"We are as alone as we can well be. The old woman in the kitchen is as deaf as a post."
Now that he had been looking at Arlette closer the abbé felt a sort of dread. The carmine of those lips, the pellucid, unstained, unfathomable blackness of those eyes, the pallor of her cheeks, suggested to him something provokingly pagan, something distastefully different from the common sinners of this earth. And now she was ready to speak. He arrested her with a raised hand.
"Wait," he said. "I have never seen you before. I don't even know properly who you are. None of you belong to my flock – for you are from Escampobar. are you not?" Sombre under their bony arches, his eyes fastened on her face, noticed the delicacy of features, the naive pertinacity of her stare. She said:
"I am the daughter."
"The daughter! . . . Oh! I see . . . Much evil is spoken of you."
She said a little impatiently: "By that rabble?" and the priest remained mute for a moment. "What do they say? In my father's time they wouldn't have dared to say anything. The only thing I saw of them for years and years was when they were yelping like curs on the heels of Scevola."
The absence of scorn in her tone was perfectly annihilating. Gentle sounds flowed from her lips and a disturbing charm from her strange equanimity. The abbé frowned heavily at these fascinations, which seemed to have in them something diabolic.
"They are simple souls, neglected, fallen back into darkness. It isn't their fault. They have natural feelings of humanity which were outraged. I saved him from their indignation. There are things that must be left to divine justice."
He was exasperated by the unconsciousness of that fair face.
"That man whose name you have just pronounced and which I have heard coupled with the epithet of 'blood-drinker' is regarded as the master of Escampobar Farm. He has been living there for years. How is that?"
"Yes, it is a long time ago since he brought me back to the house. Years ago. Catherine let him stay."
"Who is Catherine?" the abbé asked harshly.
"She is my father's sister who was left at home to wait. She had given up all hope of seeing any of us again, when one morning Scevola came with me to the door. Then she let him stay. He is a poor creature. What else could Catherine have done? And what is it to us up there how the people in the village regard him?" She dropped her eyes and seemed to fall into deep thought, then added, "It was only later that I discovered that he was a poor creature, even quite lately. They call him 'blood-drinker,' do they? What of that? All the time he was afraid of his own shadow."
She ceased but did not raise her eyes.
"You are no longer a child," began the abbé in a severe voice, frowning at her downcast eyes, and he heard a murmur: "Not very long." He disregarded it and continued: "I ask you, is this all that you have to tell me about that man? I hope that at least you are no hypocrite."
"Monsieur l'Abbé," she said, raising her eyes fearlessly, "what more am I to tell you about him? I can tell you things that will make your hair stand on end, but it wouldn't be about him."
For all answer the abbé made a weary gesture and turned away to walk up and down the room. His face expressed neither curiosity nor pity, but a sort of repugnance which he made an effort to overcome. He dropped into a deep and shabby old armchair, the only object of luxury in the room, and pointed to a wooden straight-backed stool. Arlette sat down on it and began to speak. The abbé listened, but looking far away; his big bony hands rested on the arms of the chair. After the first words he interrupted her: "This is your own story you are telling me."
"Yes," said Arlette.
"Is it necessary that I should know?"
"Yes, Monsieur l'Abbé."
"But why?"
He bent his head a little, without, however, ceasing to look far away. Her voice now was very low. Suddenly the abbé threw himself back.
"You want to tell me your story because you have fallen in love with a man?"
"No, because that has brought me back to myself. Nothing else could have done it."
He turned his head to look at her grimly, but he said nothing and looked away again. He listened. At the beginning he muttered once or twice, "Yes, I have heard that," and then kept silent, not looking at her at all. Once he interrupted her by a question: "You were confirmed before the convent was forcibly entered and the nuns dispersed?"
"Yes," she said, "a year before that or more."
"And then two of those ladies took you with them towards Toulon."
"Yes, the other girls had their relations near by. They took me with them thinking to communicate with my parents, but it was difficult. Then the English came and my parents sailed over to try and get some news of me. It was safe for my father to be in Toulon then. Perhaps you think that he was a traitor to his country?" she asked, and waited with parted lips. With an impassible face the abbé murmured: "He was a good Royalist," in a tone of bitter fatalism, which seemed to absolve that man and all the other men of whose actions and errors he had ever heard.
For a long time, Arlette continued, her father could not discover the house where the nuns had taken refuge. He only obtained some information on the very day before the English evacuated Toulon. Late in the day he appeared before her and took her away. The town was full of retreating foreign troops. Her father left her with her mother and went out again to make preparations for sailing home that very night; but the tartane was no longer in the place where he had left her lying. The two Madrague men that he had for a crew had disappeared also. Thus the family was trapped in that town full of tumult and confusion. Ships and houses were bursting into flames. Appalling explosions of gunpowder shook the earth. She spent that night on her knees with her face hidden in her mother's lap, while her father kept watch by the barricaded door with a pistol in each hand.
In the morning the house was filled with savage yells. People were heard rushing up the stairs, and the door was burst in. She jumped up at the crash and flung herself down on her knees in a corner with her face to the wall. There was a murderous uproar, she heard two shots fired, then somebody seized her by the arm and pulled her up to her feet. It was Scevola. He dragged her to the door. The bodies of her father and mother were lying across the doorway. The room was full of gunpowder smoke. She wanted to fling herself on the bodies and cling to them, but Scevola took her under the arms and lifted her over them. He seized her hand and made her run with him, or rather dragged her downstairs. Outside on the pavement some dreadful men and many fierce women with knives joined them. They ran along the streets brandishing pikes and sabres, pursuing other groups of unarmed people, who fled round corners with loud shrieks.
"I ran in the midst of them, Monsieur l'Abbé," Arlette went on in a breathless murmur. "Whenever I saw any water I wanted to throw myself into it, but I was surrounded on all sides, I was jostled and pushed and most of the time Scevola held my hand very tight. When they stopped at a wine shop, they would offer me some wine. My tongue stuck to the roof of my mouth and I drank. The wine, the pavements, the arms and faces, everything was red. I had red splashes all over me. I had to run with them all day, and all the time I felt as if I were falling down, and down, and down. The houses were nodding at me. The sun would go out at times. And suddenly I heard myself yelling exactly like the others. Do you understand, Monsieur l'Abbé? The very same words!"
The eyes of the priest in their deep orbits glided towards her and then resumed their far-away fixity. Between his fatalism and his faith he was not very far from the belief of Satan taking possession of rebellious mankind, exposing the nakedness of hearts like flint and of the homicidal souls of the Revolution.