From thy nest every rafter
Will rot, and thine eagle-home
Leave thee naked to laughter
Till leaves fall and cold winds come.
So we keep the windows closed and shuttered until we die from suffocation, overwhelmed by stagnant air.
The Fear of Fear
This is a malady as old as life, born of what Keyserling2 calls “Original Fear” whose outward aspect psychologists term the “pleasure-pain principle.” For as the snail and the tortoise withdraw into their shells, man retires into his castle of illusion. But it is curious that whereas the snail and the tortoise often come out of their shells, man hardly ever comes out of his castle, because he seems to have a much more acute sense of his personal identity, of his distinction from the rest of the universe. The greater the sense of distinction, the greater the tension between the two and the more the pairs of opposites war together in the soul. This tension we call unhappiness, but it is not suggested that it will be overcome by the abolition of “Original Fear,” which is in itself a most valuable instinct. If we liked pain as much as pleasure we might shortly become extinct, for it is only this original fear of pain which urges us to self-preservation. Here again we have a pair of opposites, love and fear or like and dislike, mutually essential components of the faculty of feeling, for who does not fear neither loves nor feels. But note the term original fear. Man’s difficulty is that his fear is seldom original; it is once or many times removed from originality, being not just simple fear but the fear of being afraid.
There are two kinds of tension, creative and destructive, the first as when a string is tensed to produce music and the second as when it is tensed to be broken. Between the opposites there must also be tension if they are to produce life. Of their nature they must move in opposite directions, and yet they must be held together by a relationship and a meaning. By centrifugal force the earth speeds away from the sun; by gravity it is drawn toward it, and hence it moves around it in a circle and is neither frozen nor burned. Thus the movement of the opposites away from each other is original fear, while the tie that binds them is original love. The result is creative tension. But man is not just afraid; he fears the tension caused by his original fear so that his fear is increased. The tension is also increased, growing all the more frightening until it becomes destructive instead of creative. The tie is stretched to breaking point, whereat the opposites tend to shoot apart into utter isolation. Thus when the tension of original fear is accepted man can swing happily upon his orbit; but should he try to escape from that fear he simply adds one fear to another and one tension to another, which is a process that may go on forever. Like a fly caught in a spider’s web, the more he struggles, the more he becomes involved.
In this way the tension of the opposites is turned by man into destructive conflict. Clinging to one and fleeing from the other he simply incites the one he flees to assert itself the more. To hate death and change is trying to make life deathless and changeless, and this is a rigid, moribund, living death. Hence the saying, “Cowards die a thousand deaths, but the valiant die but once.” For in holding to pleasure in fear of pain man starts the tension, but the real trouble begins when he tries to get rid not only of the pain but of the tension as well, giving himself two enemies instead of one. That pain should arouse fear is as natural as that fire should arouse warmth. But let it stay there, for if we run from our fear it becomes panic, and this is the entrance to a bottomless abyss of self-deception and misery. Man does not like to admit to himself that he is afraid, for this weakens his self-esteem and shakes his faith in the security of his ego. To accept fear would be like accepting death, so he runs from it, and this is the great unhappiness. Sometimes it is expressed in sheer unbridled terror, but more often it is a half-concealed, gnawing anxiety moving in vicious circles to an ever-greater intensity. It would have been better to say in the first place, “I am afraid, but not ashamed.”
Therefore in struggling with the opposites man perpetually deceives himself. The prizes he tries to pluck away from life and keep solely for his personal use turn moldy because he has severed them from their roots, and nothing that is isolated can live, since the two most important characteristics of life are circulation and change. On the other hand, the troubles which he tries to avoid are the only things which make him aware of his blessings, and if he would love the latter he must fear the former. But he is afraid of fear. These two things make him respectively frustrated and worried, driving him more and more into an attitude of isolation, of separateness from and hostility toward the rest of life, standing huddled and miserable between the devil of circumstances and the deep sea of his own unpredictable and unruly emotions. And in this isolation his spirit perishes.
Man and Nature
Man is as much attached to nature as a tree, and though he walks freely on two legs and is not rooted in the soil, he is by no means a self-sufficient, self-moving, and self-directing entity. For his life he depends absolutely on the same factors as the tree, the worm, and the fly, on the universal powers of nature, life, God, or whatever it may be. From some mysterious source life flows through him unceasingly; it does not just go in at birth and come out at death—he is the channel for an ever-moving stream, a stream that carries the blood through his veins, that moves his lungs and brings him air to breathe, that raises his food from the earth and bears the light of the sun to his face. If we look into a single cell of his body we find the universe, for sun, moon, and stars are ceaselessly maintaining it; we find it again if we plumb into the depths of his mind, for there are all the archaic urges of primeval life, both human and animal, and could we look deeper we might find kinship with the plants and rocks. For man is a meeting place for the interplay of forces from all quarters of the universe, swept through him in a stream which is the power behind all his thoughts and actions, which is indeed more truly man’s self than his body or mind, its instruments. This was known to almost all the ancient peoples of the world whose sages taught that all the actions of man were as much expressions of nature’s unceasing movement as the sun and the wind—a fact that would be obvious to anyone not born and bred in a place where there was little more to see than human handiwork.
The isolation of the human soul from nature is, generally speaking, a phenomenon of civilization. This isolation is more apparent than real, because the more nature is held back by brick, concrete, and machines, the more it reasserts itself in the human mind, usually as an unwanted, violent, and troublesome visitor. But actually the creations of man, his art, his literature, his buildings, differ only in quality, not in kind, from such creations of nature as birds’ nests and honeycombs. Man’s creations are infinitely more numerous and ingenious, but this very ingenuity, together with his fear, aggravates his feeling of isolation, persuading him that he is a creator in his own right, separate from nature. For once again it would go against his self-esteem to have to admit that his superb faculty of reason and all its works do not make him the master of nature rather than its servant. Bewitched by his power of reason and urged on through fright of his fear man seeks his freedom in isolation from and not union with nature—“whose service is perfect freedom.”