Stanley looked up. — What's that? What you're whistling.
— Too Much Mustard.
— Too much. . what? No, what is it? It's familiar, it's Bach?
— Yes, it's called I can give you anything but love, Anselm answered without looking up. — Bach wrote it when he was three, he added, — for Mother's Day.
— Anselm, Stanley said inclining toward him slightly, — is there something, is something wrong?
— Is something wrong! Anselm turned at him. — That's the stupidest… But his voice tailed off, he lowered his eyes from Stanley, and scratched his head.
— If there's anything I could. . do?
Anselm looked at the blunt black ridges of his nails, then held them out. — I've got a sycosis, see? Not psychosis, like these other crazy bastards. Plain sycosis. Scabs. And he went back to scratching his head.
Mr. Feddle entered, an alarm clock swinging from his neck on a piece of twine. In the doorway he bumped the man in the checked suit, whose companion said, — Go in and get him. — I couldn't just pull him out of there, said the man in the checked suit. — He won't stay long, he's too jumpy to hang around a dump like this. — Look out, there he goes!. . — Goes, hell. He's going to the can.
As he stood, occupied, the mirror was beside him at his left shoulder, and Otto stared into it. He continued to stare as he turned a minute later, buttoning his trousers, weaving slightly, and allowed the smile to come to his face slowly as though savoring the renewal of an acquaintance long away, dead perhaps, for all they knew, in the jungles; returned now, and returned affluent. Then the smile left his face as slowly, and the same reckoned composure with which it had come: with all the sincerity of a suppliant before an icon he said, — If I were a character in a play. . would I be credible? When the door banged open he was standing looking down at the pale left hand extended from his sleeve, and licking the strangely naked upper lip.
— What are you grinning about? You look pretty pleased with yourself.
— What? Oh… he spun around. — Max. — What happened, you sell your play or something? — My play? I… yes, yes that's it. How did you know? Yes. . — Good, Max said over his shoulder. Smiling, he added, — Look, I hope you didn't think I had anything to do with what people were saying.
— People? Otto repeated vaguely, going toward the door. — You know, that you'd plagiarized. .
— Oh, oh that, yes, no, no I wouldn't have thought that, Otto said, and left Max bound there to deepen the steaming gully in the cake of ice in the drain. He saw Stanley sitting at a table with Anselm, who was listlessly turning pages in a magazine which bore the picture of a girl sliding down a bannister, and the challenge, Can Freaks Make Love? on the cover. Anselm tore something out and pushed it across the table to Stanley who looked at it and then away quickly, his eyes searching the room for refuge until he lowered them to the floor.
— Hey, Hannah? Look at those two, said a tall round-headed young man in an expensive suit. — Did you ever see that Kollwitz print, "Zwei Gefangene Musik hörend"? That's what they look like, two prisoners listening to music.
— Stanley is a sort of prisoner, Hannah said half to herself. — Anybody is who's always broke. He handed her the beer he'd got her.
— You can talk! Hannah turned on him, accepting the dripping glass. — You work for your money, so you don't have to worry spending it.
He stared at her; then cleared his throat and asked, — Say, is that really Ernest Hemingway behind me?
— What if it is, what would that make you?
— He, I… I'd like to meet him, I think he's a great writer.
— You think some of it will wipe off on you? You're still a salesman. Did you ever read Cummings' poem, a salesman is an it that stinks to please. and you want to write?
— I do in my spare time, I've taken a course. .
— Go stink to please somewhere else.
— Yes, I… all right, all right. . He turned two hundred dollars' worth of tweed on her, and said, — Mister Hemingway? My name is George. .
— Glad to see you, George, said the Big Unshaven Man. — What are we drinking?
Otto paid for his whisky-and-soda with a twenty-dollar bill, and stood unsteadily looking about him.
— What are you mumbling about? Hannah demanded from just beneath the level of his gaze. He was looking at a tall blond girl who had just said, in Boston accents, that Paris was like a mouthful of decayed teeth.
— Hannah? I just sold my play, Otto repeated, but aloud this time, as though finding confirmation in what he heard.
— You sold your play? her query sustained him, but no further than, — Can you buy me a beer? as she put an empty glass on a table behind her. He struggled to the bar, got her a glass and handed it to her over someone's shoulder, but when he'd paid for it and turned again she was gone, leaving only her query echoing Max's, sanctioning what he had heard in his own words, and ratified now with a murmured yes and a smile of discovery. But immediately he saw Max, standing at the table with Anselm and Stanley, looking in his direction and talking through a smile, he felt unsteady again, called upon to defend himself, and his hand rose to the empty fall of his jacket as he approached them.
Max always looked the same, always the same age, his hair always the same short length, in his smile the humorless agreeability of one who could neither suffer friendship nor celebrate enmity, a parody on the moment, as his clothes caricatured a past at eastern colleges where he had never been.
— And if it's only through sin that we can know one another, and share our human frailty? Stanley went on, staring into his coffee. — And by doing that, we come to know ourselves. .
— Crossing the Atlantic Ocean to get laid. He can't even get it up without a dose of methyltestosterone, Anselm interrupted, without looking up as Otto approached, without a pause in his speaking he tore something from his magazine and held it out to Otto, who read, "lonely? 25cents brings magazine containing pictures, descriptions of lonely sincere members everywhere, seeking friendship, companionship, marriage. ." — What better reason is there to get out of this stupid white Protestant country, for Christ's sake. Yes, for Christ's sake. At least Catholic countries take sin as a part of human nature, they don't blow their guts when they find you've gone to bed with a woman. Somebody like him is scared to try it here, he'd rather go where nobody knows him, a bunch of stupid foreigners he doesn't have to respect because they don't speak English, and don't have any money, where nobody will point at him in the street if they see him coming out of a whorehouse. Christ. It breaks my heart. Somebody like that, it breaks my heart. But you know what breaks my heart? He looked up directly at Otto, who started, the smile jarred from his face, whose eyes, evading a wince, found Max's.indulgent smile. — That that's sin! Anselm hissed, looking back at the table top. — That. . Chhrist!
None of them spoke. Stanley clung to his coffee cup as though moored there. Otto tottered slightly. Max stood reflecting the vacant satisfaction he found in expose.
— With all the. . rotten betrayals around us, and that, that. . that one moment of trust, is sin? Anselm whispered, looking at none of them.
None of them spoke until Anselm said, — You're spilling your God-damned drink, what's the matter with you? and Otto, righting his glass and licking his naked upper lip, came round to the other side of the table and the empty chair Max stood beside, bumping a girl who was carrying Everybody Can Play the Piano under her arm, and saying, — Well I thought his approach was rarther crude, just coming at me like that with a dollar bill wrapped around it…