To my great joy it was there among other relics. The very mosaic which was so like that broken and battered one Godfrey and I had examined with such care. There was more than one. I had not known of this. Roma had only mentioned one, but perhaps she was so successful with it that she had attempted some sort of restoration of others. In the case with the mosaics was a printed notice describing them and the process used in the reconditioning. The first of them showed a figure—probably a man—who appeared to be without feet, for he stood on a pair of stumps which I realized were meant to be legs. His arms were stretched out as though he were attempting to catch at something which was not there. I looked at the second mosaic. The pictures were less vivid on this one and there were gaps in the scene which had been filled in with some sort of cement; but this was a picture of a man whose legs were cut off to the knee. I realized then that he was standing in something; and in the final one only the man’s head was visible and he had clearly been buried alive.
I could not take my eyes from them.
“Why, they’re ours,” said a voice at my elbow. I turned. Allegra and Alice were standing on either side of me.
“Yes,” I said, “they were discovered on the site near Lovat Stacy.”
“Oh, but that makes them so very interesting doesn’t it?” said Alice.
Mrs. Lincroft was coming toward us.
“Look, Mamma,” said Alice. “Look what Mrs. Verlaine has found.”
Mrs. Lincroft studied the mosaics with what appeared to be a cursory interest. “Very nice,” she said.
“But you haven’t looked,” protested Allegra. “They’re ours.”
“What?” Mrs. Lincroft looked closely. “Well, fancy that!” She smiled at me apologetically. “Now I really do think we must think about getting luncheon.”
I agreed. My mission was accomplished, though I was not sure how successfully. But I should have a great deal to tell Godfrey.
We made our way from the Museum and took a cab to Brown’s while the girls chattered about what they would eat and what material they would choose.
When we came out the news boys were shouting excitedly. “Gentleman Terrall captured. Madam safe.”
“That’s our Gentleman Terrall,” said Alice.
“What do you mean…ours?” asked Mrs. Lincroft sharply.
“We were talking about him, Mamma. We said he must be a little like Mr. Wilmot.”
“Whatever made you say that?”
“Because he was a gentleman. We thought he’d look exactly like Mr. Wilmot, didn’t we, Allegra?”
Allegra nodded.
“You shouldn’t think about such things.” Mrs. Lincroft sounded quite cross and Alice was subdued.
No one mentioned the mosaics. More comforting still, none of them showed that they had overheard that conversation outside the Museum. My confidence began to return and by the time we had bought the material and were ready to return home I was convinced that my identity was still a secret.
Godfrey was excited about my discovery in the Museum.
“I’m certain it means something,” he declared.
We had walked along beside the three baths and he stooped to peer at the mosaic as though he felt that if he looked long enough he would discover some meaning there.
“Don’t you think they would have found out if it did?” I asked.
“Who, the archaeologists? It may not have occurred to them. But I’ve a notion that there’s something behind it.”
“Well, what do you propose to do? Go to the British Museum and lay this information before the powers that be?”
“They’d probably laugh at me.”
“You mean because they didn’t discover it. Here is another version of the jealous archaeological theory. It’s fascinating, but it hasn’t brought the solution of Roma’s disappearance any nearer.”
I heard a little warning cough and turning saw the three girls coming toward us.
“We’ve come to see the mosaics,” announced Alice. “We saw them in the Museum, you know. Mrs. Verlaine showed us.”
“I liked the one with just the head showing,” said Allegra. “It looked as if they’d chopped off his head and put it on the ground. It was gruesome, that one.”
“It made me feel sick,” commented Alice.
Godfrey straightened up and gazed toward the sea.
I guessed he wanted to change the subject for he said: “How clear it is. They say that means rain.”
“It does,” agreed Allegra. “When you can see the masts on the Goodwins it often means rain.”
Godfrey caught his breath; he seemed to have forgotten the presence of the girls. “It’s just struck me,” he said. “These mosaics…they’re meant to portray someone being buried alive.”
“You mean sinking in quicksand?”
Godfrey looked inspired. “It was a sort of warning probably. As a punishment they took people out to the Goodwins so that they could gradually sink.”
“That wouldn’t be possible, would it?” I asked.
He looked disappointed. “Hardly. There might have been other sands.”
“Where?”
“Somewhere.” He waved his hand vaguely. “But I’m sure that’s what it means.”
“I think that’s…horrible,” said Sylvia with a shudder. “Fancy being…”
Godfrey stood rocking on his heels, entranced. I don’t think I had ever seen him really excited before.
“Don’t be a baby, Sylvia,” chided Allegra.
“We mustn’t keep Miss Clent waiting,” said Alice. Then to me: “Miss Clent is going to fit our dresses this morning.”
“Oh dear,” sighed Allegra. “I wish I hadn’t chosen that crushed strawberry. The burgundy red would have been so much better.”
“I did tell you,” said Alice mildly reproachful. “In any case we can’t keep Miss Clent waiting.”
So they left us to discuss the possibility of Godfrey’s theory regarding the mosaic.
“Alice has written a story about the mosaic,” Allegra announced. “It’s really a good one.”
“That’s very creditable,” I said. “You must show me this one, Alice.”
“I want to wait until I’m really satisfied.”
“But you showed Allegra and Sylvia.”
“I just see the effect on them. Besides they’re only children…well they aren’t much more. Grown-ups would be more critical, wouldn’t they?”
“I don’t see why they should be.”
“Oh yes, of course they would. They are experienced of the world, whereas we have so much to learn.”
“So you won’t show me this story?”
“I will one day…when I’ve perfected it.”
“It’s about the man in the quicksand,” said Allegra.
Alice sighed and looked at Allegra who shrugged her shoulders sullenly.
“I thought you were proud of it,” she said.
Alice ignored her and turned to me. “It’s about the Romans,” she said. “If anyone did anything wrong they used to put them in this quicksand and it very slowly swallowed them right up. It was slow. That was why they used it. Some quicksands swallow things up quickly…that’s why they call them quicksands. But these were slow sands…it makes it last longer and is more of a punishment. They move and grip…you see…and the victim can’t get away. So the Romans put their criminals into these sands. It was a good punishment. And there was a man in my story who had to make a mosaic of the sands and himself being swallowed up in them…before it happened to him. You see that was what was called refined torture. It was worse than just putting him in and letting him go down…because all the time he was making the mosaic he knew what was going to happen to him. And because he felt all that he made a wonderful mosaic…better than anyone could if they hadn’t been so personally involved.”