Francis heard someone from the dayroom laugh out loud. High-pitched and mocking, it swirled around the Amherst Building. But when he turned to see where the laughter was coming from, it stopped, fading away invisibly in the shafts of midday sunlight that filtered through the barred windows.
Peter peeled himself from the wall, whispered to Francis, "Come on," and approached Lucy. In that moment the Fireman changed abruptly, immediately focused on something other than Cleo and her demands or his pleasure at seeing Gulptilil discomfited. Francis saw that Peter's face was set. He took Lucy Jones by the elbow, turned her around and said, "I found something I need to tell you about."
Wordlessly, she nodded, after, Francis thought, measuring the look on Peter's face. The three of them returned to her small office.
"That last man," Peter said, as they took chairs around the desk, "What sort of impression did you get speaking to him?"
Lucy arched an eyebrow up. "The short answer is none," she said, and then she turned to Francis. "Isn't that right, Francis?"
He nodded, and she continued: "The man, while possessing the physical strength and the youth to do some of the things we are considering, is severely retarded. He wasn't able to communicate anything of any importance, mostly just sat there about as dense to what I was asking as imaginable, and Evans thought he should be ruled out. The guy we're looking for has some brains. At least enough to plan his crimes and avoid detection."
Peter looked a little surprised, then said, "Evans thought that man should be eliminated as a suspect?"
"He made that point," Lucy replied.
"Well, that's curious, because I discovered a bloodstained white T-shirt hidden near the bottom of his belongings."
Lucy rocked back in her seat, initially not saying anything. Francis watched her absorb this information and noted how guarded she became. His own imagination was energized, and after a second, he leaned forward and asked, "Peter, can you describe what you found? How can you be sure it was what you say?"
It only took Peter a moment or two to fill in a picture for the two of them.
"You are absolutely sure that it was blood?" Lucy finally asked.
"As sure as I can be without lab tests."
"There was spaghetti for dinner the other night. I'm wondering whether this guy has trouble manipulating utensils. He might have spilled sauce on his chest…"
"It wasn't that sort of stain. It was thick, a maroonish brown in color, and was smeared about. Not as if it had been dabbed at, by someone with a damp rag who wanted to clean it up. No, this was something that someone wanted to keep, intact."
Lucy spoke slowly, "Like a souvenir? We're looking for someone who wants to keep souvenirs."
"I suspect," Peter said, in reply, "that this had more or less the same effect as a snapshot. For the killer that is. You know, a family goes on vacation and later, they have their pictures developed, and they sit around watching slides of the trip and reliving the memories. My guess is that for our Angel, this shirt would provide much the same thrill and satisfaction. He could hold it up, touch it, and remember. I would imagine that remembering the moment is probably nearly as powerful as the moment itself," Peter concluded.
Francis could feel a din of voices within him. Conflicting opinions, advice, fear, and unsettled feelings. After a second, he nodded, in agreement with what Peter was saying. But he asked Lucy, "Was there any indication, in any of the other killings, that anything was taken from the victims, other than the finger joints?"
Lucy, on the verge of responding to what Peter had said, shifted gears, and pivoted toward Francis. She shook her head. "Not that we could tell. No articles of clothing were missing. At least, not from any inventory of items that we came up with. But that doesn't completely rule it out."
Francis was troubled by something, but he was unable to say what, and none of his voices were clear and decisive. They echoed contradictory opinions within him, and he did his best to shut them out so that he could concentrate.
Lucy was nervously tapping a pencil on the tabletop. She turned to Peter, and asked, "Did you find anything else that was incriminating?"
"No."
"The fingertips?"
"No. And no knife, either. Or the building keys."
She leaned back, but it was Francis who spoke.
"I think," he said slowly, "that what I said earlier is true." He was a little surprised that he was as forceful as he was. "Before you came back, Peter. When Evans was here." It was a little, he thought, as if he was hearing his own voice, but that it was coming from some other Francis, not the Francis that he knew he was, but a different Francis, a Francis that he hoped he someday might be. "When I said we need to uncover the Angel's language."
Peter looked at Francis with an intrigued eye, and Lucy bent to his words. Francis hesitated for an instant, ignored a surge of doubt and then said, "I wonder if this isn't the first lesson in communication." The others remained quiet, and then he added, "We just need to find out what he's saying, and why."
For a moment or two, Lucy wondered whether her pursuit of a killer in the hospital might render her mad, as well. But she saw madness as a by-product of frustration, not some organic illness. This was dangerous thinking, she realized, and with a bit of mental weight lifting, dismissed the notion from her head. She had sent Peter and Francis off to eat lunch, while she tried to map out a course of action. Alone, in her small office, she spread the hospital folder of the man she had tried to interview that morning out on her desk. Some things should make sense, she thought. Some connections should be obvious. Some steps should be clear.
She shook her head, as if that might remove the sense of contradiction that overcame her. Now she had a name. A piece of evidence. She had begun successful prosecutions with far less. And, still, she was uneasy. The dossier in front of her should have indicated something persuasive, and yet, it did the opposite. A profoundly retarded man, incapable of answering even the simplest of questions, who had stared across at her seemingly unable to understand anything she asked, had an item in his possession that only the killer would have. This did not add up.
Her first inclination was to send Peter back to take the shirt from the box beneath the man's bed. Any competent crime lab would be able to match the bloodstains against Short Blond's. It was also possible that hair, or fiber evidence was on the shirt, and a microscopic examination might turn up further links between the victim and the assailant. The trouble with simply taking the shirt was that it would be an illegal seizure and probably tossed out by a judge in any subsequent hearing. And there was the curious matter of the lack of the other items that they were searching for. That, too, did not make sense to her.
Lucy had considerable capabilities of concentration. In her short, but meteoric career in the prosecutor's office, she had distinguished herself by being able to see the crimes she investigated in more or less the same way that one watched a movie. In the screen of her imagination, she was able to put details together, so that sooner or later she could envision the entire act. It was what made her so successful. When Lucy came into court, she understood, probably even better than the man she was prosecuting, why and how he'd done what he'd done. It was this quality that made her so formidable. But inside the hospital, she felt adrift. It simply wasn't the same as the criminal world she was accustomed to.
Lucy groaned, frustrated. She stared down at the dossier for the hundredth time, and was about to slam it shut, when there was a tentative knock on the door. She looked up, and it swung open.