Выбрать главу

It was a nice little house; if he had lived back in those days he would have wanted one of his own. Three bedrooms, a ranch style California bungalow. He pushed open the front door and entered the living room. Fireplace at one end. Dark wine-colored carpets. Modern couch and easy chair. Low hard­wood glass-topped coffee table. Copper ashtrays. A cigarette lighter and a stack of magazines. Sleek plastic and steel floor lamps. A bookcase. Televi­sion set. Picture window overlooking the front garden. He crossed the room to the hall.

The house was amazingly complete. Below his feet the floor furnace radiated a faint aura of warmth. He peered into the first bedroom. A woman's boudoir. Silk bedcover. White starched sheets. Heavy drapes. A vanity table. Bottles and jars. Huge round mirror. Clothes visible within the closet. A dressing gown thrown over the back of a chair. Slippers. Nylon hose carefully placed at the foot of the bed.

Miller moved down the hall and peered into the next room. Brightly painted wallpaper: clowns and elephants and tight-rope walkers. The children's room. Two little beds for the two boys. Model airplanes. A dresser with a radio on it, pair of combs, school books, pennants, a No Parking sign, snap­shots stuck in the mirror. A postage stamp album. Nobody there, either.

Miller peered in the modern bathroom, even in the yellow-tiled shower. He passed through the dining room, glanced down the basement stairs where the washing machine and dryer were. Then he opened the back door and examined the back yard. A lawn, and the incinerator. A couple of small trees and then the three-dimensional projected backdrop of other houses receding off into incredibly convincing blue hills. And still no one. The yard was empty -- deserted. He closed the door and started back.

From the kitchen came laughter.

A woman's laugh. The clink of spoons and dishes. And smells. It took him a moment to identify them, scholar that he was. Bacon and coffee. And hot cakes. Somebody was eating breakfast. A twentieth-century breakfast.

He made his way down the hall, past a man's bedroom, shoes and clothing strewn about, to the entrance of the kitchen.

A handsome late-thirtyish woman and two teenage boys were sitting around the little chrome and plastic breakfast table. They had finished eating; the two boys were fidgeting impatiently. Sunlight filtered through the window over the sink. The electric clock read half past eight. The radio was chirping merrily in the corner. A big pot of black coffee rested in the center of the table, surrounded by empty plates and milk glasses and silverware.

The woman had on a white blouse and checkered tweed skirt. Both boys wore faded blue jeans, sweatshirts, and tennis shoes. As yet they hadn't noticed him. Miller stood frozen at the doorway, while laughter and small talk bubbled around him.

"You'll have to ask your father," the woman was saying, with mock stern­ness. "Wait until he comes back."

"He already said we could," one of the boys protested.

"Well, ask him again."

"He's always grouchy in the morning."

"Not today. He had a good night's sleep. His hay fever didn't bother him. The new anti-hist the doctor gave him." She glanced up at the clock. "Go see what's keeping him, Don. He'll be late for work."

"He was looking for the newspaper." One of the boys pushed back his chair and got up. "It missed the porch again and fell in the flowers." He turned towards the door, and Miller found himself confronting him face to face. Briefly, the observation flashed through his mind that the boy looked familiar. Damn familiar -- like somebody he knew, only younger. He tensed himself for the impact, as the boy abruptly halted.

"Gee," the boy said. "You scared me."

The woman glanced quickly up at Miller. "What are you doing out there, George?" she demanded. "Come on back in here and finish you coffee."

Miller came slowly into the kitchen. The woman was finishing her coffee; both boys were on their feet and beginning to press around him.

"Didn't you tell me I could go camping over the weekend up at Russian River with the group from school?" Don demanded. "You said I could borrow a sleeping bag from the gym because the one I had you gave to the Salvation Army because you were allergic to the kapok in it."

"Yeah," Miller muttered uncertainly. Don. That was the boy's name. And his brother, Ted. But how did he know that? At the table the woman had got up and was collecting the dirty dishes to carry over to the sink. "They said you already promised them," she said over her shoulder. The dishes clattered into the sink and she began sprinkling soap flakes over them. "But you remember that time they wanted to drive the car and the way they said it, you'd think they had got your okay. And they hadn't, of course."

Miller sank weakly down at the table. Aimlessly, he fooled with his pipe. He set it down in the copper ashtray and examined the cuff of his coat. What was happening? His head spun. He got up abruptly and hurried to the win­dow, over the sink.

Houses, streets. The distant hills beyond the town. The sights and sounds of people. The three dimensional projected backdrop was utterly convincing; or was it the projected backdrop? How could he be sure. What was happening?

"George, what's the matter?" Marjorie asked, as she tied a pink plastic apron around her waist and began running hot water in the sink. "You better get the car out and get started to work. Weren't you saying last night old man Davidson was shouting about employees being late for work and standing around the water cooler talking and having a good time on company time?"

Davidson. The word stuck in Miller's mind. He knew it, of course. A clear picture leaped up; a tall, white-haired old man, thin and stern. Vest and pocket watch. And the whole office, United Electronic Supply. The twelve-story building in downtown San Francisco. The newspaper and cigar stand in the lobby. The honking cars. Jammed parking lots. The elevator, packed with bright-eyed secretaries, tight sweaters and perfume.

He wandered out of the kitchen, through the hall, past his own bedroom, his wife's, and into the living room. The front door was open and he stepped out on to the porch.

The air was cool and sweet. It was a bright April morning. The lawns were still wet. Cars moved down Virginia Street, towards Shattuck Avenue. Early morning commuting traffic, businessmen on their way to work. Across the street Earl Kelly cheerfully waved his Oakland Tribune as he hurried down the pavement towards the bus stop.

A long way off Miller could see the Bay Bridge, Yerba Buena Island, and Treasure Island. Beyond that was San Francisco itself. In a few minutes he'd be shooting across the bridge in his Buick, on his way to the office. Along with thousands of other businessmen in blue pinstripe suits.

Ted pushed past him and out on the porch. "Then it's okay? You don't care if we go camping?"

Miller licked his dry lips. "Ted, listen to me. There's something strange."

"Like what?"

"I don't know." Miller wandered nervously around on the porch. "This is Friday, isn't it?"

"Sure."

"I thought it was." But how did he know it was Friday? How did he know anything? But of course it was Friday. A long hard week -- old man Davidson breathing down his neck. Wednesday, especially, when the General Electric order was slowed down because of a strike.

"Let me ask you something," Miller said to his son. "This morning -- I left the kitchen to get the newspaper."

Ted nodded. "Yeah. So?"

"I got up and went out of the room. How long was I gone? Not long, was I?" He searched for words, but his mind was a maze of disjointed thoughts. "I was sitting at the breakfast table with you all, and then I got up and went to look for the paper. Right? And then I came back in. Right?" His voice rose desperately. "I got up and shaved and dressed this morning. I ate breakfast. Hot cakes and coffee. Bacon. Right?"