“Later, Sailor had to tell me what had happened, that I had experienced the silent touch, the Whisper, what the Meq call the Isilikutu.”
Unai stopped talking and rose from the wicker chair in silence. He took Usoa’s hand and held it to his mouth, kissing her palm. I had not heard her approach. She sat down in the chair and, except for the blue diamond in her ear, could have been his twin.
“Do you know the story of Pyramus, Zianno?”
“No,” I said. “I don’t think so.”
“It is the story of a legendary youth in Babylon who dies for love of Thisbe, his beloved. The details are unimportant, but for the next twelve years, Unai nearly became my Pyramus. Using passion instead of reason, he endangered himself constantly, finally cajoling and manipulating Bidun into convincing Adelric to take him along in his entourage to Worms, where Adelric had been summoned. Charlemagne wanted an explanation for the abduction of Count Chorzo of Toulouse and Unai wanted to find me at any cost, though he told Adelric he was acting as a spy at court, where, everyone knew, children were ignored. But once there, he was no child. He stalked the grounds of the assembly and foolishly used the Stones almost at random on guards and emissaries until he found me.
“Ironically, it was Unai’s entrance that secured our safety and eventually gained us favor. Originally, I had been captured along with some Basque families from Navarra as punishment, but after Roncesvalles I was put into service as a handmaiden to one of Charlemagne’s own daughters, Berta. She thought of me as a charmed being and a good luck omen for her. When she heard the commotion of the falling soldiers, who had been ‘charmed’ themselves by Unai, she burst out of her chambers and saw the two of us embracing. I told her it was Unai who had saved me from an assassin and thereby saved her. With that act and Berta’s natural belief in fortune of all kinds, we were both made a part of her permanent entourage. Adelric returned to the Pyrenees thinking he had planted the perfect spy and Charlemagne welcomed us as magical angels of good luck and fortune. In fact, we were merely two Meq in love. But the ruse worked and we stayed in the courts of Charlemagne for many years, traveling through Aquitaine and the rest of his empire at will. We even became elephant handlers, taking care of Abul Abbas, Charlemagne’s pet elephant, until it died in Saxony in the year 811. I could tell you story after story about Unai and that elephant. Later, of course, we had to leave that world and move on, as the Meq always do, but that is when and how we met and soon our long journey and Wait will end. The Zeharkatu awaits us like a gate to a place we have only named in whispers.”
From deep in the shadows by the fountain, I heard Ray say, “Damn.”
I never said what I felt that night. Not that night or the next or the next. I let it burn up inside me and drift away on its own like smoke. I was honored to have heard Unai and Usoa’s story, but inside I felt only melancholy and confusion. What had happened in China was real, I knew that now. It was common to us, it even had a name. Isilikutu. But what had happened in St. Louis and what it meant was more confounding than ever. If I was going to find Star, I had to let it go.
In the days and weeks that followed, Ray and I stuck to our routine: “breakfast” at noon on the balcony and then off to follow our separate trails and sources of rumors, clues, and bits of information about the Fleur-du-Mal, then a brief meeting with Unai and Usoa at Isabelle’s, dinner somewhere, and then back to the French Quarter or Storyville for our nightly tour of hotels, clubs, whorehouses, saloons, pool halls, poker rooms, docks, markets, and the streets themselves.
Physically, it seemed to rain more and the temperature dropped a bit, often dramatically, at night. But I noticed no change in the seasons to speak of. New Orleans is a season unto itself, especially at night. Storyville never closed, and it was there that we concentrated most of our attention. The Fleur-du-Mal was an assassin, but as Unai and Usoa told us, for centuries he had also trafficked in young girls and women in a complex network between the Muslim East and the Christian West. White slavery had become his stock-in-trade. New Orleans, with the only legal red-light district in America, was a natural hub of that wheel.
Ray and I made acquaintances with most of the “players” in the district; the gamblers, bartenders, pimps, and some of the madams. Even though we were “just kids” in their eyes, we were streetwise and it was New Orleans, a place where life didn’t always need distinction between such things. We moved freely and easily and Ray knew the game well. With just the right amount of laughter and bluff, he could steer a conversation into a gentle interrogation. “Countess” Willie Piazza, the colorful madam who spoke seven languages and wore a monocle, made the first actual reference to the Fleur-du-Mal, and even that was an alias we’d not heard before. Ray had simply asked her if she knew any characters that looked like us. She laughed out loud and took a drag from a cigarette lodged in a holder as long as her arm. “Oh, yes, honey, I certainly do,” she said. “The Genie, that’s what I call him, always poppin’ up out of nowhere with teeth as white as milk and eyes as green as pine trees. But I don’t like what he’s sellin’.”
“What’s that?” Ray asked.
“Girls, honey. Girls younger than he is, younger than you. Girls that should still have a real mama.”
“Well, when was the last time the Genie popped up?”
“It was at the opera,” she said and took another elaborate drag on her cigarette. “Somethin’ by Mozart, I believe. Anyhow, between acts one and two, he came up to me with that cagey smile and asked me about Jelly Roll Morton, of all things, and if he was still playin’ at my place. He was in a custom-tailored little black tuxedo with that black hair slicked back and tied in that green ribbon. But like I said, I don’t like what he’s sellin’ and I politely took my leave. That was just after Mardi Gras, honey, last March or April.”
Through the end of the year, that was as close as we got to the Fleur-du-Mal. It was a frustrating, empty time. A chase without a starting place. A game that he was playing and probably enjoying, but a game that Star never asked to play. He was using her life without permission.
I wrote to Carolina and Nicholas every other day, trying to sound positive and sometimes making up leads when I had none. I knew Carolina would read between the lines, but I did it anyway. Ray even wrote to Eder, and Nova especially, something I never thought I’d see. I heard from Owen Bramley occasionally, as did the hotel management. He helped legitimize our stay and keep curiosity to a minimum. He also said he was moving to St. Louis from San Francisco. Nova had insisted and would not allow any other decision, some doom and gloom prospect in the city’s future, she had said. And he mentioned he had contacted the French photographer and was in the process of obtaining the prints and negatives I had requested. They were old, but they were there, they existed. No one heard a word from Sailor or Geaxi, not Owen Bramley, Eder, or Unai and Usoa, who were already preparing to leave for Spain and an end and a beginning that was unlike any other. We entered the year 1906 frustrated, separated, and in some ways helpless. Unai’s toast on New Year’s Eve was apropos: “Aide-toi, le ciel t’aidera,” he said. It meant, “Help yourself and heaven will help you.”