And dead blue eyes that stared unblinkingly up at her from sockets that were sunk deep into his gray, expressionless face.
Katharine stood rock still, fighting the nausea that had risen in her belly. Don’t react, she told herself. If they’re watching you, you mustn’t react at all. You must act like you belong here.
Pulling the drawer all the way open, she gazed into the great Y-shaped incision that had been cut in the boy’s torso. What few organs remained were in a chaotic jumble, as if having been hastily put back after an autopsy. His lungs, though, had been completely removed.
His lungs?
Suddenly the description of the single file she’d been able to read in the Serinus directory came back to her.
Pollution? Could this boy have died from pollution poisoning?
She pulled the drawer farther open, looking for something — anything — that would identify the corpse. And then, as the drawer reached the limits of its extension hardware, she saw it.
A tag was attached to the big toe of the boy’s right foot. Tearing the tag loose, she dropped it into her pocket, closed the drawer, and was about to leave the room when she noticed a door in the left-hand wall, toward the back of the room. Moving close to it, she listened for a moment and heard a humming noise. She hesitated, then tried the knob.
It turned, and she eased the door open enough to see inside.
It was some kind of equipment room, filled with tanks of varying sizes, all of which seemed to be connected to a central tank with a series of hoses and valves. From the central tank a series of large ducts ran in several directions, passing through two of the walls.
Then she saw the source of the humming sound: a pump next to the large tank, apparently moving the tank’s contents through the ducts.
Both the wall opposite Katharine and the one at the far end of the room were pierced by doors as well as by the large ducts, and she quickly moved to the closest one, listened, and tried the knob.
Locked.
She moved to the other door, only to find it locked, too.
Frustrated, she rattled the knob hard. She searched for a card scanner, but there was no sign of one. Should she try to find a key? What if one of the cameras was watching?
She twisted the doorknob one more time, then gave up and went back to the autopsy room. She was tempted to return to the elevator right then — to press her luck no further — but when she stepped out into the corridor, its row of closed doors drew her like a magnet.
Deciding, she turned away from the elevator and moved slowly toward the far end of the hallway. Thirty feet farther on she saw a door that bore a plaque:
The Serinus Project
She stared at the sign, the realization slowly sinking in: she no longer needed the password to the protected directory that had so utterly frustrated her yesterday afternoon. Steeling herself, she reached for the knob, all but certain that this door, like those inside the morgue, would be locked.
It wasn’t; apparently, Takeo Yoshihara considered the elevator’s security system sufficient, for this area of the facility, at least.
She stepped into a wood-paneled anteroom, empty but for a deserted desk and a display case. As she realized what was in the cabinet, Katharine’s heart began to beat faster.
The skull?
Could it be the same skull she’d glimpsed on the monitor in Rob’s office? Katharine moved closer to the case, a sealed Plexiglas box fixed to the top of a black lacquered pedestal. As she studied the skull from every angle, her excitement grew. It was the one she’d seen! It had to be! And it appeared to be exactly like the skull she’d found in the ravine, in every aspect. Tearing her eyes away from it, she searched for something that would identify its provenance. For a moment there seemed to be nothing, but then she found it: a small plaque very much like the one affixed to the door through which she’d come in a moment ago. It identified the skull only as having been discovered in a village in the Philippines on a date two months earlier. Committing the name of the village to memory, Katharine studied the skull once more, then moved on.
And stopped in shock as she came to the next room. For a split second she had the strange sensation that she’d stepped into a veterinarian’s office, since one entire wall was lined with animal cages. Except they weren’t quite cages at alclass="underline" rather, they were boxes made of Plexiglas. She moved farther into the room, her eyes rapidly taking in the details of its equipment. The cells — the word popped into Katharine’s mind out of nowhere, but even as it formed in her head she had the distinct feeling that it was exactly the right word to describe the plastic cages — were airtight, with what were apparently remotely operated systems allowing food and water to be provided to the animals isolated within each of them.
Each cage had a ventilating system that kept the atmosphere within the cells constantly circulating, and a large computer monitor displayed the composition of the atmosphere within the confines of the plastic boxes. In an instant Katharine understood: the tanks in the equipment room she’d found a few moments ago were supplying the atmosphere for the boxes.
She moved closer to the wall of cages.
The cells were of varying sizes and contained various species.
In the smallest were mice, a few of them alone, some in pairs. In one there was a nursing female, with half a dozen babies suckling at her teats.
A row of larger cells contained cats and dogs. They were all caged singly, and most of the cats were curled on the floors of their prisons, some licking at their fur, others sleeping.
Or perhaps they had died?
Katharine’s gaze shifted to one of the monitors; the display, a series of letters and numerals, indicated the composition of the atmosphere within the confines of the plastic box. She picked out familiar chemical designations: NH3, CH4, CO.
Ammonia.
Methane.
Carbon monoxide.
There were half a dozen other chemical formulae, a few of which she was familiar with, most of which she was not.
But all of them, she suspected, were equally deadly gases. Dear God, what was going on here?
Katharine moved closer to one of the cages and rapped on it sharply. The cat within stirred, then settled down and appeared to go back to sleep.
All but one of the dogs were awake. Two of them sat staring at her, but with none of the eagerness of puppies hoping to be played with. Rather, their eyes seemed oddly empty, as if they understood they would never be released from the plastic boxes in which they were imprisoned. The other three were sprawled out, apparently looking at nothing at all. With a shudder of revulsion, Katharine recalled the meaning of the project’s name: canaries in the mines — that’s what these poor animals were! Impulsively, she reached out, opened one of the cages, and lifted the puppy inside into her arms, then quickly closed the cage door against the foul-smelling fumes that spewed from it.
The puppy, wriggling gratefully, snuggled against her bosom, and as she stroked its soft fur, outrage at the experimentation going on in this room rose inside her. How could anyone do something like this? To subject all these innocent animals to—
Her thoughts were interrupted by a strange wheezing sound from the puppy in her arms. Then it was wriggling, as if trying to escape her hold on it, and when she looked down, it was gazing up at her with frightened eyes, its mouth gaping as it gasped in a struggle to catch its breath.
Dying! The puppy was dying in her arms!
She cuddled it close, trying to ease its fear, but a moment later it was over. The puppy lay limp in her arms, silent and still. Katharine stared at it numbly for a moment.
What should she do with it?
And then she remembered where she was and what she was doing. If someone found her—