Barlow's hole was filled with writing. He had used some implement to etch poetry into the sulphur walls. It was a sad thing to see that through all his suffering, he had never become any better a writer—here rhyming ghost with host, there, trope with hope, too many beats, too few images, all love and lovely. In the heat and stench of the pit, I wondered if that was important, or if there was not something I was missing about the passion that had literally consumed his life. What danger he was to the Master, I could not see.
Although I used quite a bit of energy I could have otherwise conserved in moving from tunnel to tunnel inspecting the remains of the dead, there was something fascinating about my search. The upward draft in the pit was doubly hot that day for some reason, but I continued on, wiping the burning sweat out of my eyes and peering through the mist. It was almost as if I was visiting these people, almost as if I was one of them. Here were my compatriots. This thought actually offered a modicum of solace until I moved down along the path, past my own tunnel, and found the name Flock, carved above one of the openings.
Out of all the eternal homes I had visited that day, the most impressive one was my old professor's. Had I been able to put out of my mind that it was all hewn from sulphur, and been able to ignore the stench, I would say that Flock's little grotto was quite beautiful. The old man had a touch of the artist in him, for he had made his hole into a garden, having sculpted onto the walls reliefs of plants and shrubbery and trees. Tendrils and vines, leaves and blossoms were delicately rendered, showing detail and proper dimension. At the back of the tunnel, which was quite deep, was a small garden bench, carved entirely from what must have been an enormous boulder of sulphur. It faced the back wall.
I took a seat there, in Flock's garden, and stared at a row of life-size faces that he had shaped out of the yellow stone. The first was of the Master—an uncanny likeness. He was snickering, his eyes slightly rolled back as if he had just injected himself with sheer beauty. Next to him was Corporal Matters of the day watch, scowling jowls and deep pockets beneath the hateful eyes. Last in the strange gallery of the professor's tormentors was a visage I could not place, though I knew it to be familiar. It was certainly as filled with spite and menace as the other two. One might say it had some of the Master's own madness in it.
While I tried to remember where I had seen it, I noticed that beneath all of these rude heads had been carved the word forgive. Eventually, I lifted my pick and swung violently, smashing that last head from the wall. I beat it where it lay on the ground until it had been reduced to yellow crumbs. Then I shoveled it into my sack. 'Two pounds," I whispered to the corporal's leering face.
That night, after bathing, I lay on my bed, simply staring. I should have left those other tunnels alone and not disturbed the dead. What I had found there had taken what little will to live I had left. Now it was just a matter of deciding how I would hasten the end of my life. ''Should I leap into the pit, a graceful dive and never-ending fall into the bright yellow heat, my body disintegrating before I hit the bottom," I wondered, "or, like my dead host, Harrow, should I swim for it?"
"Have you seen the kraken?" I asked Silencio, who sat on my dresser with a worried look. All night he had been imploring me by way of looks and hand gestures to eat the tray of food he had brought up.
He pulled some nit off his fur and wiggled the fingers of his opposite hand around it before bringing it to his mouth and crunching it between his teeth.
I resumed my despondent gaze as Silencio jumped down from the dresser. I thought he had left the room, but a moment later I was recalled from my reverie when I heard him rummaging in the closet. A few seconds later, he was on the bed, hoisting up the travel bag I had brought to the island with me. I watched without interest or comment as he unfastened the snaps and reached inside. What he brought forth was a parcel wrapped in blue paper and tied with string. At first, I did not remember ever bringing such an item with me. Then the monkey kicked the bag back on the floor and, lifting the parcel in two hands, tossed it onto my chest. The next thing I knew, he had returned the travel bag to the closet and left the room.
I lay there looking at the package with both fear and wonder as if it were the tentacle of a kraken. Lifting it slowly, I ripped the paper away, and as I did, a very faint mixture of scents was released. One of these was that of parchment and ink and the other was distinctly the perfume of Aria Beaton. These were, of course, the pages of her notes on the memories of the story of her grandfather's journey. I tore away the rest of the blue wrapping and string, remembering that I had packed it in such a manner to protect it on the trip from the mainland.
Up till that moment, I had been unable to lay my eyes on the manuscript without shaking uncontrollably. All the time I had spent in my holding cell while my trial was dragging along I kept the pages in the opposite corner from my bed, and if my gaze landed on them, I quickly averted my eyes as if I were seeing a ghost there instead. Now I did not have the same aversion to it. I held up the bulk of pages and read the first words: Dear Physiognomist Cley.
Soft piano music drifted up from the back porch of the inn, laying a melody over the constant bass of the distant ocean. The breeze lifted the curtains, and I began to read the Fragments from the Impossible Journey to the Earthly Paradise.
Dear Physiognomist Cley:
A number of days ago, at your request, I spent some time delving into the physiognomical attributes of my late grandfather Harad Beaton in an attempt to discern both his personal worth and any "secrets" he might have to reveal concerning an expedition he had taken many years past. My reading of his features, which have been turned to blue spire, merely confirmed that he was an ordinary man with a rather low physiognomical quo-
tient. What is more interesting is that as I ran my hands over his hardened face, I began to remember snatches of the story of this journey he had related to me when I was a child. I began to write these down, thinking that they might be of some use to you.
Once I began, I could not stop. The memories turned into waking dreams, and, as I recorded them, I believe I was experiencing what some mystics call automatic writing. I wrote so rapidly, without looking at the page, it was as if some unseen hand were guiding my efforts. Although I did not re-experience the entire journey, I did experience quite a bit of it. There are gaps that probably will never be filled in. When the journey did come to me, it was as if I were there with the miners in the wilderness, an invisible witness to their quest.
Seeing Aria's script, I could almost feel her hand moving across the page. Breathing in the vague scent of her perfume, traces of lilac and lemon, it was as if she were there with me in bed. These things calmed my mind and I began to grow weary as I continued reading. Her earliest fragment was a vision of the Beyond. There was great detail concerning the unspoiled beauty and strange vegetation and animals the miners saw as they headed deeper and deeper into those woods Bataldo, Cal-loo, and I had passed through. I could see them with their lantern helmets, their pickaxes slung over their shoulders, walking in single file, joking and laughing. Some of their names passed by me. Twigs broke and branches rustled as a herd of albino deer broke into a small clearing and bounded away through the trees. The moon was out at midday and Harad Beaton was longing for home.