He checked his watch: still half an hour until Serafino Amatista’s funeral.
‘Thanks for waiting with me,’ he said.
Humph shrugged, retrieving a book from his pocket which Dryden recognized as the text which accompanied his language tape. The cabbie began to memorize the names of nine different Polish pickles.
Dryden decided to get the story of the Italian association’s appeal for funds over to copy, giving it a lot more chance – twenty-four hours ahead of the Express’s final deadline – of being used in full on an inside page. He scribbled it out in his notebook and called The Crow, getting Jean to take it down:
By Philip Dryden
Ely’s expatriate Italians are out to raise £5,000 to erect a memorial to Marco Roma, the man they say held together their community through the poverty and bitterness of the post-war years.
More than 300 Italians live locally, and most of them are in the area because of the large number of PoWs who spent the last years of the war working on local farms.
‘Marco Roma fought to keep alive the traditions of his native Italy,’ said Roman Casartelli, the president of the Italian Ex-Servicemen’s Association of East Cambridgeshire.
‘But he always insisted that, while links should be maintained with our native country, England was now our home. He worked to integrate the community and won the respect of all,’ added Mr Casartelli, a retired railway signalman.
The association decided at a meeting yesterday (Monday) held at the restaurant founded by Mr Roma – Il Giardino at Ten Mile Bank – that a public subscription should be opened to fund a memorial at Ely Cemetery, where many of the former PoWs are buried.
‘We would wish this memorial to express our thanks to Marco – but also to the local English community for the welcome that we received here after the end of the war and the affection we feel for our adopted home,’ said Mr Casartelli.
Donations can be made by cheque payable to Marco Roma Memorial Fund and deposited at Lloyds TSB Bank, High Street, Ely. Donations can also be posted to Mr Casartelli at The Old Signal Box, Queen Adelaide, Ely.
Jean read the story back, Dryden made a couple of changes, and then rang off. The hum of voices, discreetly low, approached through the mist.
‘At last,’ said Dryden, rising and taking up what he hoped was a pious stance.
Thomas Alder, funeral director, appeared from the gloom, pacing out the procession with his ceremonial staff. Dryden considered the man that Russell Flynn claimed was a clandestine criminal fence, able to slip items of interest into the London market. An impassive face went with the job, but Alder had perfected the routine. With white hair and pale skin, he looked like one of the alabaster figures on the richer tombs: pious, watchful, innocent.
Professor Azeglio Valgimigli followed the priest – a woman on his arm. She was striking even from twenty yards – smaller than her husband, with a slim figure expertly clothed in white, which highlighted her glowing tan. She radiated sex like a colour: her breasts were high and full and the blouse she wore was cut to reveal the promise of a deep cleavage. Her hair was blonde, covered in thousands of droplets of mist and gathered up to reveal a sculpted neck. Her eyes were blue, but almost colourless, and her sensuous lips were held in a neat professional bow.
There were about a dozen other mourners, and Dryden briefly reflected on the irony that this unknown PoW should warrant such a congregation. Amongst them Dryden spotted the rest of the archaeological team, and DS Bob Cavendish-Smith, one of the detectives based in Ely, a smart graduate-entry copper. Despite the affected ‘Bob’ he was known at the station, inevitably, as ‘Posh’. Cavendish-Smith had a degree in forensic studies from Lincoln University, a fact he’d made pretty sure everyone knew when he’d first been posted south. The implication was clear: he was just passing through this rural backwater, en route to the Met and eventual promotion to commissioner.
Dryden noted with satisfaction that the mourners carried the coffin with some effort, weighted as it was with the items from the museum and, he presumed, some stone added by Alder’s apprentices. The ceremony itself was swift and necessarily anonymous, the consul from the Italian Embassy reading out a short prayer in his native tongue. Valgimigli carried the wreath from the diggers, his wife, incongruously, one from the German Embassy. The stone Valgimigli had ordered would have to wait six months for erection, so that the grave could settle, the coffin and its contents decaying into the earth. For now a single wooden cross had been provided with the catch-all euphemism: Rest in Peace.
The Valgimiglis looked oddly discomfited. The professor seemed agitated, constantly adjusting the line of his black overcoat and swapping fur-lined gloves from hand to hand. His wife was somewhere else, chin high, staring out over the fen, perhaps searching for the outline of the sun in the all-enveloping mist. A chorus of ‘Amen’ marked the end of proceedings and Dryden deserted Humph and headed for the archaeologist, who seemed eager to quit the graveside, although his wife lingered, adding a prayer. As Dryden approached, Valgimigli stiffened, stepped off the path and waited for the woman to join him: ‘My wife – Philip Dryden, the reporter I mentioned.’
Dryden revelled in the implied insult. It was nice to know he was worth a mention.
The woman bristled, clearly annoyed at the anonymous introduction as the professor’s chattel.
She took Dryden’s hand warmly. ‘Louise Beaumont. Dr Louise Beaumont.’
The touch was cool and sensuous, and Dryden saw briefly a vision, a swimsuit, the water running in rivulets off the suntanned skin. ‘A visit?’ said Dryden to her, unable to guess her age. She might, like her husband, be into her forties but she could have passed for early thirties.
‘Yes, yes. A week – London, and home. I felt I should come today. An unknown soldier, then?’ she said, looking beyond her husband towards the open grave.
‘Not quite,’ said Dryden. He sensed an air of repressed agitation in her, too, some pressing unfinished business perhaps, despite the sound of clay being shovelled onto the nearby coffin.
Professor Valgimigli buttoned his coat, ignoring Dryden’s remark. ‘As I said – a story lost to the past.’
‘My husband is a romantic, Mr Dryden,’ she said. ‘I think he’d rather all stories were lost in the past. That’s where he’s at home – in the past.’
Valgimigli smiled but Dryden sensed this was a bitter division between their views of life, between the love of the past and the joy of the present.
‘Doctor?’ asked Dryden.
‘Medical,’ she said. ‘Absolutely nothing academic,’ and they all laughed.
‘My wife believes science can solve everything,’ said Valgimigli, gripping her arm just above the wrist. ‘I suspect we will never know. I like it that way. This makes me a romantic – this I don’t understand.’ He smiled with his mouth, and Dryden was again impressed by his falsity, the air of show.
‘We do actually know some more about him,’ said Dryden, instantly securing the professor’s attention.
‘Well, we think we know more. An Italian prisoner named Serafino Amatista – one who went under that name, anyway – absconded from internment shortly after being released from the camp in 1944. He has never been found. He was one of a small group of prisoners who dug the tunnel, and later – after they were billeted out on farms – carried out a robbery at a country house. That’s where the pearls in the tunnel came from: Osmington Hall.’
Professor Valgimigli leaned in close and Dryden caught the look in his wife’s eyes: suspicion was there, certainly, and perhaps pity.