The first sighting had occurred in the grey hours that preceded the dawn, and so Anna had not witnessed the smudge on the horizon growing and thickening to form the contour of the peninsula, as the steamer came nearer and nearer to the coast. She had been woken, some hours later, by a strange cacophony of unfamiliar birdcalls, from which she deduced, rightly, that they must be nearing land at last. She eased herself from her berth, taking care not to wake the other women, and fixed her hair and stockings in the dark. By the time she came up the iron ladder to the deck, wrapping her shawl about her shoulders, the Fortunate Wind was rounding the outer heads of the harbour, and the peninsula was all around her—the relief sudden and impossible, after long weeks at sea.
‘Magnificent, aren’t they?’
Anna turned. A fair-haired boy in a felt cap was leaning against the portside rail. He gestured to the cliffs, and Anna saw the birds whose rancorous call had roused her from her slumber: they hung in a cloud about the cliff-face, wheeling, turning, and catching the light. She came forward to the rail. They looked to her like very large gulls, their wings black on the tops, and white beneath, their heads perfectly white, their beaks stout and pale. As she watched, one made a low pass in front of the boat, its wingtip skimming the surface of the water.
‘Beautiful,’ she said. ‘Are they petrels—or gannets, maybe?’
‘They’re albatrosses!’ The boy was beaming. ‘They’re real albatrosses! Just wait till this fellow comes back. He will, in a moment; he’s been circling the ship for some time. Good Lord, what a feeling that must be—to fly! Can you imagine it?’
Anna smiled. She watched as the albatross glided away from them, turned, and began climbing on the wind.
‘They’re terrifically good luck, albatrosses,’ the boy was saying. ‘And they’re the most incredible fliers. One hears stories of them following ships for months and months, and through all manner of weather—halfway around the world, sometimes. Lord only knows where these ones have been—and what they’ve witnessed, for that matter.’
When it turned on its side it became almost invisible. A needle of white, pale against the sky.
‘So few birds are truly mythical,’ the boy went on, still watching the albatross. ‘I mean, there are ravens, I suppose, and perhaps you might say that doves have a special meaning too … but no more than owls do, or eagles. An albatross is different. It has such a weight to it. Such symbolism. It’s angelic, almost; even saying the name, one feels a kind of thrill. I’m so glad to have seen one. I feel almost touched. And how wonderful, that they guard the mouth of the harbour like they do! How’s that for an omen—for a gold town! I heard them calling—that was what roused me—and I came topside because I couldn’t place the sound. I thought it was pigs at first.’
Anna looked at him sidelong. Was the boy making an overture of friendship? He was speaking as if they were close familiars, though in fact they had not exchanged more than perfunctory greetings on the journey from Sydney—Anna having kept largely to the women’s quarters, and the boy, to the men’s. She did not know his name. She had seen him from a distance, of course, but he had not made any particular impression upon her, good or bad. She saw now that he was something of an eccentric.
‘Their calling roused me too,’ she said, and then, ‘I suppose I ought to go and wake the others. It’s too perfect a sight to be missed.’
‘Don’t,’ the boy said. ‘Oh, don’t. Would you mind? I couldn’t bear to have a crowd of people jostling about. Not at this hour. Somebody’s bound to say “Instead of the cross, the albatross”, or “he stoppeth one of three”, and then the rest of the journey would be quite lost to argument—everyone trying to piece together the poem, I mean, and quarrelling over which pieces go where, with each man trumping the next, and showing off his memory. Let’s just enjoy it for ourselves. Dawn is such a private hour, don’t you think? Such a solitary hour. One always hears that said of midnight, but I think of midnight as remarkably companionable—everyone together, sleeping in the dark.’
‘I am afraid I am interrupting your solitude,’ Anna said.
‘No, no,’ the boy said. ‘Oh, no. Solitude is a condition best enjoyed in company.’ He grinned at her, quickly, and Anna smiled back. ‘Especially the company of one other soul,’ he added, turning back to the sea. ‘It’s dreadful to feel alone and really be alone. But I love to enjoy the feeling when I’m not. Hark at him—the beauty! He’ll circle back in a moment.’
‘Birds always make me think of ships,’ Anna said.
He turned to her, eyes wide. ‘Do they?’ he said.
Anna blushed under his direct attention. The boy’s eyes were a deep brown. His brows were thick, and his lips very full. He was wearing a felt cap with a flat brim; beneath it, his hair was a dark gold, rather unruly where it curled around his temples and over his ears. Clearly it had been cropped close some months ago, and he had not returned to the barber since.
‘It’s just a fancy,’ she said, becoming shy.
‘But you must follow through,’ said the boy. ‘You must! Go on.’
‘Heavy ships are so graceful in the water,’ Anna said at last, looking away. ‘Compared to lighter crafts, I mean. If a boat is too light—if it bobs about on the waves—there’s no grace to its motion. I believe that it’s the same with birds. Large birds are not buffeted about by the wind. They always look so regal on the air. This fellow. Seeing him fly is like seeing a heavy ship cut through a wave.’
They watched as the albatross circled back to make his pass again. Anna stole a look at the boy’s shoes. They were brown leather, tightly laced, neither too shiny nor too worn—giving her no clues about his origin. In all likelihood he was coming to make his fortune on the Otago goldfields, like every other man on board.
‘You’re quite right,’ the boy cried. ‘Yes, indeed! It’s not at all like watching a sparrow, is it? He’s weighted—exactly like a ship, exactly so!’
‘I should like to see him in a storm,’ said Anna.
‘What a peculiar wish,’ said the boy, delighted. ‘But yes, now that you say it, I believe I feel the same way. I should like to see him in a storm as well.’
They lapsed into silence. Anna waited for the boy to offer his name, but he did not speak again, and presently their solitude was interrupted by the arrival of others on deck. The boy doffed his hat, and Anna dropped a curtsey; in the next moment, he was gone. Anna turned back to the ocean. The colony was behind them now, and the grunts and squeals of the albatrosses had dwindled to nothing—swallowed by the deep thrum of the steamer, and the great roaring hush of the sea.
MERCURY IN PISCES; SATURN CONJUNCT MOON
In which Cowell Devlin makes a request; Walter Moody shows his mettle; and George Shepard is unpleasantly surprised.
Since the night of the autumnal equinox both Anna Wetherell and Emery Staines had remained incarcerated in the Police Camp gaol. Anna’s bail had been set at eight pounds, an outrageous sum, and one she could not possibly hope to pay without external help. This time, of course, she had no fortune sewn into her clothing to use as surety, and no employer who might consent to pay the debt on her behalf. Emery Staines might have stood her the money, had he not been remanded in custody on a charge of his own: he had been arrested, on the morning following his reappearance, on charges of fraud, embezzlement, and dereliction. His bail had been set at one pound one shilling—the standard rate—but he had opted not to pay it, preferring, instead, to remain with Anna, and to await his summons to the Magistrate’s Court.