looking at him. "What none of us understands is what he was doing here in Virginia," Jay adds.
"What exactly is the operation here?" Marino asks Jilison Mclntyre.
"Started four months ago with a guy speeding along Route Five just a couple miles from here. A James City cop pulls him." She glances at Stanfield. "Runs his tag and finds out he's a convicted felon. Plus the officer happens to notice the handle of a long gun protruding from under a blanket in the back seat, turns out to be a MAK-90 with the serial number ground off. Our labs in Rockville managed to restore the SN and traced the weapon to a shipment from China_a regular shipment to Richmond. As you know, a MAK-90's a popular knock-off of the AK-47 assault rifle, going rate of a thousand, two thousand bucks on the street. Gang members love the MAK, made in China, regularly shipped to local ports in Richmond, Norfolk, legitly in crates accurately marked. Other MAKs are being smuggled in from Asia along with heroin, in all kinds of crates marked everything from electronics to Oriental rugs."
In an all-business voice that only occasionally reveals the strain she feels, Mclntyre describes a smuggling ring that, in addition to area ports, involves the James City County trucking company where Barbosa was undercover as a driver and she was undercover as his girlfriend. He got her a job in the company's office, where bills of lading and invoices were falsified to disguise a very lucrative operation that also involves cigarettes en route from Virginia to New York and other destinations in the Northeast. Some weapons are being sold through a dirty gun dealer in this area, but a lot of them end up in backroom sales at gun shows, and we all know how many gun shows Virginia has, Mclntyre says.
"What's the name of the trucking company?" Marino asks.
"Overland."
Marino's eyes dart to me. He runs his fingers through his thinning hair. "Christ," he says to everyone. "That's who Bev Kiffin's husband works for. Jesus Christ."
"The lady who owns and runs The Fort James Motel," Stanfield explains to the others.