Dryden stopped typing and, standing, stretched. The plastic click in his back brought relief and he walked over to the shelf behind the subs’ bench and retrieved a copy of Crockford’s Clerical Directory. He sat on the bay window seat and flicked through until he found the ‘L’s.
Frederick Rhodes Lake. Rev. St Bartholomew’s, Fleetside, King’s Lynn.
‘Right. So that’s where you’ve gone. Very downmarket.’ He made a note of the telephone number and returned the book.
He read what he’d written on screen and remembered someone else who could help him write about the Skeleton Man: Elizabeth Drew. She was a valuable witness to the death of Jude’s Ferry because she wasn’t an insider, but stood outside the close network of family and friendship which seemed to wrap the village in a cocoon. Her workmates had said to try the cash ’n’ carry on the edge of town – an MFI-style double box the size of an airport terminal.
Dryden checked his watch: he had time to try and find Elizabeth Drew, a ticking miniature eternity of time before he could expect a call from the animal rights extremists. On his desk his mobile sat waiting for the incoming call. Typically, as the moment drew nearer his fears grew more acute. They’d meet after dark, some godforsaken stretch of fen, delivering grey bones. Picturing cruel teeth, seen through the slash of a balaclava, his guts tightened. He’d keep Humph near by, he promised himself that, Humph and his four-wheeled security blanket.
He grabbed the mobile, stuffed it deep in a pocket and left the office.
By the time he got downstairs the phone had rung, so he ducked into one of the small interview cubicles the sales staff used for taking adverts and answered the mobile.
It was Ruth Lisle, Magda’s daughter. ‘Mr Dryden?’
He wondered if she was calling from the mobile library but somewhere in the background a clock chimed and whirred in its casement and so Dryden imagined a very English Victorian hallway, and the tall, cool figure of Magda Hollingsworth’s daughter standing in the splash of coloured light from the fanlight over the door.
‘I promised, and you were kind. I’ve found something in the diaries. I made some photocopies and dropped them in at the police station here at Ely and they said they’d pass them on to the right people, although they didn’t see them as relevant. In fact they were a bit dismissive actually, which made me quite angry. So, I certainly don’t see why I shouldn’t share this with you. Do you have a moment?’
‘Please,’ said Dryden.
‘Well, on top of my mother’s diary, which she filled out each day, Mass-Observation asked its correspondents to write on specific subjects. During the winter of 1989 they requested contributions on the subject of women and depression. Mother talked privately to many of her friends about this and the entry is copious, a very important document in itself, I would say. There was one girl in particular, a teenager, and she was very depressed during a pregnancy – an unwanted pregnancy. She’d turned to an aunt for help, and Mum had found out about it that way – indirectly, I suppose. The aunt was ill herself and Mum visited, it was the sort of thing she was good at. This girl said, apparently, that she’d thought about killing the child when it was born. Dreadful, isn’t it? Yes,’ she added, answering herself. ‘Anyway, later in the diaries she says that the child did die, a few days after a premature birth, and she wonders if the girl had carried out her threat. At first she talks about going to the police but puts that aside, and concludes – characteristically – that she should think the best of her, especially as there was a post mortem which found the death was due to natural causes.
‘But then in the next entry the tone changes. I think she felt she couldn’t leave the village without discharging her responsibilities. She says that she feels she must say something after all, confront the mother I suppose, or the family, and perhaps report the matter to the authorities. That’s the meaning I took from it anyway, although it’s not completely clear. That bit wasn’t in the official MO document, you see, but in her private diaries – and they’re written in a much more subjective and emotional style.
‘But what is clear is that she suddenly saw the child’s death as partly her own fault. It’s awful to see this guilt surfacing on the page. And to that she had to add this dilemma; that she’d been entrusted with this confidence, but felt a duty to the child that had died. I think it was entirely personal for Mother, I think she felt burdened with this secret and she wanted to either pass it on, or throw it back so that the mother could deny it if she could. I think she hoped passionately that it would be denied, because of course that would alleviate her guilt as well.’
She paused, breathing deeply.
‘Do you know who this young woman was, Mrs Lisle?’ asked Dryden.
‘Well. The initials in the text are L.O., but I’m afraid that means nothing. And the private diary follows the same notation. But yes, I do know, I think, and I contacted the university – there’s an advice desk there – to ask what I should do. They seemed to think I should tell the police but ask them to respect the confidence as far as is possible, so I’ve put a note with the photocopies.’
Dryden tried to break in but she spoke over him. ‘The skeleton in the cellar is that of a man, isn’t it? So I don’t think we’ll ever find my mother.’
‘I’m sorry,’ said Dryden, aware that part of her had wanted her mother to find peace at last.
‘Mrs Lisle, if I asked you to tell me…’
‘I’d have to say nothing, Mr Dryden. The young woman would be – what – in her mid-thirties now. I don’t think it’s any time for the press to be asking questions again. The rules laid down by MO are quite clear – there must be no general identification. The police are an exception, and although I suppose technically I’m not bound by the rules, I think Mother would have wanted me to respect them. So I’m sorry.’
‘That’s fine,’ said Dryden, lying. ‘But can you tell me what day this was, when she talks about confronting the mother of the child? About going to the family?’
‘It’s the last entry, the night before the evacuation, the night she went missing.’
20
The car park of Richardson’s cash ’n’ carry held three large Volvo estates, three super-size abandoned trolleys, a forklift truck and a squashed hedgehog. Dryden pushed open a large metal swing door and found himself in the swaddled hush of the vast store, the silence polluted only by the tinny, bassless crackle of muzak. There was one woman in a cubicle till waiting for a customer to appear. She had red hair piled high and held in place by clips and she was reading something just below the counter. Dryden’s footsteps made her look up through myopic eyes, her squint drawing together the wrinkles in her face. She shuffled the book sideways and Dryden saw it was a romance, a heroine fleeing a house with battlements.
‘Hi. Sorry – I’m looking for someone.’
‘Only trade customers. I’m sorry – you know, you have to have a card,’ she smiled. She flicked a finger across a pile of forms. ‘You can fill one in now if you like, but we need the VAT number of the business.’
‘My name’s Philip,’ he said, ‘Philip Dryden.’
‘I’m Ena, but you still need a card.’
‘I don’t want to shop.’
Ena looked sideways like she was planning something. At the far end of the aisle of empty till boxes was a glass office, and within that the cone of light from a desk lamp pointing down.
‘Mr Newall’s doing the books,’ she said.
‘It’s Elizabeth, Elizabeth Drew. I wanted to talk to her.’
Ena pulled the wrinkles together again, the shortsighted eyes searching his face for a clue. ‘She’s in charge at the back – Goods In – through the store. I shouldn’t let you really.’