"Unplug the music and close off the liquor," he said. "They don't come for the atmosphere. The waitresses and the dancers, I'll take care of."
"Want to do that for me?"
"No, but I guess I don't have no choice."
He walked over and shut off the music. The girls who were on the poles swung around to look at him, holding on like tree monkeys as they waited for the music to start up again.
"That the end of my set, Lou?" one of them finally called.
"Yep," he said. "Bar's closed." Then he turned to the guys at the tables. "You guys finish up and get out."
A few of the John Deeres knocked back their shots, got up and left. One by one the rest drifted out. I found a place at the back of the bar and, after the dancers and waitresses were gone, I spoke to Hitch.
"Okay, everybody's out. The bartender's locking the register and coming out with me. He says Sladky's in the manager's office."
"SWAT is ready," Hitch said. "The lieutenant watch commander from the Hollywood station just got here, so we're good to go. They want you out. Because of all the side exits, they asked if we could help by covering the parking lot in back."
"Works for me."
I walked out with the bartender.
A SWAT entry team crossed the street heading toward the bar. As they deployed out front Hitch and I went around to the back. We were all carrying walkie-talkies set on tactical frequency six.
Two guys from SWAT covered the windows in the front. The rest of the team, all wearing ballistic body armor and helmets and carrying 9 mm H amp;K MP-5 submachine guns, headed across the street toward the entrance.
The MP-5s could be set on semi-or full-auto fire. They were great weapons, which only SWAT used to have, but in 1997 we persuaded the city to authorize them for regular cops because of how badly we got our asses kicked in the North Hollywood Bank shoot-out.
Hitch and I had found good cover positions in the back and on the side of the bar. There was a metal door in the center of the clubs back wall. Hitch wanted to cover that so I took the west side of the building, which ran along an alley that separated the strip club from Lili St. Cyr's Exotic Lingerie.
This was the way I liked to serve warrants on machine-gun-wielding psychopaths. Let SWAT do the rough stuff. I'll cover the back every time.
Then it went down. The SWAT team had intended to kick the office door, swarm in, and take Karel by surprise, but something went wrong because we suddenly heard shouting, then shooting inside. The MP-5s made a unique short burping sound produced by their three-shot bursts. This was followed by the longer, louder retort of the Bizon machine pistol.
From my position in the alley I couldn't see Hitch, who was somewhere in the parking lot behind the back door. I was beginning to worry about him.
Obviously SWAT hadn't been able to take Sladky by surprise, and the odds were now pretty good that he would try and escape the club through the back door, leaving Hitch alone with only a pistol against a fully automatic machine gun capable of putting out 800 rounds per minute.
I could hear the Bizon chattering. Sladky was putting up a deadly fight.
I left my position and moved to the rear corner of the building where I could see the back exit and the parking lot, but I couldn't see Hitch.
Where the hell was he?
"Hitch, cover your position!" I whispered into my walkie. "I got the left side."
Two squelches came back as he acknowledged my transmission, but I still couldn't see him.
I moved into the lot with my pistol up, aimed at the back door. The Springfield XD(M) automatic had a four-and-a-half-inch barrel and was not very accurate at a distance. If Sladky came out that back door I needed to get a lot closer to be effective.
I sensed movement behind me and spun around. While I'd been creeping into the parking lot with my back to the alley windows, Karel Sladky had silently slipped out of one and had moved up directly behind me.
He had the drop on me with that monster Russian ventilator.
I dove facedown on the pavement just as he let loose with a stream of bullets. The 9 mm slugs dug into the black tar asphalt surface in front of me.
I had just barely survived the first burst, but was in a terrible predicament. I was facedown, ten feet from the shooter, seconds from death.
Then I heard three shots ring out. They sounded like balloons popping in contrast to the roar of the Bizon.
I looked up just in time to see Sladky fly backward. Three red spots blossomed on the front of his white shirt. He landed on his back and the Bizon fell harmlessly from his hands.
I turned and saw Hitch. He'd taken cover inside the trash Dumpster. When Sladky fired at me, Hitch had jumped up, exposing himself. Then he'd taken the Czechoslovakian down with three well-placed shots.
Hitch climbed out of the Dumpster. Coffee grounds and orange rinds stained the cuffs of his beautiful rust-colored suit. I wanted to kiss the guy.
"Good shooting," I said, my voice a croak.
The back door burst open and two gun-wielding SWAT officers came running out. Two more rounded the corner at the side of the bar. All with their guns up and safeties off.
"We re Code Four!" I shouted. "Shooter s down."
The SWAT commander checked the body. Sladky was alive, but just barely. The Hollywood station LT called for the ambulance SWAT had standing by and seconds later it rolled into the parking lot. Sladky miraculously continued to breathe as he was loaded aboard a stretcher, leaking blood from three chest wounds. A few seconds later he was being rushed away, with sirens blaring.
The watch commander wanted Hitch and me to be transported directly back to Hollywood Division to complete a Daily Field Activity Report, which takes place immediately after every shooting where a police officer discharges his or her weapon.
A DFAR is usually done by a "shoot unit" headed by a sergeant from Internal Affairs. Afterward Hitch would undergo a full shooting review, also standard practice after an officer-involved gunfight.
When I finished with the lieutenant, he went in search of Hitch, who was supposed to be isolated in the back of a patrol car.
The watch commander couldn't find him and was starting to freak out. Hitch wasn't supposed to have contact with anyone until after his DFAR. The idea was to keep participants from getting together and organizing their versions of what happened.
"I'll find him, LT," I said, trying to calm the guy. "He's around here somewhere. Give me a minute."
I found Hitch behind the strip club in the very alley where Karel Sladky had gotten the drop on me and then been gunned down.
When I spotted him I thought he was cleaning the garbage out of the cuffs of his rust-colored suit. But he wasn't doing that at all.
He was bent over, throwing up on his Spanish leather shoes.
Chapter 20.
The DFAR took place in the lieutenant s office at the Hollywood station. Sergeant Lena Fine, a thirty-year-old nondescript woman with mouse brown hair and a careful demeanor, from the Bureau of Professional Standards conducted the interview.
The interview was on a continuous tape and was witnessed by the lieutenant watch commander. The DFAR is conducted under oath and is basically the officers retelling of the event for the official record. Hitch, as the primary shooter, went first.
I gave the supporting eyewitness statement and told my end of it, recounting how Sladky came out the window behind me after I had gone into the back parking lot and how he was dropped by my partner before he could get off a second deadly burst that would certainly have killed me.
I was told by Sergeant Fine that a separate shooting review would be conducted a day or so later at the Bradbury Building, and that I might be called to testify. She said because it was nearly Christmas Eve and even the headhunters from IA needed time at home with their families it probably wouldn't happen until after the holiday.