a man who has to make a living the enemy is immediate necessity; for
people like ourselves it's-it's the constant small opportunity of
agreeable things."
"Frittering away," she says, "time and strength."
"That is what I feel. It's so pleasant to pretend one is simply
modest, it looks so foolish at times to take one's self too
seriously. We've GOT to take ourselves seriously."
She endorses my words with her eyes.
"I feel I can do great things with life."
"I KNOW you can."
"But that's only to be done by concentrating one's life upon one
main end. We have to plan our days, to make everything subserve our
scheme."
"I feel," she answers softly, "we ought to give-every hour."
Her face becomes dreamy. "I WANT to give every hour," she adds.
2
That holiday in Venice is set in my memory like a little artificial
lake in uneven confused country, as something very bright and
skylike, and discontinuous with all about it. The faded quality of
the very sunshine of that season, the mellow discoloured palaces and
places, the huge, time-ripened paintings of departed splendours, the
whispering, nearly noiseless passage of hearse-black gondolas, for
the horrible steam launch had not yet ruined Venice, the stilled
magnificences of the depopulated lagoons, the universal autumn, made
me feel altogether in recess from the teeming uproars of reality.
There was not a dozen people all told, no Americans and scarcely any
English, to dine in the big cavern of a dining-room, with its vistas
of separate tables, its distempered walls and its swathed
chandeliers. We went about seeing beautiful things, accepting
beauty on every hand, and taking it for granted that all was well
with ourselves and the world. It was ten days or a fortnight before
I became fretful and anxious for action; a long tranquillity for
such a temperament as mine.
Our pleasures were curiously impersonal, a succession of shared
aesthetic appreciation threads all that time. Our honeymoon was no
exultant coming together, no mutual shout of "YOU!" We were almost
shy with one another, and felt the relief of even a picture to help
us out. It was entirely in my conception of things that I should be
very watchful not to shock or distress Margaret or press the
sensuous note. Our love-making had much of the tepid smoothness of
the lagoons. We talked in delicate innuendo of what should be
glorious freedoms. Margaret had missed Verona and Venice in her
previous Italian journey-fear of the mosquito had driven her mother
across Italy to the westward route-and now she could fill up her
gaps and see the Titians and Paul Veroneses she already knew in
colourless photographs, the Carpaccios, (the St. George series
delighted her beyond measure,) the Basaitis and that great statue of
Bartolomeo Colleoni that Ruskin praised.
But since Iam not a man to look at pictures and architectural
effects day after day, I did watch Margaret very closely and store a
thousand memories of her. I can see her now, her long body drooping
a little forward, her sweet face upraised to some discovered
familiar masterpiece and shining with a delicate enthusiasm. I can
hear again the soft cadences of her voice murmuring commonplace
comments, for she had no gift of expressing the shapeless
satisfaction these things gave her.
Margaret, I perceived, was a cultivated person, the first cultivated
person with whom I had ever come into close contact. She was
cultivated and moral, and I, I now realise, was never either of
these things. She was passive, and Iam active. She did not simply
and naturally look for beauty but she had been incited to look for
it at school, and took perhaps a keener interest in books and
lectures and all the organisation of beautiful things than she did
in beauty itself; she found much of her delight in being guided to
it. Now a thing ceases to be beautiful to me when some finger points
me out its merits. Beauty is the salt of life, but I take my beauty
as a wild beast gets its salt, as a constituent of the meal…
And besides, there was that between us that should have seemed more
beautiful than any picture…
So we went about Venice tracking down pictures and spiral staircases
and such-like things, and my brains were busy all the time with such
things as a comparison of Venice and its nearest modern equivalent,
New York, with the elaboration of schemes of action when we returned
to London, with the development of a theory of Margaret.
Our marriage had done this much at least, that it had fused and
destroyed those two independent ways of thinking about her that had
gone on in my mind hitherto. Suddenly she had become very near to
me, and a very big thing, a sort of comprehensive generalisation
behind a thousand questions, like the sky or England. The judgments
and understandings that had worked when she was, so to speak, miles