She stared at it for a moment. She always played the Sicilian to that opening—the most common opening for White in the game of chess. But she hesitated. Borgov had been called “Master of the Sicilian” somewhere in a journal. Almost impulsively she played pawn to king four herself, hoping to play him on ground that was fresh for both of them, that would not give him the advantage of superior knowledge. He brought out his king’s knight to bishop three, and she brought hers to queen bishop three, protecting the pawn. And then without hesitation he played his bishop to knight five and her heart sank. The Ruy Lopez. She had played it often enough, but in this game it frightened her. It was as complex, as thoroughly analyzed, as the Sicilian, and there were dozens of lines she hardly knew, except for memorizing them from books.
Someone flashed another bulb for a picture and she heard the tournament director’s angry whisper not to disturb the players. She pushed her pawn up to rook three, attacking the bishop. Borgov pulled it back to rook four. She forced herself to concentrate, brought out her other knight, and Borgov castled. All this was familiar, but it was no relief. She now had to decide to play either the open variation or the closed. She glanced up at Borgov’s face and then back at the board. She took his pawn with her knight, starting the open. He played pawn to queen four, as she knew he would, and she played pawn to queen knight four because she had to, so she would be ready when he moved the rook. The chandelier overhead was too bright. And now she began to feel dismay, as though the rest of the game were inevitable—as though she were locked into some choreography of feints and counterthreats in which it was a fixed necessity that she lose, like a game from one of the books where you knew the outcome and played it only to see how it happened.
She shook her head to clear it. The game had not gone that far. They were still playing out tired old moves and the only advantage White had was the advantage White always had—the first move. Someone had said that when computers really learned to play chess and played against one another, White would always win because of the first move. Like tick-tack-toe. But it hadn’t come to that. She was not playing a perfect machine.
Borgov brought his bishop back to knight three, retreating. She played pawn to queen four, and he took the pawn and she brought her bishop to king three. She had known this much back at Methuen from the lines she memorized in class from Modern Chess Openings. But the game was ready now to enter a wide-open phase, where it could take unexpected turns. She looked up just as Borgov, his face smooth and impassive, picked up his queen and set it in front of the king, on king two. She blinked at it for a moment. What was he doing? Going after the knight on her king five? He could pin the pawn that protected the knight easily enough with a rook. But the move looked somehow suspicious. She felt the tightness in her stomach again, a touch of dizziness.
She folded her arms across her chest and began to study the position. Out of the corner of her eye she could see the young man who moved the pieces on the display board placing the big cardboard white queen on the king two square. She glanced out into the room. There were about a dozen people standing there watching. She turned back to the board. She would have to get rid of his bishop. Knight to rook four looked good for that. There was also knight to bishop four or bishop to king two, but that was very complicated. She studied the possibilities for a moment and discarded the idea. She did not trust herself against Borgov with those complications. To put a knight on the rook file cut its range in half; but she did it. She had to get rid of the bishop. The bishop was up to no good.
Borgov reached down without hesitation and played knight to queen four. She stared at it; she had expected him to move his rook. Still there seemed to be no harm in it. Pushing her queen bishop pawn up to the fourth square looked good. It would force Borgov’s knight to take her bishop, and after that she could take his bishop with her knight and stop the annoying pressure on her other knight, the one that sat a bit too far down the board on king five and didn’t have enough flight squares for comfort. Against Borgov, the loss of a knight would be lethal. She played the queen bishop pawn, holding the piece for a moment between her fingers before letting it go. Then she sat a bit farther back in her chair and drew a deep breath. The position looked good.
Without hesitation Borgov took the bishop with his knight, and Beth retook with her pawn. Then he played his queen bishop pawn to the third rank, as she thought he might, creating a place for the nuisance bishop to hide. She took the bishop with relief, getting rid of it and getting her knight off the embarrassing rook file. Borgov remained impassive, taking the knight with his pawn. His eyes flicked up to hers and back to the position.
She looked down nervously. It had looked good a few moves before; it did not look so good now. The problem was her knight on king five. He could move his queen to knight four, threatening to take her king’s pawn with check, and when she protected against this, he could attack the knight with his king bishop pawn, and it would have no place to go. Borgov’s queen would be there to take it. There was another annoyance on her queen side: he could play rook takes pawn, giving up the rook to hers only to get it back with a queen check, coming out a pawn ahead and with an improved position. No. Two pawns ahead. She would have to put her queen on knight three. Queen to queen two was no good because of his damned bishop pawn that could attack her knight. She did not like this defensiveness and studied the board for a long time before moving, trying to find something that would counterattack. There was nothing. She had to move the queen and protect the knight. She felt her cheeks burning and studied the position again. Nothing. She brought her queen to knight three and did not look at Borgov.
With no hesitation whatever Borgov brought his bishop to king three, protecting his king. Why hadn’t she seen that? She had looked long enough. Now if she pushed the pawn she had planned to push, she would lose her queen. How could she have missed it? She had planned the threat of discovered check with the new position of her queen, and he had parried it instantly with a move that was chillingly obvious. She glanced at him, at his well-shaven, imperturbable Russian face with the tie so finely knotted beneath his heavy chin, and the fear she felt almost froze her muscles.
She studied the board with all the intensity she could muster, sitting rigidly for twenty minutes staring at the position. Her stomach sank even farther as she tried and rejected a dozen continuations. She could not save the knight. Finally she played her bishop to king two, and Borgov predictably put his queen on knight four, threatening again to win the knight by pushing up his king bishop pawn. Now she had the choice of king to queen two or of castling. Either way the knight was lost. She castled.
Borgov immediately moved the bishop pawn to attack her knight. She could have screamed. Everything he was doing was obvious, unimaginative, bureaucratic. She felt stifled and played pawn to queen five, attacking his bishop, and then watched his inevitable moving of the bishop to rook six, threatening to mate. She would have to bring her rook up to protect. He would take the knight with his queen, and if she took the bishop, the queen would pick off the rook in the corner with a check, and the whole thing would blow apart. She would have to bring the rook over to protect it. And meanwhile she was down a knight. Against a world’s champion, whose shirt was impeccably white, whose tie was beautifully tied, whose dark-jowled Russian face admitted no doubt or weakness.
She saw her hand reach out, and taking the black king by its head, topple it onto the board.
She sat there for a moment and heard the applause. Then, looking at no one, she left the room.