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"It's true," Jack said to his reflection in a darkened window, in reply to the captain of the movie ship. "It's just the way it is." He had taken too many pills. It was four a.m. and Deval had been gone for a week. With every passing day he became more certain that Deval and Anna and the baby were dead. He knew he should call the police, but every day and every hour made the call less possible. The first question would be Why didn't you call sooner? and with each passing hour the question would be more pointed, and then what would he say? The truth is, Officer, I'm not the man I wanted to be. The truth is, I gave up a girl at the slightest threat and now everyone's in trouble and I think both Deval and the girl are probably dead by now and the fault's entirely mine and I've been thinking it might be better for everyone if I take this cannonball in my arms and leap into the ocean.

Jack waited a week, then two, but Deval didn't return. At the beginning of the third week a postcard arrived.

All's well. Not coming back. Got rid of phone. — LD

The card was postmarked Detroit. The relief that all was well— Deval must have arrived in Virginia in time— was supplanted almost immediately by a colossal loneliness. It seemed impossible that Deval wasn't coming back. His belongings waited untouched in their room, his books, his sheet music, his clothes strewn around the bed. Jack kept expecting someone to come and collect them, but no one did.

The pills weren't working the way they had before. Jack still floated but the blurred contours of the world made everything seem unreal in the manner of a bad dream. He spent a lot of time lying on his bed listening to music on headphones, Nina Simone, Django Reinhardt, Coltrane and Parker, all the emissaries of a kingdom that was slipping away from him. There was no pleasure in playing the music himself. Sometime during the fifth or sixth week he stopped going to classes.

After seven weeks he packed up his things in the middle of the day while everyone else was in class, loaded up his car and drove south.

J a c k d r o v e to the Lemon Club nearly a year after his return from South Carolina. The bartender glared at him the way he always had when Jack was in high school, and Jack laughed out loud. It seemed inconceivable that high school had been less than two years ago. He'd just turned twenty and felt vastly old. The fact that he was still underage was a joke.

He'd recently come out of rehab for the second time and he felt skinless, his bones exposed to the open air. His hands shook. Every light was too bright. He knew he could repair this awful fragility with a pill or two but that was the point, he'd promised his parents, he was wracked with guilt for how expensive he imagined rehab must be although they kept the numbers from him. "You don't want to drift through life all addled, Jack," his mother's voice as she served him dinner his first night home, breadcrumb-covered casserole in a blue dish from childhood, these impossibly moving small details that kept him perpetually tripped-up and on the edge of tears. In rehab he'd spent a lot of time watching videos and now his thoughts were a fog of old movies.

"You're sure you're good to go out?" his father had asked. Jack had been home for three weeks and tonight was the first time he'd been out by himself. His parents had taken him to dinner and a movie a few times but since he'd been back he'd mostly spent his evenings watching TV with them. Law & Order episodes with their soothingly formal two-act structures, a glass of warm milk delivered by his mother and then the same routine since childhood, washing his face and brushing his teeth and closing his eyes under a constellation of glow-in-the-dark stars and planets shining down from the ceiling of his childhood room. Bridget called sometimes. She was going to college in Colorado and had a cautious way of talking to him that he didn't like very much. By day he was working in a coffee shop in a mall, making lattes and cappuccinos behind a shining silver machine. A boring life on paper but he liked it, actually, the quiet of it, the peace. He played his saxophone in the backyard after work in the afternoons. He'd come home from music school and there it was in his room where he'd left it, a gleaming brass miracle leaning up against the bookcase. He hadn't played the piano in a year.

A jazz pianist from Des Moines was headlining. He'd heard of her back when he was in music school and it seemed a good reason to go out so he'd dressed carefully and combed his hair. He chose a table at the front in the hope that if the music was beautiful it might sweep him up, but the pianist didn't appear when he thought she would. Instead a man came onstage with a guitar and started fiddling with amplifiers.

"Excuse me," Jack said, to the fiftyish couple at the next table. He would've preferred not to bother them, but they seemed to have programs and he needed information. "Is there a warm-up act?"

" There is," the woman said. She was black, and he found the brilliance of her blue eye shadow mesmerizing against the dark of her skin. All the girls he'd dated had worn such subdued makeup. It would be nice, he thought, to be able to paint blue shimmering powder on yourself, and he realized that she was holding out the program for him, so he took it quickly and said, "Thanks very much."

"You're welcome." She was looking at him strangely. He had moments throughout the day when he thought everyone in the room was staring at him, and this was one of them. The program said the opening act was Deval & Morelli/Guitar (with Joe Stevenson/Bass, Arnie Jacobson/Percussion). He must have smiled, because the woman said, "Well, that seemed to make you happy," and he said, "Yes, it does," although he of course couldn't be certain that this was the same Deval. He was in the habit of looking for Deval's name in the news every morning. No day passed without Jack wondering if the man with the goldfish tattoo had found them.

But then the other guitarist came up on the stage and it was Liam Deval, it was actually him. At first he just introduced himself and Arthur Morelli without really looking into the audience, started in on the set with his eyes on the guitar. Halfway through the third piece Deval looked up and saw Jack, and for a moment he faltered. Morelli gave him a questioning glance. Deval recovered quickly, slipped back into " Minor Swing." His year hadn't been wasted. In music school he'd been good but now he was remarkable, his talent hardened and sharpened, a knife. He played with a heavy swing and made Django Reinhardt's chord substitutions. For the first time in a while Jack felt perfectly at peace. The music was radiant.

"Let me buy you a drink" was the first thing he said to Jack when the set was over. At the bar Jack ordered a ginger ale and sipped at it in silence while Deval settled up with the bartender.

"Hey now," Deval said, "are you okay?"

"I've been like this since I got out of rehab," Jack said. "I'm sorry. It's embarrassing. Nothing's wrong. I can't help it." He held a cocktail napkin to his eyes but the tears wouldn't stop coming.

"Rehab," Deval said. "Christ, I'm sorry, and here I am offering to buy you drinks."

"It's okay. It was only ever pills." Jack stared at the bar and with tremendous concentration forced his eyes to stop watering. "I'm fine."