“I bid you welcome, O Zotulla, to such hospitality as is mine to offer,” said Namirrha, with the iron ringing of some hidden funereal bell deep down in his hollow voice. “Prithee, be seated at my table.”
Zotulla saw that a chair of ebony had been placed for him opposite Namirrha; and another chair, less stately and imperial, had been placed at the left hand for Obexah. And the twain seated themselves; and Zotulla saw that his people were sitting likewise at other tables throughout the huge hall, with the frightful servitors of Namirrha waiting upon them busily, like devils attending the damned.
Then Zotulla perceived that a dark and corpse-like hand was pouring wine for him in a crystal cup; and upon the hand was the signet-ring of the emperors of Xylac, set with a monstrous fire-opal in the mouth of a golden bat: even such a ring as Zotulla himself wore perpetually on his index-finger. And, turning, he beheld at his right hand a figure that bore the likeness of his father, Pithaim, after the poison of the adder, spreading through all his limbs, had left behind it the purple bloating of death. And Zotulla, who had caused the adder to be placed in the bed of Pithaim, cowered in his seat and trembled with a guilty fear. And the thing that wore the similitude of Pithaim, whether corpse or ghost or an image wrought by Namirrha’s enchantment, came and went at Zotulla’s elbow, waiting upon him with stark, black, swollen fingers that never fumbled. Horribly he was aware of its bulging, unregarding eyes, and its livid purple mouth that was locked in a rigor of mortal silence, and the spotted adder that peered at intervals with chill orbs from its heavy-folded sleeve as it leaned beside him to replenish his cup or to serve him with meat. And dimly, through the icy mist of his terror, the emperor beheld the shadowy-armored shape, like a moving replica of the still, grim statue of Thasaidon, which Namirrha had reared up in his blasphemy to perform the same office for himself. And vaguely, without comprehension, he saw the dreadful ministrant that hovered beside Obexah: a flayed and eyeless corpse in the image of her first lover, a boy from Cyntrom who had been cast ashore in shipwreck on the Isle of the Torturers. There Obexah had found him, lying beyond the ebbing wave; and reviving the boy, she had hidden him awhile in a secret cave for her own pleasure, and had brought him food and drink. Later, wearying, she had betrayed him to the Torturers, and had taken a new delight in the various pangs and ordeals inflicted upon him before death by that cruel, pernicious people.
“Drink,” said Namirrha, quaffing a strange wine that was red and dark as if with disastrous sunsets of lost years. And Zotulla and Obexah drank the wine, feeling no warmth in their veins thereafter, but a chill as of hemlock mounting slowly toward the heart.
“Verily, ‘tis a good wine,” said Namirrha, “and a proper one in which to toast the furthering of our acquaintance: for it was buried long ago with the royal dead, in amphorae of somber jasper shapen like funeral urns; and my ghouls found it, whenas they came to dig in Tasuun.”
Now it seemed that the tongue of Zotulla froze in his mouth, as a mandrake freezes in the rime-bound soil of winter; and he could find no reply to Namirrha’s courtesy.
“Prithee, make trial of this meat,” quoth Namirrha, “for it is very choice, being the flesh of that boar which the Torturers of Uccastrog are wont to pasture on the well-minced leavings of their wheels and racks; and, moreover, my cooks have spiced it with the powerful balsams of the tomb, and have farced it with the hearts of adders and the tongues of black cobras.”
Naught could the emperor say; and even Obexah was silent, being sorely troubled by the presence of that flayed and piteous thing which had the likeness of her lover from Cyntrom. And her dread of the necromancer grew prodigiously; for his knowledge of this old, forgotten crime, and the raising of the phantasm, appeared to her a more baleful magic than all else.
“Now, I fear,” said Namirrha, “that you find the meat devoid of savor, and the wine without fire. So, to enliven our feasting, I shall call forth my singers and my musicians.”
He spoke a word unknown to Zotulla or Obexah, which sounded throughout the mighty hall as if a thousand voices in turn had taken it up and prolonged it. Anon there appeared the singers, who were she-ghouls with shaven bodies and hairy shanks, and long yellow tushes full of shredded carrion curving across their chaps from mouths that fawned hyena-wise on the company. Behind them entered the musicians, some of whom were male devils pacing erect on the hindquarters of sable stallions and plucking with the fingers of white apes at lyres of the bone and sinew of cannibals from Naat; and others were pied satyrs puffing their goatish cheeks at hautboys made from the femurs of young witches, or bagpipes formed from the bosom-skin of negro queens and the horn of rhinoceri.
They bowed before Namirrha with grotesque ceremony. Then, without delay, the she-ghouls began a most dolorous and execrable howling, as of jackals that have sniffed their carrion; and the satyrs and devils played a lament that was like the moaning of desert-born winds through forsaken palace-harems. And Zotulla shivered, for the singing filled his marrow with ice, and the music left in his heart a desolation as of empires fallen and trod under by the iron-shod hooves of time. Ever, amid that evil music, he seemed to hear the sifting of sand across withered gardens, and the windy rustling of rotted silks upon couches of bygone luxury, and the hissing of coiled serpents from the low fusts of shattered columns. And the glory that had been Ummaos seemed to pass away like the blown pillars of the simoom.
“Now that was a brave tune,” said Namirrha when the music ceased and the she-ghouls no longer howled. “But, verily I fear that you find my entertainment somewhat dull. Therefore, my dancers shall dance for you.” He turned toward the great hall, and described in the air an enigmatic sign with the fingers of his right hand. In answer to the sign, a hueless mist came down from the high roof and hid the room like a fallen curtain for a brief interim. There was a babel of sounds, confused and muffled, beyond the curtain, and a crying of voices faint as if with distance.
Then, dreadfully, the vapor rolled away, and Zotulla saw that the laden tables were gone. In the wide interspaces of the columns, his palace-inmates, the chamberlains, the eunuchs, the courtiers and odalisques and all the others, lay trussed with thongs on the floor, like so many fowls of glorious plumage. Above them, in time to a music made by the lyrists and flutists of the necromancer, a troupe of skeletons pirouetted with light clickings of their toe-bones; and a rout of mummies bowed stiffly; and others of Namirrha’s creatures moved with mysterious caperings. To and fro they leapt on the bodies of the emperor’s people, in the paces of an evil saraband. At every step they grew taller and heavier, till the saltant mummies were as the mummies of Anakim, and the skeletons were boned like colossi; and louder and more lugubrious the music rose, drowning the faint cries of Zotulla’s people. And huger still became the dancers, towering far into vaulted shadow among the vast columns, with thudding feet that wrought thunder in the room; and those whereon they danced were as grapes trampled for a vintage in autumn; and the floor ran deep with a sanguine must.
As a man drowning in a noisome, night-bound fen, the emperor heard the voice of Namirrha:
“It would seem that my dancers please you not. So now I shall present you a most royal spectacle. Arise and follow me, for the spectacle is one that requires a whole empire for its stage.”