Then upon one rainy, blustery morning, a sodden and bedraggled pack of some of the most forlorn, woebegone and wretched-looking negroes shuffled up in weary deputation on to the grounds of the great house. They had complaint about the dungeon, they called out, and had come to parley with the missus.
Caroline would not permit this nasty group to enter further than the end of her garden. Barely managing to stand against the gusting wind, these feeble apprentices had to shout. And they called out a tale of such merciless torture and despicable conditions within that house of correction, that the missus was forced to conclude that it must be the whip of the wind rendering the tale fanciful to her ear.
So with a look of pity, but a roll of her eye she sweetly said, ‘What nonsense.’
Come, see for yourself, was begged—not once, not twice, but over and over as the missus shook her head, waved them away and asserted that she had not the time.
With desperation, one of the scrawniest and ill-fed of this troupe (James Richards, a carpenter), summoned breath enough to blast, ‘Massa would have come if him been livin’.’
And Caroline’s attention was summarily seized. She mounted her horse that very afternoon.
The overseer, Henry Reed, could not be found, so it was his callow, pungently perspiring bookkeeper who reluctantly obeyed the command to lead the missus down into the dungeon.
The narrow passage and two arched cells of this prison were perfectly dark when the missus entered. The stench—like a dead rat decaying—was thick as gruel, yet still she believed those tiny stone-built chambers to be empty. But like bats first sensed within a cave, she began to detect the black walls moving as her eyes slowly adjusted to the gloom. The wriggling of the murk, however, was not caused by flying rodents, but by the many negro inmates of these cells writhing upon their chains. Sensing visitors, they began to move with more urgency. The scraping of metal, the clatter of shackles, the complaint of hoarse voices, all assailed her with one dissonance, as both languid and frantic eyes fought to find her within the black gloom. A man (Richard Young from the first gang) was pinned to the wall by his upheld arms. A naked woman (Catherine Wiggan, also from the first gang) was chained to the floor by her neck. A child (Catherine’s youngest daughter, Liddy, I believe) was encased within a stock by her ankles. And more this way. And yet more that. The dungeon was crowded.
The missus fled.
Arriving back at the great house, Caroline Mortimer directly took to her bed before plunging herself into the solace of a bottle of her sweetest Madeira. July found her missus vomiting upon her bed sheets and slurring the command that a trunk be packed for her as she was intending to take the next ship back to England. ‘I had no idea of it, I had no idea . . . I believed a prison cell with water and bread and rough furnishings . . . I am a Christian woman . . . Believe me, when I say I had no idea of it.’
How the missus did not know the pitiless conditions within that dungeon at Amity, July just could not comprehend. For every negro upon that plantation, even those within the kitchen, feared its viciousness. Come, negro children had even devised a rhyme for it, which they recited during the playing of passing stones:
Me mama beg de bakkra na t’row mi in de dungeon,
Me sista beg de bakkra na t’row her in de dungeon,
De missus tell de bakkra go t’row dem in di dungeon.
So down de dread dungeon dem did go.
As her missus whimpered her useless innocence July, with a shrug of her shoulder said, ‘Then close up the dungeon, missus.’ When Caroline lifted her head to gaze upon July, her expression was quizzical as a guileless child. Her missus’s tipsy eyes were rimmed with deep red, her cheeks were of the dullest grey pallor, her lips were crusted with drying vomit, and her hair was as awry as a fallen cockatoo’s. A brief beat of pity pulsed within July for this forlorn white woman—her fat-batty missus—but then was gone.
‘Tell overseer-man,’ July began again, with cautious authority, ‘tell that man him must close up that dungeon and use it no more.’
And that is exactly what Caroline did. ‘Close it up. Close it up,’ she commanded the overseer, ‘and hope the magistrate never heard tell of it.’ She made Henry Reed not only empty its chambers of all the captives but also, at July’s suggestion, fire the dungeon to smoke out its callousness. Henry Reed may soon have left her employ bewailing that he now had no inducement that could extract more effort from the idle, the indolent, and the not working well, but that dread dungeon was no more.
And so puffed did our missus become after that splendid resolution that she proclaimed that, from that day onward, her house-maid July (or Marguerite as she still insisted upon calling her), should serve her also in the administering of the plantation. For when her brother was alive, was it not July who stood at Caroline Mortimer’s side to sift the skulkers from the sick upon Monday mornings? ‘No. Him jus’ have sore head from too much rum,’ July would tell her or, ‘That black tongue not be sickness, it can be wipe off,’ or, ‘Caution, missus—yaws!’ If July could assist her then, when she was no more than a child, what better help could she be now? There was the register of slaves to be taken, compensation to be claimed, always overseers and bookkeepers to be found . . .
‘Me can’t, missus,’ July told her.
‘Nonsense. I say you will, then you will,’ the missus twittered. ‘We will bring the negroes in a line and they will tell their name and you will put it in the ledger. I will need it for inspection for the compensation.’
‘But me can’t, missus,’ July repeated, ‘Me can neither read, nor write.’
Her missus was nearly felled by the force of that sudden understanding.
‘Oh, Marguerite,’ she said with exasperation, ‘why ever not!?’
Name, sex, age. These were the earliest words that July could draw—although her tongue poked from her lips to follow every stroke. When, with faltering breath, she at first enjoined the sounds of the letters into the word, her missus jumped upon her feet and clapped, ‘Yes, yes, oh yes, Marguerite.’
Caroline Mortimer proved a very able teacher—come, she had a blackboard, chalk and pointer brought from town. She took July’s hand within her own to trace out all the letters of the alphabet. She wrote simple words upon the board, commanding July to make her own, rather clumsy, copies. She even read loudly and deliberate from books while moving July’s finger along the words, before demanding her pupil, ‘Repeat . . . repeat . . . repeat.’
But long after the missus had tired of these lessons—the dusty blackboard taken away to be used as table top within the kitchen—July was still eager to continue that learning. There were many papers and books that lay about the great house—papers covered with a grey print of letters dense as stains—that July commenced, out of cussedness, to study, one slow word at a time, until their jumble danced with meaning. Head, tradesman, inferior, field, domestic—soon July began to read those words fast as conversing, and to write them without the aid of her tongue.
July was now a young woman, tall but not with the colossal bearing of her mama, Kitty. Her hair was no longer that picky-picky-head tangle of her youth but braided neat and always wrapped within a clean, coloured kerchief. Her full mouth still had that mischievous turn upon its corners, where a wry tale or tall-tall truth looked about to escape it. But within her spirited black eyes a keen observer might sense the anguish that stalked her. For her dreams were so tyrannical, so pestering with tormenting episodes, that July contrived to rest no more than four hours within any night. In unguarded moments, a droop within her eyelids, a sag at her jaw, could dull her features to morose, swift as a doll with two faces.