Eric went to the blue tent, unzipped its flap, stepped inside. It smelled musty, like an attic, the air still and hot. The blue nylon filtered the sunlight, muting it, giving everything a dreamlike, watery tint. There were four sleeping bags, three of them unrolled, looking as if they'd only recently disgorged their owners' bodies. Dead now, Eric thought, and pushed the words aside. There was a transistor radio, and he had to resist the impulse to turn it on, to see if it worked, if he could find a station, music maybe, something to drown out Pablo's screams. There were two backpacks, one dark green, one black, and he crouched beside the first of them, began to rifle through it, feeling like a thief, an old instinct, from another world entirely, that sense of transgression inherent in handling a stranger's belongings. Dead now, he thought again, summoning the words this time, searching for courage in them, but they didn't make it any better, only turned it into a different sort of violation. The green backpack seemed to belong to a man, the black one to a woman. Other people's clothes: he could smell cigarette smoke on the man's T-shirts, perfume on the woman's. He wondered if they belonged to the woman whom Mathias's brother had met on the beach, the one whose promised presence had drawn them all here-doomed them, perhaps.
The vine was growing on some of the objects: thin green tendrils of it, with tiny pale red flowers, almost pink. It was more prominent in the woman's pack than the man's, twining itself among her cotton blouses, her socks, her dirt-stained jeans. He found a windbreaker in the man's backpack, gray, with blue stripes on the sleeves, a double of one he himself owned, hanging safely back in his closet at his parents' house, so out of reach now, awaiting his return. A knife, he had to remind himself, and he turned away from the tangle of clothes, searching through other pockets, unzipping them, emptying their contents onto the tent's floor. A camera, still loaded with film. Half a dozen spiral notebooks-journals, it looked like-filled nearly to capacity with the man's jagged handwriting, blue ink, black ink, even red in places, but all in a language Eric not only couldn't decipher but couldn't even recognize: Dutch perhaps, or something Scandinavian. A deck of playing cards. A first-aid kit. A Frisbee. A tube of sunblock. A folded pair of eyeglasses with wire rims. A bottle of vitamins. An empty canteen. A flashlight. But no knife.
Eric emerged from the tent, carrying the flashlight, squinting at the sun's sudden brightness, that sense of space abruptly opening around him after the airless confines of the tent. He turned on the flashlight, realized it didn't work. He shook it, tried again: nothing. Pablo stopped screaming-for the space of two deep breaths-then he started up again. The stopping was almost as bad as the screaming, Eric decided, then immediately changed his mind: the stopping was worse. He dropped the flashlight to the ground, saw that Mathias had reappeared, bringing a second oil lamp from the orange tent, a large knife, another first-aid kit. He and Jeff were busily cutting the burned sections from the rope, working as a team, silently, efficiently. Mathias would cut away the weak spots; then Jeff would tie the rope back together again, grimacing as he tugged the knots tight. Eric stood above them, watching. He felt stupid: he should've taken the first-aid kit from the blue tent, too, should've at least checked to see what was inside. He wasn't thinking. He wanted to help, wanted to stop Pablo's screams, but he was stupid and useless and there was no way to change this. He felt the urge to pace, yet he just kept standing there, staring, instead. Stacy and Amy looked exactly like he felt: frantic, anxious, immobile. They all watched Jeff and Mathias work at the rope, cutting, tying, tugging. It was taking so long, so impossibly long.
"I'll go," Eric said. It wasn't something he'd thought out before speaking; it emerged from his panic, from his need to hurry things along. "I'll go down and get him."
Jeff glanced up at him; he seemed surprised. "That's okay," he said. "I can do it."
Jeff's voice sounded so calm, so bizarrely unruffled, that for an instant Eric had difficulty understanding his words. It was as if he first had to translate them into his own state of terror. Eric shook his head. "I'm lighter," he said. "And I know him better."
Jeff considered these two points, seemed to see their wisdom. He shrugged. "We'll make a sling for him," he said. "You may have to help him into it. Then we'll pull it up. After we get him out, we'll drop the rope back down and pull you up, too."
Eric nodded. It sounded so simple, so straightforward, and he was trying to believe that it would be like that, wanting to believe it, but not quite accomplishing it. He felt the urge to pace again, and only managed to hold himself still through a jaw-tightening act of will.
Pablo stopped screaming. One breath, two breaths, three breaths, then he started up again.
"Talk to him, Amy," Jeff said.
Amy looked frightened by this prospect. "Talk to him?" she asked.
Jeff motioned her toward the hole. "Just stick your head over the side. Let him see you. Let him know we haven't abandoned him."
"What should I say?" Amy asked, still looking scared.
"Anything-soothing things. He can't understand you anyway. It's just the sound of your voice."
Amy moved to the hole. She dropped to her hands and knees, leaned forward over the shaft. "Pablo?" she called. "We're coming to get you. We're fixing the rope, and then Eric's coming to get you."
She kept going on like this, describing how it would happen, step by step, how they'd help him into the sling and pull him back up to the surface, and after awhile Pablo stopped screaming. Jeff and Mathias were almost done; they'd reached the last section of rope. Jeff tied the final knot, then pulled on one end while Mathias held on to the other, the two of them using all their weight, a momentary tug-of-war, tightening the knot, testing its strength. There were five splices on the rope now. The knots didn't look very strong, but Eric tried not to notice this. It felt good to be the one going, the one doing, and if he thought too long about the knots, about their apparent tenuousness, he knew he might end up changing his mind.
Mathias was winding the rope back onto the windlass, double-checking it for burned spots as he went. He threaded the end of it back over the sawhorse's little metal wheel. Then Jeff fashioned a sling for Eric, helped him slide it over his head, tucking it snugly under his armpits.
"It's going to be all right, Pablo," Amy was yelling. "He's coming. He's almost there."
Stacy crouched to light the second oil lamp, then handed it to Eric, its flame flickering weakly in the tiny glass globe.
Eric was standing beside the hole now, staring into the darkness. Mathias and Jeff positioned themselves behind the crank, leaning against its handle. The rope went taut; they were ready. The hardest part was the step into open air, wondering if the rope would hold, and for an instant Eric wasn't certain he had the courage for it. But then he realized it wasn't possible not to: the moment he'd pulled the sling over his head, he'd set something into motion, and now there was no way he could stop it. He stepped off the edge of the shaft, dangling beneath the sawhorse, the rope biting into his armpits, and then-the windlass creaking and trembling with every turn-they began to lower him.
Before he was ten feet down, the temperature started to drop, chilling the sweat on his skin-chilling his spirits, too. He didn't want to go any farther, and yet was dropping foot by foot even as he admitted this to himself, that he was scared, that he wished he'd let Jeff be the one to go. There were wooden supports hammered into the walls of the shaft, haphazardly, at odd angles, buttressing the dirt. They looked like old railroad ties, soaked in creosote, and Eric could detect no apparent plan in their positioning. Twenty feet from the surface, he was astonished to glimpse a passage opening up into the wall before him, a shaft running perpendicular to the one he was descending. He lifted the oil lamp to get a better view. There were two iron rails running down its center, dull with rust. A dented bucket lay against one of the rails, at the far limit of his lamp's illumination. The shaft curved leftward, out of sight, into the earth. A steady stream of cold air spilled out of it, thick-feeling, moist, and it made the flame in the lamp rise suddenly, then flicker, almost going out.