He spat and ground out his cigarette against the heel of his boot, then buried it under a mound of dirt. That’s what most of these guys are saying. They’re losers and losers always have excuses. They dress up, talk tough, play soldier. But how many are really going back home to fight? The General asked for volunteers. He got three. The rest of them hide behind their wives and kids, the same wives and kids they beat because they can’t stand hiding behind them. Give a coward a second chance, he’ll just run again. So it is with most of these guys. They’re bluffing.
You cynical bastard, I cried. What are you dying for then?
What am I dying for? he cried back. I’m dying because this world I’m living in isn’t worth dying for! If something is worth dying for, then you’ve got a reason to live.
And to this, I had nothing to say. It was true, even for this small detachment of heroes or perhaps fools. Whatever they were, they now had something to live for if not die for. They had eagerly shed the funereal clothes of their mediocre civilian lives, understanding the allure of tailored tiger stripe fatigues with dashing scarves of yellow, white, or red around their necks, a military splendor akin to the costumes of superheroes. But, like superheroes, they would not want to keep themselves a secret for long. How could you be a superhero if no one knew you existed?
Rumors had already spread about them. Even before the desert assembly, during that night when Sonny had admitted his failure and yet still won, he had asked me about these mysterious men. The wheels of our conversation had stopped spinning, the black cat was gloating over my defeat, and in the vodka-infused silence Sonny raised the reports of a secret army preparing for a secret invasion. I replied that I had not heard of any such thing, to which he said, Don’t play the innocent. You’re the General’s man.
If I were his man, I said, more reason not to tell a communist.
Who said I’m a communist?
I pretended to be surprised. You’re not a communist?
If I were, would I tell you?
That was the subversive’s dilemma. Rather than flaunt ourselves in the sexually dubious costumes of superheroes, we hid beneath cloaks of invisibility, here just as in Saigon. There, when I attended clandestine meetings with other subversives, conducted in the fusty cellars of safe houses, sitting on crates of black market hand grenades manufactured in the USA, I donned a clammy cotton hood that revealed only my eyes. Lit by candlelight or oil lamp, we knew one another only by the peculiarity of our aliases, by the shape of our bodies, by the sound of our voices, by the whites of our eyes. Now, watching Ms. Mori recline under Sonny’s arm, I was sure my ever-absorbent eyes were no longer white but bloodshot from the wine, vodka, and tobacco. Our lungs had achieved smoky equilibrium with the stale air, while on the coffee table the ashtray silently suffered its usual indignity, mouth crammed full of butts and bitter ash. I dropped what remained of my cigarette into the well of the wine bottle, where it drowned in the remaining liquid with a faint, reproachful hiss. The war’s over, Ms. Mori said. Don’t they know that? I wanted to say something profound as I stood up to say good night. I wanted to impress Ms. Mori with the intellect she could never have again. Wars never die, I said. They just go to sleep.
Is that true for old soldiers, too? she asked, not looking impressed. Of course it’s true, Sonny said. If they didn’t go to sleep, how else would they dream? I almost answered before I realized it was a rhetorical question.
Ms. Mori offered me her cheek to kiss and Sonny offered me his hand to shake. He showed me the door and I slid home through the cool sheets of night and into my own bed, Bon asleep and hovering above me in his rack. I closed my eyes and, after a spell of darkness, floated on my mattress across a black river to the foreign country that needed no passport to visit. Of its many gnomic features and shady denizens I now recall only one, my mind wiped clean except for this fatal fingerprint, an ancient kapok tree that was my final resting place and on whose arthritic bark I laid my cheek. I was almost asleep within my sleep when I gradually understood that the knot of gnarled wood on which my ear rested was actually an ear itself, curled and stiff, the wax of its auditory history encrusted in the green moss of its twisted canal. Half of the kapok tree towered above me, half was invisible below me in the rooted earth, and when I looked up I saw not just one ear but many ears swelling from the bark of its thick trunk, hundreds of ears listening and having listened to things I could not hear, the sight of those ears so horrible it hurled me back into the black river. I woke drenched and gasping, clutching the sides of my head. Only after I kicked off the damp sheets and looked under the pillow could I lie down again, trembling. My heart still beat with the force of a savage drummer, but at least my bed was not littered with amputated ears.
CHAPTER 14
Sometimes the work of a subversive is purposeful, but sometimes, I confess, it is accidental. In retrospect, perhaps my questioning of Sonny’s courage pushed him to write the headline that I saw two weeks after the field maneuvers, “Move On, War Over.” I saw it on the General’s desk in his war room at the liquor store, fixed squarely on the writing pad and weighed down by a stapler. The sentiments of the headline might be hailed by some, but certainly not by the General. Beneath that headline was a photograph of a rally staged by the Fraternity at a Westminster park, with ranks and files of grim veterans in paramilitary uniforms of brown shirts and red berets. In another photo, civilians in the cast-off couture of refugees waved signs and clutched banners with the telegraphic messages of political protests. HO CHI MINH = HITLER! FREEDOM FOR OUR PEOPLE! THANK YOU, AMERICA! To the degree that the article might sow doubt in the hearts of exiles about continuing the war, and create divisions among exile factions, I knew that my provocation of Sonny had had an unintentional, but desirable, effect.
I photographed the article with the Minox mini-camera that was finally finding some use. For the last few weeks, I had been photographing the General’s files, all of which I had access to as his aide-de-camp. Ever since my return from the Philippines, I had been unemployed except for this considerable pro bono work done for the General, the Fraternity, and the Movement. Even secret armies and political fronts needed clerks. Memos must be written; documents filed; meetings called; flyers designed, printed, and distributed; photos taken; interviews scheduled; donors found; and, most important for my purposes, correspondence taken and mailed, then received and read before it was handed over to the General. I had photographed the General’s complete order of battle, from the company here to the battalion in Thailand, from the Fraternity’s public parades to the Movement’s private maneuvers, as well as the communiqués between the General and his officers in the Thai refugee camps, led by a landlocked admiral. Not least, I photographed the statements of the bank accounts where the General stashed the modest funds for the Movement, raised in small donations from the refugee community, the revenues of Madame’s restaurant, and a handful of respectable charitable organizations that had donated to the Fraternity for the relief of sad refugees and sadder veterans.
All this information had been packaged into a parcel dispatched to my Parisian aunt. The parcel’s contents were a letter and a chintzy souvenir, an automatically rotating snowball featuring the Hollywood sign. This gift required nine-volt batteries, which I included and which I had hollowed out. Into each I inserted a cartridge of Minox film, a more sophisticated method than how my courier in Saigon traded information with me. When Man first told me of my courier, I had immediately conjured up one of those supple beauty queens for which our country was deservedly famous, white as refined sugar on the outside, scarlet as sunrise on the inside, a Cochin-Chinese Mata Hari. What showed up at my door every morning was an aging auntie, the lines on her face promising more secrets than the lines on her palms, hawking gobs of betel juice as well as her specialty, sticky rice wrapped in banana leaves. I bought a packet for breakfast every morning, and in it there might or might not be a message, rolled and wrapped in plastic. Likewise, in the small wad of folded piastres I paid her with, there might or might not be a cartridge of film or a message of my own, written invisibly with rice water on cement paper. The only flaw in this method was that auntie was a terrible cook, her sticky rice a ball of glue that I had to swallow, lest the maid find it in my garbage and wonder why I was buying what I would not eat. I complained to auntie once, but she cursed me at such length and with such inventiveness I had to check both my watch and my dictionary. Even the cyclo drivers hanging around the General’s villa for fares were impressed. You better marry that one, Captain, a driver missing a left arm called out. She won’t be single for long!