Finally she stopped swimming, climbing the ladder with practised ease, the muscles on her arms flexing in the light.
She saw him quickly, but there was no reaction, and she continued drying herself before fetching a robe and a plastic chair which she placed six feet from his: the perfectly judged distance, a professional distance.
‘A coincidence? Hardly,’ she said, retrieving a bottle of mineral water from the pocket of her robe.
‘A perk?’ said Dryden, looking round the empty pool.
‘Yes. Not mine – I’m breaking the rules.’
‘And Pepe?’
She drank from the bottle. ‘Visiting. He’s been kind.’
Dryden was getting nowhere. He needed to ruffle that polished surface. ‘Forgive me. Who owns Il Giardino?’
She laughed then, considering whether to say more. ‘Look. When Marco died he left the business to Gina. When she dies – I suppose – technically it would have gone to Aze unless she has made other provisions. Can you imagine? The business is Pepe’s – I told him that. I also – and this is none of your business – gave him some money. Aze would have wanted it.’
Dryden felt things were going much better. Why had she told him about the money? She was trying to use the interview, trying to lead him somewhere.
‘Sorry. I’ll be brief. I’m interested in what has… what has happened at California – not for the paper. The man found in the tunnel may have had a canvas with him – a painting. It’s worth a lot of money, and it belongs to a friend of mine. Did your husband find it?’
She narrowed her eyes and Dryden knew she was going to lie again. ‘Perhaps. The police think that is maybe why he died. I can’t help…’ she began to fold the robe around her legs.
‘One last question?’
But she stood.
‘Jerome Roma. I understand you were engaged? Have you heard from him since he went to Italy?’
She tried smiling again, failed, and sat instead. ‘Who told you that?’ she asked, adding before he could reply, ‘No matter. I am eternally grateful for his absence from our lives. He sent me his engagement ring as a memento – I threw it in the Cam. I haven’t thought about him since. I haven’t spoken to him since. Is that clear?’
‘But you married his brother. I’m told they were much alike.’
There was a splash of colour on her throat now, a vivid flush even through the tan. ‘On that point your information is woefully inaccurate. Yes, superficially. The eyes, the voice, from a distance the way they stood…’ Her eyes slipped from his and watched the water lapping at the pool side. ‘But my life with Azeglio was very different from the one I might have imagined with his brother.’
It was a curiously ambivalent statement. Dryden noticed how she had avoided Jerome’s name.
‘A happy life?’ he asked.
She clutched the robe to her, seemingly unable to answer such a direct question.
‘Azeglio and I enjoyed our lives. We have our careers, which have been highly successful. We have supported each other in our work. This is very important in a marriage, Mr Dryden, do you understand this?’
Her voice had risen too far, and they listened to the echo.
‘Busy careers. But you were close? No secrets?’
‘We were partners. Partners in many ways. I’m proud of what we achieved. My husband didn’t waste his life, Mr Dryden. I won’t waste mine.’
‘But Jerome did?’
She shrugged, and Dryden sensed she knew now she’d gone too far.
‘But you had no children?’ he asked, knowing it was a question she could bite on.
She looked at him, the level of suppressed anger in her eyes making him lean back. ‘How dare you! That is our business, our decision.’ She covered her eyes and Dryden wondered if that was a lie too.
She swept past heading for the changing rooms and as Dryden watched he recalled something else about that first meeting, the way she’d clung to her husband’s arm while the rest of their bodies never touched, despite the sinuous weave of her hips. He considered the unruffled surface of the pool, and imagined the gold engagement ring dropping into the Cam, and the sluggish circular wavelets, radiating out.
32
Dryden stood in the moon shadow of the Archangel Gabriel, the statue which had guarded the gates of the town’s cemetery since the death of Queen Victoria. Sunset had been at 5.40pm precisely – Dryden had checked the time with the Met Office – and had been glimpsed momentarily through the rapidly clearing mist which always heralded the onset of the starlit night. It had been the signal for action: the removal of the medieval barrier to exhumation. The gravediggers, undertakers, police and pathologist had been in position since late afternoon. A Catholic priest had arrived at 5.00, and entered the white scene-of-crime tent which had been erected over the spot, and which was now lit from within. Just visible through this translucent screen were figures moving at the graveside. Beside this tent a second had been erected for the pathologist’s examination of the skeleton, and for the retrieval of a DNA sample from marrow in the bones. The Crow’s photographer Mitch Mackintosh had spent the last hour kneeling on the roof of his aged Citroën, a telescopic lens trained on the backlit tents. Mitch, a Scot with a passion for fake Tam o’shanters and idle gossip, was, Dryden noted, helping keep the cold night air at bay with the help of a hip flask.
A PC stood at the gates, barring entry to all but those with official duties. What Dryden needed was to get closer, collect some ‘colour’ from the scene within, so that The Crow could carry an eyewitness account to accompany Mitch’s atmospheric shots. At the moment there was every chance he would have to make it up – or rely on some details gleaned from those leaving the cemetery.
He shivered, unwarmed by the stars above and the full, pulsating moon. He was frightened now, frightened that he was so close to the truth about the moon tunnel. Should he go to the police? But they’d ask for evidence, and he had none. Humph, snug in the bubble of light and warmth which was the Capri, looked upon the scene outside with undisguised disinterest, pushing a Cornish pasty into his face. A thin film of sweat caught the moonlight, despite the frosty air.
Police cars and other vehicles were parked haphazardly over the grass verges. A pair of headlights appeared out of the night, swung in towards the railings and died. A vanity light clicked on and Dryden saw the face of Dr Siegfried Mann, checking some paperwork and his watch. The volunteer assistant curator got out, made his way to the rear of the hatchback Ford and flipped up the boot, leaning in to retrieve a large wooden Red Cross box.
Dryden appeared at his shoulder. ‘What’s up?’ he said. ‘Can I help?’
Mann straightened up, running a hand down his spine. ‘Yes. Thank you. My back…’
‘Let me,’ said Dryden, stretching out his arms so that he could take the box’s handles at either end. He lifted the awkward shape, but could feel it was empty. ‘It’s no problem – I’ll follow,’ he said.
Mann, oblivious of Dryden’s ulterior motive, led the way. Dryden reckoned he had a slim chance of making it to the graveside. If he met anyone he knew he’d be thrown out: worse, the Press Complaints Commission loomed.
At the cemetery gate the PC stepped forward. ‘Gentlemen?’