Was this what it was like when you found yourself sliding, impossibly and inevitably, toward a divorce?
And what then?
Would she and Clark and the beautiful miracle of the twins be turned, as seemed the custom now, into one of those joint-custody arrangements? An elaborate plan sketched out, and signed by a judge? Thursday through Monday with Mira. Monday through Thursday with Clark. Or every other week? Or every two weeks? Vacations numbered, accounted for? Holidays divided up like so many shiny pennies?
Back in the days of Mira’s childhood, when there was a divorce, the fathers generally just slipped away to California and were replaced by the mothers’ new husbands. But Clark was not the kind of father who would slip away. He might very well be, in fact, the kind of father who would fight her for full custody. He might very well be the kind of father who would be granted full custody by a left-leaning judge who wanted to show that she valued the role of the stay-at-home father as dearly as that of a housewife.
Mira was, she realized, crying.
There were tears running down her neck. There were tears pooling around her lips. She wiped them away. She held her breath to try to make the hiccupping sobs subside. She was being ridiculous, getting way ahead of herself. Clark had said nothing about divorce, had he? He’d only taken the twins to visit his mother. It was his mother’s birthday. His mother’s seventieth. He would be back. He’d been right—she couldn’t have come along in the middle of the week.
Mira took her hands away from her face and forced herself to think of something else.
The interview.
She would think about that. Lucas. Her research. Her book. When the boys had first arrived, Mira had been certain that she’d know what to make of Lucas and his account of events. He’d slouched into the apartment looking quite a bit worse for wear than she remembered him—but drugs tended to do that, even to the very young. Jeff Blackhawk had told her that Lucas was in his poetry workshop that semester, and was an interesting writer but seemed unable to speak. Mira remembered him as a terrible writer—all adjectives and unsubstantiated opinions—who could not be dissuaded from dominating every class discussion with his opinions. Halfway through the term with her he’d had that trouble with a drug bust, and after that he had gotten quieter, although his papers became even more opinionated and full of purple prose. She remembered one essay he’d written that had nothing whatsoever to do with whatever assignment he’d been given, and had become, instead, a rant against oppressive drug laws:
Why does the United States, perhaps the earth’s most variegated garden, feel it must oppress the very youth it purports to wish to nurture into blossom?
And she also remembered reading this first line to Clark while grading papers at the kitchen table. It was supposed to make Clark laugh, give him an idea of the mind-numbing work she was doing at the kitchen table as he bounced the newborn twins to sleep in the chair across from her, but Clark had just snorted and said, “Really,” in agreement with Lucas’s sentiment.
But the Lucas in her apartment that evening had appeared drained of his saccharine passions. There was a strange quarter-size patch of hair missing just above his left temple, and repeatedly during the interview he’d pressed his fingers to that spot and rubbed it as if he were experiencing sharp pain there. He must have managed to rub the hair away, and then continued to rub enough to prevent it from growing back.
His monologue had been chilling, baffling, incredible. Unless he was a future Academy Award winner, this could not have been an act. Mira had the impression he’d not told a soul the story until then, and that perhaps he’d even managed not to think about it in detail until he’d opened his mouth to speak to her.
But what had actually happened?
Mira knew what she wanted to believe—the thing that would fit the thesis she knew she shouldn’t have already developed, but had.
There were thousands of accounts of ghosts reported on college campuses. Murdered coeds thumbing rides to the cemeteries where they were buried. Suicides still weeping in dormitory shower stalls, drunken fraternity brothers still prowling around under the balconies they’d drunkenly fallen from. The youthful dead were particularly inspiring when it came to such stories, and the living youth seemed particularly inspired by their dead peers. And Nicole Werner was the perfect campus ghost. The beautiful virgin with that already ghostly senior portrait. The evil boyfriend. The grieving sorority sisters. The dark, cold night of her violent death. Her roommate had to identify her by the jewelry she was wearing because the gorgeous sorority girl had been unrecognizable.
In a graduate seminar Mira had been invited to take her senior year in college (because Professor Niro had said he thought she was the most serious undergraduate student of anthropology he’d ever encountered), they’d read Charles Mackay’s classic, Extraordinary Popular Delusions and the Madness of Crowds. The book had impressed Mira deeply—probably more than it impressed the other students, because she was so young. The professor had expressed some contempt for the shoddy research, the slapdash psychoanalysis, the exaggerations in the book, but Mira had carried the impressions of that text with her through all the years of her education that had followed, and she still felt them. There had been no chapter on ghost sightings on college campuses, but Mira remembered very well Mackay’s chapter on haunted houses, and his conclusion that the weak and credulous people who were drawn to them would be the very sort of people who would see ghosts in them.
Lucas might certainly be one of Mackay’s weak and credulous. Lucas was easy. But what about Perry? Could both boys be suffering from the same overstimulation of the imagination?
Mira looked down at the watch glowing green on her wrist: 4:02. She had to teach her class in five hours. And somehow it didn’t even startle her (a movie camera would have captured her only casually looking up from her wristwatch as if she’d been expecting the sound all along) when there was a tentative-sounding knock on the door and a whisper she’d never have heard if she had been in bed: “Professor Polson? It’s just Perry Edwards again, if you’re there.”
34
Nicole was down to her bra, her panties. They matched. Pink. He hadn’t been able to look closely, but Craig thought he’d glimpsed a little heart, or maybe a bird, sewn onto the right-hand corner of the panties. And he was pretty sure he’d glimpsed the palest bit of downy hair between the panties and the high bikini spot of her inner thigh. Her cheeks had gone from a pink that matched the underwear to a deeper shade of pink in the course of their two hours in his bed. God only knew what color his own cheeks were. He was bathed in sweat. His hair was matted against his forehead. His heart had been beating so hard for so long in every part of his body that at least he knew for certain that he had no undetected heart defects. He’d never have lived through this if he did.
Perry was at home in Bad Axe for the weekend, so Nicole had spent the weekend rising from and returning to Craig’s bed in their dorm room.
“No, Craig, not yet. But it feels so good. Oh my God. No, stop. O—”
It was like a refrain now to the loveliest song he’d ever heard. He would have done anything she’d said. He felt certain that if she’d have let him, he could have levitated with her in his arms and they could have made love on the ceiling. He could have unzipped his body and wrapped her in his skin. He could have buried himself in her neck and slipped into the place between her shoulder and her throat, and been soldered by passion to her forever.