When night fell, Anselm left his companion in the bar and wandered outside, over to a cluster of solid monastic ruins, a fortress carved out of the sky. Standing alone with the wind in his face, he joined himself to the Celtic monks who had once gathered beneath brooding arches by a sea that ran to the ends of the earth; he said the psalms of Compline, as they had once done, while the sharp night enclosed him. Then he walked along a rocky shore towards a large house with its windows lit, the curtains left open. A wooden plaque on a gatepost bore the name ‘Pilgrim’s Rest’. Anselm leaned on the adjoining wall, concealed by darkness, looking in upon a play of domestic contentment.
Robert Brownlow sat at a piano. Adults and children, seemingly endless in number, passed to and fro across the glass as if on a stage, each with a walk-on part. Most were laughing, cans or cups in their hands, little boys and girls with beakers spiked with straws, and no one seemed to notice the old man seated by the window, looking out into the night as if he were alone.
That must be Victor Brionne, thought Anselm, and none of his family realise he carries a secret, except perhaps Robert. All available generations had gathered for a bash, untouched by the trial in London that had never been more than words in a news-. paper, remote but disturbing if read, destined to be thrown out with the cold leftovers within a day or so. Anselm suffered a stab of grief on their behalf, Was it really necessary to pull down what had been built over fifty years? Should the little boy with the beaker have to lose the grandfather he thought he had? Or go to school and hear whisperings or taunts? But then Agnes Embleton was approaching death, unknown to the judicial process, a forgotten victim. Lucy had once been a child with a beaker spiked by a straw but she had not been spared by ignorance. The vindication of one family entailed the destruction of another.
Anselm turned away heavily, wishing dearly that he did not have a part of his own to play: the awful role of the minor character who brings the news he does not understand, whose brief speech shatters unsuspecting lives, and who then walks off for a smoke in the dressing room. That would be Anselm’s contribution to the Brownlow family history.
Brownlow Again Anselm strained to recover a stirring at the back of his mind evoking a pleasant sensation. It was a name he’d known as a boy
2
Max Nightingale’s studio was a single room above a pet shop in Tooting. He said he lived elsewhere but a camp bed stood folded in the corner next to a small fridge, a Primus, a wobbly clothing rail and other innumerable signs of sustained habitation. Leaning against each wall were canvases stacked three or four deep. The walls themselves were covered with work in progress. Light swam among the colour. It was extraordinarily peaceful.
Max was self-conscious but seemed pleased to bring Lucy and Mr Lachaise into his private place. He glanced easily at the walls as if they represented a quiet gathering of his silent family, not one of whom had the capacity to cause acute embarrassment.
Mr Lachaise walked slowly past each canvas, his glasses off, his face peering at the fluid marks of the brush, once wet, now caught glistening in time. He took several steps back, replacing his glasses. ‘Quite wonderful,’ he said, almost to himself.
Max had withdrawn to one end where an easel was angled against the light, beside a table with jars and saucers huddled by a battered box. He kept away from Lucy, though not obviously, rearranging brushes and tubes of paint. Turning round she saw a painting hung upon the back of the door.
The picture described the hint of a face, perhaps an open mouth crying out, amongst swathes of gorgeous yellow and orange, breaking down in places to smatterings of diaphanous brown and gold, lifted up, as it were, like tiny hands. It was more a study in colour than shape, but the coincidence of lines suggested such a fragile purpose that the viewer was compelled to impose a reading upon it. Lucy understood its mood and wanted to run her fingers along the frail ridges of paint.
She said, ‘Does it have a title?’
“‘Sibyl’s Cave”.’
Lucy surveyed the vibrant, tragic beauty, unable to detach herself from its activity.
‘Would you like it?’ asked Max.
In her taut mind she clutched at a refusal, but she wanted it. Lucy nodded quickly, keeping her eyes on what she had seen.
3
Anselm rose at 5 a.m., having been unable to ‘sleep. He tried to say Lauds but a strong, invasive melancholy scattered his powers of concentration. And yet his mind was deeply attuned to the important task of the day He would neither eat nor drink nor rest until it was over.
Conroy emerged cheerily for breakfast, eating everything that was brought forth from the kitchen. His irrepressible gathering in of all life’s moments — even eating — raised Anselm’s spirits. The Prior had been right all along. It was a good idea to show Conroy the North Country … for Anselm’s sake. He decided to bring his companion with him for the confrontation, as long as the great oaf didn’t tell any jokes.
Shortly after ten, Anselm pushed open the gate to ‘Pilgrim’s Rest’. Conroy followed him to the stone porch. The door was ajar. Voices drifted warmly from an unseen room. Anselm immediately imagined a coffee pot, loaves of bread, jars and pots upon a table, mingled morning greetings, children opening the fridge. He knocked. A moment later the door swung back in the hands of a little girl with large, enquiring eyes. And then Robert Brownlow appeared.
‘Ah,’ he said lamely, the colour draining from his face. ‘You’ve made it for my wife’s birthday’
Inside, they were introduced to Maggie, Robert’s wife; and then two of their five children, Francis and Jenny (with their respective spouses); and then the three grandchildren. But not Victor. He was not in the room. Anselm and Conroy were described as friends of Robert, who, throughout the entire charade, masked his anxiety with near complete success. Only Maggie, with her tight folded arms, betrayed a suspicion of insight. Then Robert led his guests to an upstairs room and knocked on the door.
Is this what a major war criminal looks like? thought Anselm. He wore various shades of respectable green, with a tartan tie, the unmistakable appearance of good but ill-fitting finds from tatty high street charity shops. His shoes were well worn but neatly polished. Robert stood behind the armchair that swallowed up the runaway
Now that he’d found him, Anselm had no idea what to say Whatever enquiry Cardinal Vincenzi expected Anselm to undertake, and whatever insinuated pressure Renaldi hoped he would exert, was not going to happen. The meeting had its own agenda. Anselm introduced himself and said:
‘Schwermann couldn’t hide for ever and neither can you. The police already know that you’re here. Even if you say nothing to them, and Schwermann’s convicted, he’ll begin an appeal. His legal representatives were looking for you and they’ll not let you go once they know that you’ve been found. So if you’re going to hide, it’s for the rest of your life. Is that what you want?’
The gentle clunking of a trowel upon the rim of a plant pot rang from the garden. Anselm glanced out of the window Maggie was helping one of the children plant a flower.
‘Victor,’ said Anselm, ‘I don’t know what happened in 1942 or 1944. Nobody does, except Eduard Schwermann and you.’
He was standing upon a worn rug, uncomfortably aware his calling in life transformed any public reflection into a sort of sermon. He stepped off the thread pedestal, saying, ‘There’s a jury empanelled in London to make a decision. They sit there, day in day out, hearing evidence, mostly from people who weren’t there. It’s a journey into memory with stumbling guides doing their best. But you, Victor, are different. You know the answers. Schwermann believes that if you enter the witness box, he’ll be acquitted. There are others who believe the opposite; that you, and only you, can prove he is guilty. Only one side can be right. I’m afraid I’m going to sound like a priest now, but the truth will out. Hasn’t the time come to give the past a proper burial?’