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On their wedding day they had both been radiant with joy, and Evthalia worried that so much happiness might fall and crush them somehow. She decided to light an expensive candle at the entryway to the church, just in case, to ward off the evil eye.

Now, at that same entryway twenty years later, Tasos Georgiou slowed to a stop. Actually, at first he passed by hurriedly, but stopped a few steps farther on, wondering what that ball of something had been, rolled up on the floor of the alcove where the candles were, by the gate to the churchyard.

Then he heard the cry.

For a moment the bustle on the square stopped. Everyone froze: the koulouri man, mothers with kids, passersby laden with bags, Chinese street vendors with their heavy loads.

It was like the cry of a large animal — a wild beast, perhaps — slowly dying. But there was no forest here, no stand of trees, no savannah. The place stank of car exhaust; vast swathes of cement swallowed up everything in sight. Impossible, he thought, I must have imagined it. A minute later the cry was repeated, deeper, as if someone were disemboweling the beast using an iron winch and tossing its guts onto the sidewalk. Georgiou turned around to look.

It was Fendi, a foreigner, a de facto errand-boy whom the regulars at the cafés on the square treated to a coffee every so often; passersby would sometimes buy him a koulouri. Always on their own initiative, since he was ashamed to ask. And now he was flailing on the ground in front of the brass tray of lighted votive candles in the alcove at the churchyard gate. He pounded his head on the cement, howling in despair.

He had no words left, or hopes, or friends.

Georgiou felt ashamed. Ashamed of himself, of the luxury of his worries, which only moments earlier had seemed to be piled mountain-high, and of his cowardice. He watched but didn’t move any closer. People were passing by, others were watching the scene, smoking, chewing tiropitas. One little kid started to run toward Fendi, but his mother grabbed him by the coat — that was not a sight for a child, so she pulled him back and they continued on their way.

Georgiou took a step forward, then stopped. It seemed wrong, offensive somehow, for him to touch Fendi on the shoulder — after all, he had nothing to say, all the words in his head rang false. Better for him to just keep walking. But that didn’t seem right, either, that’s not the kind of person he was, he’d fought for so many things in his life, written articles full of fire, taken part in fierce protests. He stood for a moment, unable to decide. Then he walked over, left a twenty-euro bill on the sidewalk at Fendi’s knees, and quickly walked away.

But he was dogged by that deep sense of shame. Shame for having too few words and too much money, shame that he couldn’t reach out to touch the man, shame, shame, shame.

He turned into Pavlos Melas Street to seek shelter. He remembered going out for a walk years ago with Minas, who couldn’t have been more than three at the time. They were headed down Agia Sophia Street. Minas was walking ahead, refusing to let his father hold his hand, and gazing in amazement at everything around him. Everything seemed entirely new: the bitter orange trees, the cars, bottle caps on the ground. A gypsy woman lying on a piece of cardboard mumbled prayers mixed with curses. She’d pulled up her skirts and her dark thighs were there for all to see, rotten flesh, crooked legs, turned-in ankles, a hard, yellow crust over her toenails. A little farther on a blind man was sitting on a plastic bag, playing a pipe. Minas froze, staring.

— What do they want, Dad? he asked.

— Money, Georgiou answered, but that didn’t satisfy his son.

— You have money, why don’t you give them some?

The question was logical enough. He tried to explain his reasoning patiently and calmly, as he’d seen Teta do any number of times when Minas barraged her with questions. He quickly realized that his explanations were confusing the child even more — how could they not, since he was only stringing phrases together? In the end he gave up. They might be lying, he heard himself say, they might have even more money than we do, and Minas finally stopped asking.

When Minas was little, he used to observe the adults around him with an unblinking eye. He listened in on everything they said behind closed doors. He played alone in his room, with Playmobil and Legos, knights, dragons, and pirates. He would leave notes on the fridge for his mother to read and answer in writing — it had to be in writing, in a box he would draw in the bottom right corner of the page, with the heading Mom’s Answer in careful letters.

Teta was endlessly proud of her only child, whom she raised according to the rules she herself had learned as a child. She was constantly worrying, she always found something to agonize over: how Minas would drift off into a world of his own, lost in thought, and she couldn’t tell if those thoughts were happy or sad. Or how he avoided kids his own age and sought out the company of adults, in whose presence he was particularly eloquent and outgoing.

— Don’t make mountains out of molehills, was Evthalia’s steady advice. The child is fine, it’s your own head that needs examining.

But now that Minas had raised his banner of revolution, the ground had fallen away from beneath Teta’s feet. Apparently her obedient son wasn’t quite so obedient after all.

— Don’t fight him, Evthalia advised.

That’s when Teta exploded.

— Sure, she shot back, that’s easy for you to say. We both know I was raised on prohibitions, by a mother who always had to get her way.

Evthalia refused to discuss old wounds; she had no intention of revisiting decisions she had made decades earlier. But she didn’t protest: at her age she had learned to give way, to not waste energy on useless conflict but rather try and find a solution. This situation, though, seemed to have reached an impasse. Minas had dug in his heels and all Teta could do was tug at the leash.

Recently Teta had begun to resign herself. You can’t live your son’s life for him, and you can’t make his decisions, her therapist admonished.

Of course Teta thought Minas was the one who should be seeing a therapist, but he refused even to discuss anything “stupid,” a category that included therapists and their theories. Tasos and Evthalia both agreed with the boy’s evaluation, but since they didn’t have anything better to suggest, they kept their mouths shut.

Minas lived barricaded in his room. He rarely went out at night, rarely talked on the phone. He was plugged in at all times. Teta searched the Internet history on his computer a few times, but never discovered anything worth worrying about. An interview with Jacques Derrida about the instability of meaning and the tyranny of the easy answer (good lord), poems and paintings by Nikos Engonopoulos (lovely, but useless for a graduating senior who should be preparing for his exams), a virtual tour of Prague (poor thing, he’d been planning for that trip), and a statue of Justice dressed like a rock star, with hair extensions, a sword, and a dog collar (perish the thought).

Teta didn’t feel great about spying on her son, but she also believed she was doing the right thing. Her therapist disagreed. What you did was wrong, he admonished, human relationships are built on trust, and trust is hard to regain once it’s lost. Teta didn’t take his chiding too seriously. The therapist based his judgments on books, while Teta based hers on experience. He had no children of his own, so who was he to tell her how to manage her son? She still went to see him regularly, and sought his advice about all kinds of things, but in the end she acted as she saw fit. Theories about mutual respect were all well and good, but she needed to know what she was up against.