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Only one witness came forward, one of the Dusters, a mental defective named Mouse Malloy, who, no longer able to function productively as a street criminal after being kicked in the head by a horse while trying to knock over a beer wagon, had since served as their clubhouse mascot and errand boy. Shaken and terrified, he claimed to have watched from a room in the back as a tall, blond German man came into headquarters earlier that day with a suitcase full of gold coins. When Ding-Dong refused to hand over to the German an old leather-bound book, demanding to know why he wanted it, the man smiled, pulled a knife, and went to work on Ding-Dong like a priest carving a Christmas turkey.

Like most of the rest of what Mouse told the cops—he had a reputation for running his mouth, and his stories tended to veer toward the fanciful ever since the horse had made such a strong impression on him—they paid no mind to his unlikely account, figuring Ding-Dong had simply met up with the sordid, inevitable end that awaited every gangland leader, and from their point of view the sooner the better. Case closed.

The only difference being that this time Mouse Malloy was telling the God's truth.

PHOENIX, ARIZONA

In spite of Bendigo Rymer's histrionics, or maybe because of them, the authorities at the Phoenix station would not allow the mail train to leave for Wickenburg until the cars were searched upside and down and every last member of the Penultimate Players had been questioned. And no, as it turned out, ' none of them had seen a Chinaman running around the train station waving a sword—which was what Rymer had ordered , them to say even if they had. The delays incurred by having members of his troupe held over as witnesses at a murder trial could puncture the solvency of their tour as quick as a spike through a pneumatic tire.

Bendigo himself was actually the only Player who had caught sight of Kanazuchi; from a distance he hadn't clearly seen his face, but he did look Chinese, and as he ran off from behind the cotton bales, the man had been brandishing something that looked to Rymer's well-trained eye for steel-edged weapons suspiciously like a scabbard.

Railroad cops found the dead guard stashed behind the bales, uniform missing, his neck badly broken, but they couldn't find his assailant. Rumors had started to circulate about a series of gruesome murders committed at a railway yard in Yuma. Atrocities, crimes against nature: men with heads chopped off and mounted on spikes, women raped, children devoured; the usual human embroideries. And word was spreading fast that this smorgasbord of crimes had been committed by a crazed Chinaman.

If their delayed departure wasn't irritating enough, this annoying old rabbi had now decided to travel with the Penultimates at least as far as Wickenburg and perhaps beyond. He wasn't prepared to say why, but what reason could he possibly have except a ridiculous infatuation with Rymer's leading lady? And her doing everything this side of decency to encourage him: The woman knew no shame! Bendigo kicked himself as he watched the two of them billing and cooing in their seats three rows in front of him: Trouble usually showed up wearing a skirt and this English strumpet was just the latest in a long line the enemy camp had sent to torment him. He should have obeyed his instincts and booted her unceremoniously out after that first night in Cincinnati when she either seduced him or refused to sleep with him; the memory was a little hazy.

His heart beat like a caged bird. How could he go on? The strain of holding the Players together in order to faithfully interpret the eternal works of the Masters simply shredded a man's soul. Bendigo threw back his head and laid his hand against his forehead—his fondness for melodramatic gestures was so ingrained he used them even when no one was around to watch. He glanced around the train car at his company— no one had noticed him suffering, damn their miserable hides—and his upper lip curled in disgust: These blocks, these stones, these worse than senseless things; wild donkeys have more appreciation for genius. And did they ever bother to thank him for providing them a life and a livelihood? No; instead it was always "Bendigo my room's too small," "Mr.

Rymer, there's no hot water," and inevitably, "What about my money?"

Look at me, Bendigo wanted to rail at the heavens, I'm running a provincial tour in the middle of a desert! There has been a terrible mistake; I was supposed to be one of the great men of the stage! If Booth hadn't ruined my career, they'd been naming theaters after me on Broadway!

"Actors," muttered Rymer bitterly.

Staring this cruel fate in the eye was enough to reduce a strong man to tears, and he was no Hercules; a couple of big, wet ones rolled forlornly down his cheeks—Bendigo had always prided himself on his ability to cry on cue, but it never hurt to practice.

A shimmering mirage swam before his eyes, and he sought refuge in it: the twenty-five thousand dollars he'd cleared from past tours. He visualized his fortune as great chunks of gold bullion, resting in the impregnable vault of his Philadelphia bank. Add the six grand he'd pocketed from the current tour, plus the four he had signed to receive from this religious outpost they were on their way to play, and he was ready to mount his triumphant return to New York—lose a little weight first, cut back on the drinking—producer, director, and star of Bendigo Rymer's once-in-a-lifetime production of the Bard's immortal Hamlet!

Bendigo had spent every spare moment of his twenty years in theatrical exile restructuring and simplifying Hamlet's convoluted text to play to his strengths—more swordplay, a sunnier relationship with Ophelia, less morbid introspection—and finally his apotheosis was within reach. How many hundreds of times had he rehearsed the scene in his mind: opening night; Booth seated front row center, reduced to a sobbing puddle by the magnificent soaring humanity of his performance, falling to his knees and begging Bendigo's forgiveness for his rank, vicious stupidity, right in front of a crowd that always included all the important critics....

His reverie was broken by the sound of Eileen's happy laughter: the old man laughing, too.

What could those two possibly have to laugh about? Bendigo fumed and snuck a healthy pull from his flask. Something humiliating about her interest in the old man. It was enough to make him want to sleep with Eileen, if it had ever actually happened, all over again.

When Buckskin Frank and his posse arrived in Phoenix by special train that afternoon, he was pleasantly surprised to find this crime scene had been roped off and left largely intact: The guard's neck was broken—snapped like a twig; worse than a hanging—and a set of footprints he found behind the bales matched the tracks he'd spotted leaving the Yuma yards: a flat print, no heel, like the slippers he'd seen coolies wear. Furthermore, a guard who'd fired the shot at the killer had managed a clear look at him and yes, the man was indisputably a Chinaman, which was as specific as the guard could get. That qualified as good news.

The bad news was that Frank wouldn't be able to trail whoever the hell they were after down into Sonora, shake this bunch of greenhorns, carve out a little grubstake for himself, and settle into a slow decline of pan mining and tequila sipping while leisurely shopping around for the best bordello south of the border: That defined the honest limit of Frank McQuethy's remaining life ambitions.

Frank lit a cigarette, stood tall, and strolled down the tracks away from the swarm of lawmen and volunteers: Whenever he tried to look like he was thinking hard, they cut him a wide berth. With his high hat and boots, he towered above the crowd; that yellow buckskin gleamed in the sunlight; his handlebar moustache advertised brawny, unselfish heroism. He was dimly aware of a gaggle of women watching from the passenger platform, giggling and chattering like barnyard hens; apparently they'd recognized his jacket: A story had already appeared in the local paper about Frank's newsworthy release and involvement in the manhunt.