The purse's zipper remained closed. Jamie checked inside. "Doesn't look like they got to it yet. I still have my wallet and cell phone."
Behind them, the sound of the helicopter descended into the valley.
Jamie glanced in that direction. "Can't be reinforcements for Grace. Otherwise, she wouldn't have run."
Cavanaugh nodded. "I'm betting it's John and a team from the Bureau."
Jamie looked relieved. "Then let's hurry back and tell them what we know."
Cavanaugh didn't move.
"What's the matter? If we don't go back, they'll issue arrest warrants for us," Jamie said. "Hell, they probably want to arrest us as it is. We took Kline away from John, and now Kline's dead. So are all those men back there. And the doctor. We've got to explain what happened."
"Can't go back."
"What?"
"Can't trust the FBI. Somebody there worked for Kline. Somebody informed against John. If I tell what I know, I might be helping the wrong people get their hands on Prescott."
"But John'll find the informant."
"How long will that take, and what if he doesn't? I need the antidote. For that matter, even if John does find the informant, even if it is safe to tell the FBI what I know, that doesn't solve anything, either. Prescott won't be punished."
"I don't understand."
"The government would protect him. Sure, they'd be appalled by the illegal research. Prescott's controllers would be quietly and severely punished. But not Prescott. Since the weapon exists and the damage has been done, the Defense Department would want to know everything about it, just to have it as an option. In the name of national security, they'd hide him some place comfortable, where they'd have access to his information. Prescott would get a new identity, a new life, everything he wanted in the first place."
Jamie stared at him.
"What's the matter?" he asked.
"When we first started this, people were after you," Jamie said. "They wanted to kill you. I figured that if I helped you find whoever was hunting you, we could get free of it all. We could go back to Wyoming. We could have our lives back."
"Believe me, that's exactly what I want. With everything in me, I want to go back to the way things used to be."
"Then why can't we?"
"Karen. Duncan. Chad. Tracy. Roberto. They won't be Prescott's last victims. He's paranoid enough that he'll kill again and again if he thinks anybody's looking at him wrong, if he fears his safety's being threatened. He has to be stopped."
Both of them were silent now. The only sound was a pickup truck clattering through the intersection ahead.
"You're going to need plausible deniability," he finally said.
"What?"
"We didn't take Kline. I did. I forced you to go along with me. That's your story. Play the victim."
"You think anybody's going to believe that?" Jamie asked.
"Make them believe it. Get yourself out of this."
"You're telling me…"
"Go back."
"Split up?" Jamie asked.
"You almost got killed because of me. I can't let you risk your life anymore."
"I'm here because I want to be."
"But I can't go after Prescott and worry about you."
"I've handled myself very well."
"Yes," Cavanaugh said. "You have."
"I'm staying."
Cavanaugh peered down at his unsteady hands. Another pickup truck clattered through the intersection.
He nodded.
"So what does that nod mean? Where does that leave us?" Jamie asked.
"Somewhere near West Virginia."
"Not funny."
"I've run out of jokes." Cavanaugh studied her grimy arms and blouse, then pressed the trunk-release button. Their suitcases were back there. "We'd better put on some fresh clothes."
"You're going to need more than fresh clothes."
Jamie's intense gaze made him look down at himself. He was covered with soot from head to foot. His pants were in rags. His chest was a chaos of scratches. Blood and sweat mingled with the soot.
"We've still got some bottled water in the backseat. I'll wash my face, then put on a cap, a shirt, and pants to hide the rest of this until we reach a motel."
"You reek of cordite," Jamie said.
"Some people think it's sexy."
PART SIX. Threat Reprisal
1
The motel on the outskirts of Harrisburg, Pennsylvania, was two hours north, far enough that if Rutherford ordered a search for them, it wasn't likely to be successful, especially since Rutherford didn't know Jamie's name or the kind of car they drove.
Harrisburg, the state capital, had another advantage. It was large enough to have numerous video-rental stores. The Clint Eastwood movie, whose title Cavanaugh had remembered but kept secret when Grace had read the list of Eastwood thrillers, wasn't hard to find. But the Troy Donahue/Sandra Dee film was another matter. After Cavanaugh and Jamie checked into the motel, they needed to visit almost every one of Harrisburg's video stores before they got their hands on a tape of A Summer Place.
"Star-crossed lovers at a resort town in Maine." Jamie read from the back of the VHS box after they returned to the motel.
Cavanaugh put the tape into a player that they'd rented. "Prescott isn't exactly a romantic kind of guy, so there's got to be another reason he thinks this movie's important."
"Maybe Grace was right. Maybe he wanted to move to Maine," Jamie said.
The tape was so old and worn that it colors were faded and its image had speckles. Obviously intended for a wide screen, the panoramic scenery looked cramped when trimmed to fit a standard-size TV It didn't help that the screen was only twenty inches.
"Music's not bad," Jamie said.
"That's about all that isn't."
While adults had affairs, Donahue and Dee were warned that their own love was forbidden. Richard Egan acted almost as woodenly as Donahue. Ponderous scenes were punctuated by waves pounding a gorgeous pine-rimmed beach.
"Interesting house."
In the movie, a low, sleek modernistic house occupied a rocky point in a bay. Made of stone, the structure resembled the prow of a ship as waves crashed against its base.
"Reminds me of houses by Frank Lloyd Wright," Jamie said.
Amid soaring music and scenery-chewing performances, the film mercifully ended.
Cavanaugh pressed the rewind button. "Maine."
"And now for our second feature…" Jamie picked up Play Misty for Me and read what was on the back of the box. " 'Female stalker pursues disc jockey. Clint Eastwood's directorial debut. Filmed in his hometown of Carmel.'" She studied the picture on the front of the box. "Jessica Walter and a knife. Good. Slasher movies are my favorite."
"Actually, it's fairly well made. I saw it so long ago, I barely remember a thing about it, but I do recall thinking Eastwood did a decent job. It's nice and tense."
"Can't have enough tension," Jamie said.
"California. Maine. Prescott certainly had trouble making up his mind."
"Well, pop in this beauty," Jamie said, "and let's see why Prescott likes it so much."
The movie began with a long overhead helicopter shot that moved along a rugged coastline with waves smashing against rocks and windblown pine trees hugging the bluffs.
Thirty seconds into it, Cavanaugh and Jamie both leaned forward from where they sat on the bed.
"Holy shit," Cavanaugh said. "A Summer Place was supposed to take place in Maine, but it was actually filmed in-"
"Carmel," Jamie said.
They watched raptly as Clint Eastwood drove his sports car along the craggy coast. He and his girlfriend later took long walks along a beach.
"That's the same beach that's in A Summer Place," Jamie said. "The curved shape of the bay's so distinctive, I can't imagine there's another like it."
"Look for the Frank Lloyd Wright house," Cavanaugh said.