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at hand. Let us begin by turning our attention to the great debuts in history.

Philip scanned his audience for some nod of comprehension and, failing to find it,

crooked his forefinger at one of the students sitting nearest him and pointed to the

blackboard. He then spelled out and defined three words,d–e–s–u–l–t–o–r–y, f–o–r–e–b–e–a–r–a-

n–c–e, andd–eb–u–t, which the student dutifully copied onto the blackboard. The student

started to return to his seat, but Philip pointed to a first–row seat, instructing him to

remain there.

Now for great debuts; trust me—my purpose for beginning in such a fashion will, in

time, become apparent. Imagine Mozart stunning the Viennese royal court as he

performed flawlessly on the harpsichord at the age of nine. Or, if Mozart does not

strike a familiar chord(here the faintest trace of a smile), imagine something more

familiar to you, the Beatles at nineteen playing their own compositions to Liverpool

audiences.

Other amazing debuts include the extraordinary debut of Johann Fichte.(Here a

signal to the student to write F–i–c–h–t–eon the board.) Does any one of you remember

his name from my last lecture in which I discussed the great German idealist

philosophers who followed Kant in the late eighteenth and early nineteenth centuries:

Hegel, Schelling, and Fichte? Of these, Fichte`s life and his debut was the most

remarkable for he began life as a poor uneducated goose shepherd in Rammenau, a

small German village whose only claim to fame was its clergyman`s inspired sermons

every Sunday.

Well, one Sunday a wealthy aristocrat arrived at the village too late to hear the

sermon. As he stood, obviously disappointed, outside the church, an elderly villager

approached him and told him not to despair because the gooseherd, young Johann,

could repreach the sermon to him. The villager fetched Johann, who, indeed, repeated

the entire lecture verbatim. So impressed was the baron by the gooseherd`s

astoundingly retentive mind that he financed Johann`s education and arranged for him

to attend Pforta, a renowned boarding school later attended by many eminent German

thinkers, including the subject of our next lecture, Friedrich Nietzsche.

Johann excelled in school and later at the university, but when his patron died,

Johann had no means of support and took a tutoring job in a private home in Germany

where he was hired to teach a young man the philosophy of Kant, whom he had not

yet read himself. Soon he was entranced by the work of the divine Kant…

Philip suddenly looked up from his notes to survey his audience. Seeing no glint of

recognition in any eyes, he hissed at his audience:

Hello, anybody home? Kant, Immanuel Kant, Kant, Kant, remember?»(He motioned

to the blackboard scribe to write K–a–n–t.) We spent two hours on him last week?

Kant, the greatest, along with Plato, of all the world`s philosophers. I give you my

word: Kant will be on the final. Ah ha, there`s the ticket...I see stirrings of life,

movement, one or two eyes opening. A pen making contact with paper.

So where was I? Ah, yes. The gooseherd. Fichte was next tendered a position

as a private tutor in Warsaw and, penniless, walked all the way only to have the job

denied him when he arrived. Since he was only a few hundred miles from

Königsberg, the home of Kant, he decided to walk there to meet the master in person.

After two months he arrived at Königsberg and, audaciously, knocked on Kant`s door

but was not granted an audience. Kant was a creature of habit and not inclined to

receive unknown visitors. Last week I described to you the regularity of his

schedule—so exact that the townspeople could set their watches by seeing him on his

daily walk.

Fichte assumed he was refused entry because he had no letters of

recommendation and decided to write his own in order to gain an audience with Kant.

In an extraordinary burst of creative energy he wrote his first manuscript, the

renownedCritique of All Revelation, which applied Kant`s views on ethics and duty to

the interpretation of religion. Kant was so impressed with the work that he not only

agreed to meet with Fichte but encouraged its publication.

Because of some curious mishap, probably a marketing ploy of the publisher,

theCritique appeared anonymously. The work was so brilliant that critics and the

reading public mistook it for a new work by Kant himself. Ultimately, Kant was

forced to make a public statement that it was not he who was the author of this

excellent manuscript but a very talented young man named Fichte. Kant`s praise

ensured Fichte`s future in philosophy, and a year and a half thereafter he was offered

a professorship at the University of Jena.

«That,” Philip looked up from his notes with an ecstatic look on his face and then

jabbed the air with an awkward show of enthusiasm, «that is what I call a debut!» No

students looked up or gave a sign of registering Philip`s brief awkward display of

enthusiasm. If he felt discouraged by his audience`s unresponsiveness, Philip did not

show it and, unperturbed, continued:

And now consider something closer to your hearts—athletic debuts. Who can forget

the debut of Chris Evert, Tracy Austin, or Michael Chang, who won grand–slam

professional tennis tournaments at fifteen or sixteen? Or the teenaged chess prodigies

Bobby Fischer or Paul Morphy? Or think of JosГ© Raoul Capablanca, who won the

chess championship of Cuba at the age of eleven.

Finally, I want to turn to a literary debut—the most brilliant literary debut of all

time, a man in his midtwenties who blazed onto the literary landscape with a

magnificent novel…

Here, Philip stopped in order to build the suspense and looked up, his countenance

shining with confidence. He felt assured of what he was doing—that was apparent. Julius

watched in disbelief. What was Philip expecting to find? The students on the edge of their

seats, trembling with curiosity, each murmuring, «Who was this literary prodigy?»

Julius, in his fifth–row seat, swiveled his head to survey the auditorium: glazed

eyes everywhere, students slumped in chairs, doo–dling, poring over newspapers,

crossword puzzles. To the left, a student stretched out asleep over two chairs. To the

right, two students at the end of his row embraced in a long kiss. In the row directly in

front of him, two boys elbowed each other as they leered upward, toward the back of the

room. Despite his curiosity, Julius did not turn to follow their gaze—probably they were

staring up some woman`s skirt—and turned his attention back to Philip.

And who was the prodigy?(Philip droned on.) His name was Thomas Mann. When he

was your age, yes, your age, he began writing a masterpiece, a glorious novel

calledBuddenbrooks published when he was only twenty–six years old. Thomas

Mann, as I hope and pray you know, went on to become a towering figure in the

twentieth–century world of letters and was awarded the Nobel Prize for

Literature.»(Here Philip spelled M–a–n–nand B–u–d–d–e–n-

b–r–o–o–k–sto his blackboard scribe.) Buddenbrooks, published in 1901, traced the life

of one family, a German burgher family, through four generations and all the

associated vicissitudes of the life cycle.

Now what does this have to do with philosophy and with the real subject of

today`s lecture? As I promised, I have strayed a bit but only in the service of

returning to the core with greater vigor.

Julius heard rustling in the auditorium and the sound of footsteps. The two

elbowing voyeurs directly in front of Julius noisily collected their belongings and left the