Doctor Legros, chief of staff at the hospital at Gonaives, was a good-looking mulatto of middle years with pomaded hair and a thin mustache. His three-piece suit was all sharp creases and jutting angles, like that of a paper doll, and his handshake left Zora’s palm powder dry. He poured her a belt of raw white clairin, minus the nutmeg and peppers that would make it palatable to Guede, the prancing black-clad loa of derision, but breathtaking nonetheless, and as they took dutiful medicinal sips his small talk was all big, all politics—whether Mr. Roosevelt would be true to his word that the Marines would never be back; whether Haiti’s good friend Senator King of Utah had larger ambitions; whether America would support President Vincent if the grateful Haitians were to seek to extend his second term beyond the arbitrary date technically mandated by the Constitution—but his eyes, to Zora who was older than she looked and much older than she claimed, posed an entirely different set of questions. He seemed to view Zora as a sort of plenipotentiary from Washington, and only reluctantly allowed her to steer the conversation to the delicate subject of his unusual patient.
“It is important for your countrymen and your sponsors to understand, Miss Hurston, that the beliefs of which you speak are not the beliefs of civilized men, in Haiti or elsewhere. These are Negro beliefs, embarrassing to the rest of us, and confined to the canaille—to the, what is the phrase, the backwater areas, such as your American South. These beliefs belong to Haiti’s past, not her future.”
Zora mentally placed the good doctor waistcoat-deep in a backwater area of Eatonville, Florida, and set gators upon him. “I understand, Doctor Legros, but I assure you I’m here for the full picture of your country, not just the Broadway version, the tomtoms and the shouting. But in every ministry, veranda and salon I visit, why, even in the office of the director-general of the Health Service, what is all educated Haiti talking about but your patient, this unfortunate woman Felicia Felix-Mentor? Would you stuff my ears, shelter me from the topic of the day?”
He laughed, his teeth white and perfect and artificial. Zora, self-conscious of her own teeth, smiled with her lips closed, chin down. This often passed for flirtation. Zora wondered what the bright-eyed Doctor Legros thought of the seductive man-eater Erzulie, the most “uncivilized” loa of all. As she slowly crossed her legs, she thought: Huh! What’s Erzulie got on Zora, got on me?
“Well, you are right to be interested in the poor creature,” the doctor said, pinching a fresh cigarette into his holder while looking neither at it nor at Zora’s eyes. “I plan to write a monograph on the subject myself, when the press of duty allows me. Perhaps I should apply for my own Guggenheim, eh? Clement!” He clapped his hands. “Clement! More clairin for our guest, if you please, and mangoes when we return from the yard.”
As the doctor led her down the central corridor of the gingerbread Victorian hospital, he steered her around patients in creeping wicker wheelchairs, spat volleys of French at cowed black women in white, and told her the story she already knew, raising his voice whenever passing a doorway through which moans were unusually loud.
“In 1907, a young wife and mother in Ennery town died after a brief illness. She had a Christian burial. Her widower and son grieved for a time, then moved on with their lives, as men must do. Empty this basin immediately! Do you hear me, woman? This is a hospital, not a chickenhouse! My pardon. Now we come to a month ago. The Haitian Guard received reports of a madwoman accosting travelers near Ennery. She made her way to a farm and refused to leave, became violently agitated by all attempts to dislodge her. The owner of this family farm was summoned. He took one look at this poor creature and said, ‘My God, it is my sister, dead and buried nearly thirty years.’ Watch your step, please.”
He held open a French door and ushered her onto a flagstone veranda, out of the hot, close, blood-smelling hospital into the hot, close outdoors, scented with hibiscus, goats, charcoal and tobacco in bloom. “And all the other family members, too, including her husband and son, have identified her. And so one mystery was solved, and in the process, another took its place.”
In the far corner of the dusty, enclosed yard, in the sallow shade of an hourglass grove, a sexless figure in a white hospital gown stood huddled against the wall, shoulders hunched and back turned, like a child chosen It and counting.
“That’s her,” said the doctor.
As they approached, one of the hourglass fruits dropped onto the stony ground and burst with a report like a pistol firing, not three feet behind the huddled figure. She didn’t budge.
“It is best not to surprise her,” the doctor murmured, hot clairin breath in Zora’s ear, hand in the small of her back. “Her movements are… unpredictable.” As yours are not, Zora thought, stepping away.
The doctor began to hum a tune that sounded like
but wasn’t. At the sound of his humming, the woman—for woman she was; Zora would resist labeling her as all Haiti had done—sprang forward into the wall with a fleshy smack, as if trying to fling herself face first through the stones, then sprang backward with a half-turn that set her arms to swinging without volition, like pendulums. Her eyes were beads of clouded glass. The broad lumpish face around them might have been attractive had its muscles displayed any of the tension common to animal life.
In her first brush with theater, years before, Zora had spent months scrubbing bustles and darning epaulets during a tour of that damned Mikado, may Gilbert and Sullivan both lose their heads, and there she learned that putty cheeks and false noses slide into grotesquerie by the final act. This woman’s face likewise seemed to have been sweated beneath too long.
All this Zora registered in a second, as she would a face from an elevated train. The woman immediately turned away again, snatched down a slim hourglass branch and slashed the ground, back and forth, as a machete slashes through cane. The three attached fruits blew up, bang bang bang, seeds clouding outward, as she flailed the branch in the dirt.
“What is she doing?”
“She sweeps,” the doctor said. “She fears being caught idle, for idle servants are beaten. In some quarters.” He tried to reach around the suddenly nimble woman and take the branch.
“Nnnnn,” she said, twisting away, still slashing the dirt.
“Behave yourself, Felicia. This visitor wants to speak with you.”
“Please leave her be,” Zora said, ashamed because the name Felicia jarred when applied to this wretch. “I didn’t mean to disturb her.”
Ignoring this, the doctor, eyes shining, stopped the slashing movements by seizing the woman’s skinny wrist and holding it aloft. The patient froze, knees bent in a half-crouch, head averted as if awaiting a blow. With his free hand, the doctor, still humming, still watching the woman’s face, pried her fingers from the branch one by one, then flung it aside, nearly swatting Zora. The patient continued saying, “Nnnnn, nnnnn, nnnnn,” at metronomic intervals. The sound lacked any note of panic or protest, any communicative tonality whatsoever, was instead a simple emission, like the whistle of a turpentine cooker.
“Felicia?” Zora asked.
“Nnnnn, nnnnn, nnnnn.”
“My name is Zora, and I come from Florida, in the United States.”
“Nnnnn, nnnnn, nnnnn.”
“I have heard her make one other noise only,” said the doctor, still holding up her arm as if she were Joe Louis, “and that is when she is bathed or touched with water—a sound like a mouse that is trod upon. I will demonstrate. Where is that hose?”