Other works of immense use and influence include the following: Anna Akhmatova, ‘Requiem’ (translated by Nancy K. Anderson in The Word that Causes Death’s Defeat: Poems of memory, Yale University Press, 2004); Fyodor Dostoyevsky, Crime and Punishment (translated by David McDuff, Penguin Classics, 2003); Alexander Etkind, Warped Mourning: Stories of the undead in the land of the unburied (Stanford University Press, 2013); Vasily Grossman, Everything Flows (translated by Robert Chandler, Elizabeth Chandler and Anna Aslanyan, New York Review of Books Classics, 2009); Robert Horvath, The Legacy of Soviet Dissent: Dissidents, democratisation and radical nationalism in Russia (RoutledgeCurzon, 2005); Catriona Kelly, Russian Literature: A brief insight (Sterling Publishing, 2001); Martin A. Miller, Freud and the Bolsheviks: Psychoanalysis in Imperial Russia and the Soviet Union (Yale University Press, 1998); Rebecca Reich, ‘Madness as a balancing act in Joseph Brodsky’s “Gorbunov and Gorchakov”’, The Russian Review, vol. 72 (January 2013), pp. 45–65; David Remnick, Lenin’s Tomb: The last days of the Soviet Empire (Vintage Books, 1994); Hedrick Smith, The New Russians (Vintage, 1991); John Weaver and David Wright, Histories of Suicide: International perspectives on self-destruction in the modern world (University of Toronto Press, 2008).
Also: the art of Boris Sveshnikov, Antanas Sutkus, and Wasily Kandinsky, and the works of W.G. Sebald.
About the Author
Katherine Brabon was born in Melbourne in 1987 and grew up in Woodend, Victoria. The Memory Artist is her first novel and won the 2016 The Australian/Vogel’s Literary Award.
Copyright
First published in 2016
Copyright © Katherine Brabon 2016
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