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She passed on into the next hall which was given over to displays of the

African elephant, and paused in the centre of the room before a pair of

ivory tusks so large that she could not believe they had ever been

carried by a living animal. They seemed more like the marble columns of

some Hellenic temple to Diana, the goddess of the chase.

She stooped to read the printed catalogue card:

Tusks of the African Elephant, Loxodonta africana.

Shot in the Lado Enclave in 1899 by Sir Jonathan Quenton-Harper. Left

tusk 289 lb. Right tusk 301 lb. Length of larger tusk 11' 4'. Girth 32".

The largest pair of tusks ever taken by a European hunter.

They stood twice as high as she was tall, and they were half as thick

again as her waist. As she passed on into the Egyptian room

she-marvelled at the size and strength of the creature that had carried

them.

She came up short as her eyes fell upon the figure in the centre of the

room. It was a fifteen-foot-high figure of Rarnesses 11, depicted as the

god Osiris in polished red granite. The god-emperor strode out on

muscular legs, wearing only sandals on his feet and a short kilt. In his

left hand he carried the remains of a warlbow, with both the upper and

lower limbs of the weapon broken off. This was the only damage that the

statue had suffered in all those thousands of years. The rest of it was

perfect - the plinth even bore the marks of the mason's chisel. In his

right fist Pharaoh carried a seal embossed with his royal cartouche.

Upon his majestic head he wore the tall double crown of the upper and

lower kingdoms. His expression was calm and enigmatic.

Royan recognized the statue instantly, for its twin i stood in the grand

hall of the Cairo museum. She passed it every day on her way to her

office.

She felt anger rising in her. This was one of the major treasures of her

very Egypt. It had been plundered and stolen from one of her country's

sacred sites. It did not belong here. It belonged on the banks of the

great river Nile. She felt herself shaking with the strength of her

emotion as she went forward to examine the statue more closely and to

read the hieroglyphic inscription on the base.

The royal cartouche stood out in the centre of the arrogant warning: "I

am the divine Ramesses, master of ten thousand chariots - Fear me, of ye

enemies of Egypt."

Royan had not read the translation aloud; it was a soft, deep voice

close behind her that spoke, startling her. She had not heard anyone

approaching. She spun round to find him standing close enough to touch.

His hands were thrust into the pockets of a shapeless blue cardigan.

There was a hole in one elbow. He wore faded denim jeans over well'worn

but monogrammed velvet carpet slippers - the type of genteel shabbiness

that certain Englishmen often cultivate, for it would never do to seem

too concerned with one's appearance.

"Sorry. Didn't mean to startle you," He smiled eazy.

'le of apology, and his teeth were very white but slightly "t smi

crooked. Suddenly his expression changed as he recognized her.

"Oh, it's you." She should have been flattered that he remembered her

from so fleeting a contact, but there was that flash of something in his

eyes again that offended her.

Nevertheless, she could not refuse the hand he offered her.

"Nick Quenton-Harper," he introduced himself. "You must be Percival

Dixon's old student. I think I saw you at the shoot last Thursday.

Weren't you beating for us?"

His manner was friendly and forthright, so she felt her hackles

subsiding as she responded, "Yes. I am Royan Al Simma. I think you knew

my husband, Duraid Al Simma."

"Duraid! Of course, I know him. Grand old fellow. We spent a lot of time

in the desert together. One of the very best. How is he?"

"He's dead." She had not meant it to sound so bald and heartless, but

then there was no other reply she could think of.

"I am so terribly sorry. I didn't know. When and how did it happen?"

"Very recently, three weeks ago. He was murdered.

"Oh, my God." She saw the sympathy in his eyes, and she remembered that

he also had suffered. "I telephoned him in Cairo not more than four

months ago. He was his old charming self Have they found the person who

did it?"

She shook her head and looked around the hall to avoid having to -face

him and let him see that her eyes were wet. "You have an extraordinary

collection here."

He accepted the change of subject at once. Thanks mostly to my

grandfather. He was on the staff of Evelyn Baring - Over Bearing, as his

numerous enemies called him. He was the British man in . Cairo during-'

She cut him short. "Yes, I have heard of Evelyn Baring, the first Earl

of Cromer, British Consul-General of Egypt from 1883 to 1907. With his

plenipotentiary powers he was the unchallenged dictator of my country

for all that period. Numerous enemies, as you say."

Nicholas's eyes narrowed slightly. "Percival warned me you were one of

his best students. He didn't, however, warn me of your strong

nationalistic feelings. It is clear that you didn't need me to translate

the Ramesses inscription for you."

"My own father was on the staff of Gama! Abdel Nasser," she murmured.

Nasser was the man who had toppled the puppet King Farouk and finally

broken the British power in Egypt. As president he had nationalized the

Suez Canal in the face of British outrage.

"HaV he chuckled. "Different sides of the track. But things have

changed. I hope we don't have to be enemies?"

"Not at all," she agreed. "Duraid held you in the highest esteem."

"As I did him." He changed the subject again. "We ar very proud of our

collection of royal ushabd Examples from the tomb of every pharaoh from

the old Kingdom onwards, right up to the last of the Ptolemys. Please

let me show it to you." She followed him to the huge display case that

occupied one complete wall of the hall. It was lined with shelf after

shelf of the doll-like figures which had been placed in the tombs to act

as servants and slaves for the dead kings in the shadow world.

With his own key Nicholas opened the glazed doors of the case and

reached up to bring down the most interesting of the exhibits. "This is

the ushabd of Maya who served under three pharaohs, Tutankhamen, Ay and

Horemheb.

It is from the -tomb of Ay who died in 1343 Bc."

He handed the doll to her and she read aloud the three thousand-year-old

hieroglyphics as easily as though they had been the headlines of that

morning's newspaper.

"I am Maya, Treasurer of the two Kingdoms. I will answer for the divine

Pharaoh Ay. May he live for ever!" She spoke in Arabic to test him, and

his reply in the same language was fluent and colloquial, "It seems that

Percival Dixon told me the truth. You must have been an exceptional

student."

Engrossed now in their common interest, speaking alternately Arabic and

English, the initial sharp prickles.of antagonism between them were

dulled. They moved slowly round the hall, lingering before each display

case to handle and examine minutely each object that it contained.

It was as though they were transported back over the millennia. Hours

and days seemed of no consequence in the face of such antiquity, and so