They played the nine o'clock set every Monday, until a particular night in June when it seemed to Gavin that there was tension between Deval and Morelli during the first set. They took a break, during which they murmured inaudibly but furiously in a back corner. They started the second set unevenly. Something was off— Morelli was glaring at his guitar and when he took a solo he went too far out and the beat was lost. Deval's glissandos were ungrounded. The guitars went subtly but maddeningly out of sync. The bass player closed his eyes and struggled to keep the rhythm. When the short set was over they packed up their instruments without looking at one another. Deval slung his guitar case over his back and walked out of the room without a word. Morelli looked up at him when he left, his expression unreadable. The bass player was glowering and wouldn't look at either of them. Morelli left a few minutes later, and after that the nine o'clock set on Mondays was a large beautiful woman with squared-off bangs and red lipstick who played exquisite melodies on a ukulele, a dreamlike wave of strings and horns and soft drumbeats rising up behind her.
J u l i e s e n t him an email. She wanted to know if there was anything he wanted to tell her. There was, there was, but he sat paralyzed for some time before he managed it. "Some of this you already know," he wrote, but he listed them all anyway: the woman in the Florida story whose name wasn't Chloe, the imaginary concerned parent in the Bronx playground with the child who also didn't exist, the woman who probably wasn't an Alkaitis investor climbing into a taxi in the rain, the day he stood across the street from a burned-out apartment and couldn't bear to speak with any of the neighbors or get any closer to the scene: it seemed a banal downfall when he read it on the screen. He said he was sorry and hit send. He waited days for a response but there was nothing.
.
Th e d r i p from the showerhead in Gavin's apartment had turned into a steady trickle and now it leaked a stream of hot water day and night. Gavin wasn't paying rent anymore, which made the situation awkward, because once you've stopped paying rent you can't really call the landlord to complain about repairs, and spending his own money on a plumber was out of the question. In a way he didn't mind it. The sound lulled him to sleep. The leaking water was scaldingly hot, which made the room fill permanently with steam. The bathroom grew strange and almost subtropical. Cool drips fell from the ceiling, water slid down the walls, the paint bubbled.
Gavin imagined the damage being done to the paint job was irreparable, but this struck him as a reasonable trade-off for the landlord's failure to do anything about the broken light in the stairwell. He stood barefoot in the bathroom some mornings, rain falling from the ceiling, and wondered what Karen would do in this situation. The obvious answer, of course, was that Karen would never have allowed this to happen in the first place. He was pretty sure the dark spot in the northeast corner of the ceiling was turning into a mushroom. His reflection in the fogged-up mirror stared back at him with a fixed, somewhat shell-shocked expression. He wondered how much more he could lose.
Ten
Some weeks earlier, in a suburb of Salt Lake City, Daniel had been waiting for an audience in a meth dealer's living room. He sat alone for two hours before the door finally opened.
"Daniel," Paul said. He'd changed very little since Daniel had seen him last, although Daniel had forgotten about his tattoo, a large bright goldfish on the side of his neck. It was obvious that if he was still dealing meth, he hadn't indulged in his product. His teeth when he smiled were even and white, and he had none of the hollow-eyed blankness Daniel saw in his drug arrests. His handshake was firm. "I'm surprised to see you again. What's it been, ten years?"
" About that. How's business?"
Paul shrugged. "Honestly?" he said, and for just a moment Daniel saw a flash of the man Paul had been when they'd first met, when they were working construction together during the summer before Daniel's last year of high school. They'd been friends once. "It's all cartels now," he said. "It's not like it was. I don't even work for myself no more."
"They pay you a salary?"
"Something like that."
"I see you renovated the house," Daniel said.
"A few years back. I like it like this. Clean, that's the word the decorator kept using. Clean lines." Paul sat on the hard gray sofa across from him. Except for the carpet, which was deep enough to silence every step, nothing in this room was soft. "Now," he said, "why don't you tell me what you're doing here?"
"Paul," Daniel said, "my grandmother died this morning in Florida."
"My condolences."
" Thank you. I don't like to think of her death in these terms, but the fact of it is, she told me a while back that I'd be getting some money."
"And this is, what, a business proposition?"
"Paul, I'd like to pay back Anna Montgomery's debt. The hundred and twenty-one thousand." His gaze kept drifting to Paul's hands. He had watched Paul beat a man almost to death once and he wished he could forget what it had sounded like, Paul's fists against the man's limp body. He wished he could forget that he hadn't intervened.
"Awfully generous of you, Daniel, settling someone else's debt."
"Well, I feel a certain responsibility. I brought her here."
Paul smiled. "Your conscience troubling you?"
"It always has," Daniel said.
"You've got the money with you?"
"I don't. I wanted to come here quickly and work something out, but it's likely the estate won't be settled for a few weeks."
"What do you mean, you wanted to come here quickly? Quickly after what?"
"I think we both know," Daniel said.
Paul was impassive.
"The photograph," Daniel said, "the photograph of Chloe," but even
as the words were leaving his mouth he understood that he had made a colossal mistake, because before Paul's face returned to impassiveness and he leaned forward to begin negotiating the repayment there was a brief light in his eyes, the faintest flicker of confusion, and Daniel saw that Paul had had no idea what Daniel was talking about.
"H a s s h e been in Florida all this time?" Paul asked, when their negotiations were nearly at an end. He had insisted upon a substantial amount of interest. Daniel tried to console himself with the thought that he was doing the right thing after all these years, but he was sick with remorse. He had thought that the photograph of Chloe meant Paul had found them, but it seemed obvious now that Paul had no longer been looking. It wasn't that Paul had found the woman who'd stolen a hundred and twenty-one thousand dollars from him, then— it was that Daniel had brought her whereabouts to Paul's attention.