Ahead, the palace looms. It’s a shell of a building now. The roof has been torn open in several places by rocket blasts, and resembles a botched attempt to open a tin can. The walls are saturated with bullet holes. I park nearby, and for a few minutes H and I wander around the deserted arcades of the lower floor, where kings and heads of state were once received and where our feet now crunch the fragments of its shattered walls.
Then we return to the G, circle the palace on a dusty track and drive north again along the equally devastated Jade-ye Maiwand, named after the battle in which the British 66th Foot were decisively defeated by Afghan forces in 1880. The Afghans were rallied, so the story goes, by a Pashtun woman called Malalai.
As we near the house, we round a final bend and nearly collide with an ageing Land Rover, whose occupants gawp at us with a look of horror. It’s the BBC’s official car, and I recognise the pale and scarved face of the Kabul correspondent. I’ve had a bit of a crush on her ever since she interviewed me years ago in Islamabad, when I was on my way home and Kabul was going to hell. I feel guilty at not stopping to say hello, but it’s better that H and I remain as invisible as possible. I don’t want a journalist to be able to position us in Kabul just before a rather large act of sabotage is committed.
Back at the guest house I park the G in the garage and put a new lock on the door.
‘Looks a bit like a hearse,’ says H, ‘but very impressive. Let’s look at the manual and check the consumption. We need to sort out how much fuel we need.’
You never quite know what a person has gone through in life to make him what he is. This is especially true in Afghanistan, where no one has escaped the effects of more than twenty years of war without some sort of scar. I don’t want to pry too much into this young man’s life, but he’s a sullen character and I wonder what’s made him that way.
He comes to the house after dusk but before curfew begins. I’d prefer him not to know where we’re staying, but H and I agree it’s a necessary risk, and it would somehow be a breach of Afghan protocol to show mistrust. He’s supposed to be our ally, after all. Sattar is a member of the tribal intelligence unit raised by the CIA. He’s the only one who can provide a link to Orpheus because he’s the one who made contact with him in Jalalabad and knows what he looks like, though he knows nothing of my connection with him.
‘You remember this man?’ I ask, showing him the photograph taken of Manny earlier in the year.
‘The foreigner,’ he says.
‘You can deliver him a message?’
‘Sure.’
‘How will you do it?’
‘I will just do it,’ he says. ‘It will take a few days.’
‘You speak good English, Sattar.’
‘I learned at University of Kabul.’
‘I thought the university was closed.’
‘It was open when I was there.’ He smiles but only with the lower part of his face.
I’m not entirely sure I believe him. I don’t know when the university was last teaching English, but I’ve never met an Afghan who made the same claim and was under fifty years old. I wonder whether his English wasn’t acquired from a spell with the Afghan secret police or the Pakistani ISI, the intelligence service on which the Americans rely too much. And I know it’s wrong to expect him to be cheerful so that he better fits my idea of how Afghans should be, but he noticeably lacks the friendliness and spontaneity of nearly every Afghan I’ve known, and the combination of these things amounts to a kind of private suspicion. It’s not such an odd feeling to have towards someone who you know is a spy.
We talk over the situation around the country and discuss the best route to take for the operation, though I don’t reveal the exact location of where we’re going. He suggests as a precaution that we travel via Bamiyan, where the Taliban have a regional headquarters and can give us a letter of safe passage through the area under their control. I can’t help suspecting that this might be the trap that is waiting to be set for us, but I thank him for the suggestion.
‘What is the message?’ he asks.
I take out a fifty-afghani banknote, almost worthless in itself.
‘Give him this note,’ I say, ‘and this one only. Tell him it comes from England.’
He looks at it with an expression of disappointment. He doesn’t know that I’ve made several tiny holes in the note with the point of a needle. There’s one in the centre of the note, over the engraving of the Darul Aman Palace, and several more over the serial numbers in the corners. It’s taken me a while to find a note which contains the right numbers, but I’ve got about a thousand of them.
If Manny gets the note and knows it’s from me, he’ll know that there’s a message contained in it somehow, and will examine it minutely for clues. He’ll find the pinprick that shows him I want to meet at the ruined Darul Aman Palace. Then he’ll look at the numbers and realise they represent the time, 1800, and the days of the week, indicated by the Persian initials for Monday and Tuesday. I space the holes so that even under inspection they’ll look as though they were made by a staple, and add Manny’s initials to garble the signal. Only he will recognise them and know to eliminate them from the message.
‘How will I know if you’ve delivered it?’
‘You just wait,’ he says.
So I wait. The weekend passes. H and I visit the famous walled gardens of the sixteenth-century ruler Babur, who despite conquering much of Afghanistan and India expressed the wish to be buried in his beloved Kabul. Once the most popular venue in the city, the park is deserted but for an elderly guardian, and his shrine is peppered with bullet marks. We also pay a visit to the former British embassy, once the grandest foreign residence in Kabul. It’s a burned-out shell now, and the emerald lawns have turned to dust.
On the Monday I take a taxi to a suburb in the south of the city called Deh Qalandar and walk the final stretch alone to the ruined palace. The giant rooms have long ago been stripped of their furniture and fittings and are strewn with smashed masonry, plaster and glass. I wait an hour, but no one comes. I return again at the same time the following day. There are a few children playing in the rubble, but there is no one to meet me. Realising how slim the chances are of re-establishing contact with Manny in this way, and dwelling on the many factors that make it unlikely, my sense of expectation begins to waver.
‘Don’t let it get to you,’ says H, who spent a good deal of his time in Northern Ireland waiting in unmarked cars for informers who never showed up. He knows I’m hoping to meet a source useful to London, but he knows nothing of my history with Manny and can’t know how disappointed I am.
On the Thursday a message comes from Mr Raouf. Our supplies are ready, which means it’s time to get the operation underway. We drive to the trust’s headquarters, where Mr Raouf is waiting for us, beaming mischieviously. He leads us to a storeroom and throws aside a dusty tarpaulin to reveal several metal trunks.
‘Befarmaid.’ He grins, stretching out his hand. ‘Be my guest.’
We unpack the trunks with a feeling of awe. There are several wooden boxes of plastic explosive, each containing half a dozen blocks the size of small bricks wrapped in brown waterproof paper to keep out moisture. I recognise the type. It’s Iranian Composition 4, C4 for short, made from the high explosive RDX with a small percentage of non-explosive plasticiser which allows it to be cut or shaped. It has a detonation velocity of nearly 30,000 feet per second, which makes it more powerful than dynamite and an ideal demolition charge.
There’s a long roll of waterproof blasting fuse resembling thin black rope, which H calls time fuse. The design hasn’t changed much since Guy Fawkes’ time. It’s a modified form of gunpowder, wrapped in a waterproof fabric sheath to enable it to burn underwater if necessary. It’s this that will give us our time delay, though we’ll have to test its burning rate to see what length we’ll eventually need.