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I discovered I was putting all this into the form of a letter to Mary. I was writing to her in my mind, as many people talk to themselves. And I remember that I wandered upon the Palatine Hill musing over the idea of writing a long letter to her, a long continuous letter to her, a sort of diary of impressions and ideas, that somewhen, years ahead, I might be able to put into her hands.

One does not carry out such an idea into reality; it is so much easier to leave the letter imagined and unwritten if there lives but little hope of its delivery; yet for many years I kept up an impalpable correspondence in my thoughts, a stream of expression to which no answer came—until at last the habits of public writing and the gathering interests of a new rôle in life diverted it to other ends.

§ 8

One morning on the way from Brindisi to Egypt I came up on deck at dawn because my mind was restless and I could not sleep. Another solitary passenger was already up, so intently watching a pink-lit rocky coast-line away to the north of us that for a time he did not observe me.

"That's Crete," he said, when at last he became aware of me close at hand.

"Crete!" said I.

"Yes," he said, "Crete."

He came nearer to me. "That, sir," he said with a challenging emphasis, "is the most wonderful island I've ever yet set eyes on,—quite the most wonderful."

"Five thousand years ago," he remarked after a pause that seemed to me to be calculated, "they were building palaces there, better than the best we can build to-day. And things—like modern things. They had bathrooms there, beautifully fitted bathrooms—and admirable sanitation—admirable. Practically—American. They had better artists to serve them than your King Edward has, why! Minos would have laughed or screamed at all that Windsor furniture. And the things they made of gold, sir—you couldn't get them done anywhere to-day. Not for any money. There was a Go about them.... They had a kind of writing, too—before the Phœnicians. No man can read it now, and there it is. Fifty centuries ago it was; and to-day—They grow oranges and lemons. And they riot.... Everything else gone.... It's as if men struggled up to a certain pitch and then—grew tired.... All this Mediterranean; it's a tired sea...."

That was the beginning of a curious conversation. He was an American, a year or so younger than myself, going, he said, "to look at Egypt."

"In our country," he explained, "we're apt to forget all these worked-out regions. Too apt. We don't get our perspectives. We think the whole blessed world is one everlasting boom. It hit me first down in Yucatan that that wasn't so. Why! the world's littered with the remains of booms and swaggering beginnings. Americanism!—there's always been Americanism. This Mediterranean is just a Museum of old Americas. I guess Tyre and Sidon thought they were licking creation all the time. It's set me thinking. What's really going on? Why—anywhere,—you're running about among ruins—anywhere. And ruins of something just as good as anything we're doing to-day. Better—in some ways. It takes the heart out of you...."

It was Gidding, who is now my close friend and ally. I remember very vividly the flavor of morning freshness as we watched Crete pass away northward and I listened to his talk.

"I was coming out of New York Harbor a month ago and looking back at the skyscrapers," he said, "and suddenly it hit me in the mind;—'That's just the next ruin,' I thought."

I remember that much of our first talk, but the rest of it now is indistinct.

We had however struck up an acquaintance, we were both alone, and until he left me on his way to Abydos we seem now to have been conversing all the time. And almost all the time we were discussing human destiny and the causes of effort and decay, and whether the last few ascendant centuries the world has seen have in them anything more persistent than the countless beginnings that have gone before.

"There's Science," said I a little doubtfully.

"At Cnossus there they had Dædalus, sir, fifty centuries ago. Dædalus! He was an F.R.S. all right. I haven't a doubt he flew. If they hadn't steel they had brass. We're too conceited about our little modern things."

§ 9

I found something very striking and dramatic in the passage from Europe to Asia. One steams slowly through a desert that comes up close to the ship; the sand stretches away, hillock and mound beyond hillock and mound; one sees camels in the offing stringing out to some ancient destination; one is manifestly passing across a barrier,—the canal has changed nothing of that. Suez is a first dab of tumultuous Orientalism, noisy and vivid. And then, after that gleam of turmoil, one opens out into the lonely dark blue waters of the Red Sea. Right and left the shore is a bitter, sun-scorched desolation; eastward frowns a great rampart of lowering purple mountains towering up to Sinai. It is like no European landscape. The boat goes slowly as if uncharted dangers lurked ahead. It is a new world with a new atmosphere. Then comes wave upon wave of ever more sultry air, and the punkahs begin to swing and the white clothes appear. Everyone casts off Europe, assumes an Asiatic livery. The very sun, rushing up angrily and abruptly after a heated night, is unfamiliar, an Asiatic sun.

And so one goes down that reef-fringed waterway to Aden; it is studded with lonely-looking lighthouses that burn, it seems, untended, and sometimes in their melancholy isolation swing great rhythmic arms of light. And then, land and the last lateen sails of Aden vanishing together, one stands out into the hot thundery monotonies of the Indian Ocean; into imprisonment in a blue horizon across whose Titan ring the engines seem to throb in vain. How one paces the ship day by day, and eats and dozes and eats again, and gossips inanely and thanks Heaven even for a flight of flying fish or a trail of smoke from over the horizon to take one's mind a little out of one's oily quivering prison!... A hot portentous delay; a sinister significant pause; that is the voyage from Europe to India still.

I suppose by the time that you will go to India all this prelude will have vanished, you will rattle through in a train-de-luxe from Calais, by way of Baku or Constantinople; you will have none of this effect of a deliberate sullen approach across limitless miles of sea. But that is how I went to India. Everything seemed to expand; I was coming out of the frequent landfalls, the neighborly intimacies and neighborly conflicts of the Mediterranean into something remoter; into larger seas and greater lands, rarer communications and a vaster future....