Lest it fell into the hands of the Inquisitors, he would cloak the text in a fiendishly clever code that Jean the infirmarer had produced years earlier to hide his herbalist recipes from prying eyes. If his manuscript were found by men whom God wished to discover its meaning, then He would enlighten them and lift its coded veil from their eyes. Barthomieu would be dead and buried, his work done.
So he began his work.
By the light of the sun and the flicker of the candle, he wrote his manuscript.
He wrote of Bernard.
He wrote of Nivard.
He wrote of Abélard and Héloïse.
He wrote of the cave, of Jean, of Enlightenment Tea, of Templars, of a long, long life in the service of God.
And when he was done, his true words concealed by Jean’s cipher, he used his skills as artist and illuminator to illustrate the manuscript with the plants that were important to the tale and the paintings that first caught the attention, so many years before, of two frail monks taking their recuperative exercise along the cliffs of Ruac.
And to refresh his fading memory, Barthomieu took one last visit to the cave. He went alone early one morning with a good torch in his hand and a heart full of emotion. He had not been there for well on a hundred years but the path was clear in his mind and the yawning mouth of the cave seemed to welcome him like an old friend.
He spent an hour inside and when he emerged, he rested on the ledge and feasted his eyes for the final time on the green, limitless expanse of the river valley. Then he slowly began his journey back to the abbey.
Back at his writing table, Barthomieu drew the images of the wondrous cave paintings from memory and finished the illustrations with a simple map showing a pilgrim how he might find the hidden cave. The book was ready for binding and he did so with love in his heart for his brothers, and especially Bernard. There was a special piece of red leather stored on a shelf in the scriptorium. He had never found a high-enough purpose for it; its moment had come. Over several days, he painstakingly bound the book and on its cover, he used his awls to carve the figure of Saint Bernard, his dear brother, complete with a heavenly halo floating above his fine head.
The book looked fine. Barthomieu was pleased but not completely so. It lacked a final touch which would make it truly a work befitting its subject. Under his mattress was a small silver box, a family heirloom, one of the few pretty objects not looted on that recent October day.
He melted it down over a hot fire and summoned Brother Michel to assist him.
At a small abbey like Ruac, out of necessity the monks often learned more than one skill. Over his long tutelage to the infirmarer, Jean, he also acquired a metal-working facility from the blacksmith and became reasonably adept at silversmithing. Barthomieu presented him the red-leather manuscript and asked him to embellish it with his precious bit of silver as best he could and left it in Michel’s curious hands, unaware that in earlier years old Jean had taught his assistant his method of cipher. Untroubled, Barthomieu had written the key words, NIVARD, HELOISE, and TEMPLARS in a parchment slipped between the pages on a bookmark.
A few days later, Michel handed the book back with shiny silver corners and endbands, five bosses on each cover and twin clasps holding the covers shut. Barthomieu was well pleased and hugged Michel and kissed him warmly for his splendid work. Aware that Michel was perennially inquisitive about the affairs of other monks, he asked him why he had not inquired about the nature of the manuscript. Michel mumbled he had other matters to occupy his mind and scuttled back to the infirmary.
There was word that a nearby Templar vineyard had been emptied, all the workers turned out and the nobles arrested. It was only a matter of time before the King’s men returned, Barthomieu was sure of that. One night, when the monastery was quiet and all were asleep, he chipped away at a wattle and daub wall inside the Chapter House and opened a hole large enough to hide his precious manuscript. Before he inserted it, he looked at the last page, and though it was ciphered, he recalled the words he had written.
To you who are able to read this book and fathom its meaning, I send you tidings from a poor monk who lived for two hundred and twenty years and would have lived even longer had kings and popes not conspired against the good works of the Templars, the Holy Order nobly founded by my beloved brother, Saint Bernard of Clairvaux. Use this book as I have, to live a long bountiful life in service of Our Lord, Jesus Christ. Honour Him as I have honoured Him. Love Him as I have loved Him. May you have a long life and a good life. And say a prayer for your poor servant, Barthomieu, who left this earth an old man with a young heart.
When he was finished putting fresh plaster upon the wall he heard dogs barking and horses whinnying in the stables.
Men were coming.
They were coming for him. They were coming for all of them.
He hurried to the chapel to say one more hurried prayer before being carried off to a certain fate.
As the soldiers barged through the abbey gates, one monk was running as fast as he could through the moonlit meadow of tall grass behind the abbey. He had shed his habit and his crucifix and was dressed as a simple blacksmith in shirt, leggings and smock. He would hide by the river and in the morning light he would present himself to the good people of Ruac village as a hard worker and God-fearing man.
And if they were reluctant to take him in, he would reveal to them a secret that would surely interest them. Of that, Michel de Bonnet, formerly Brother Michel of Ruac Abbey, could be quite sure.
THIRTY-TWO
Thursday Night
Isaak finished reading the last words of the manuscript and when he was done there was silence on the line. ‘You still there, Luc?’
Luc was in his taxi, a few blocks from the hotel. The sidewalks were full of people with a purpose, heading home, heading out.
‘Yeah, I’m here.’
His mind was spitting out fragments.
The bison of Ruac.
Sara’s long neck.
A car hurtling towards them on a dark Cambridge street.
Pierre lying face down on the cave floor.
Two hundred and twenty years.
Templars.
Saint Bernard embossed on a red-leather cover.
An explosive concussion and a plume in the distance.
Picratol.
Hugo, laughing.
Hugo, dead.
Zvi’s body broken on the rocks.
Bonnet’s sneering face.
The tenth chamber.
Sara.
Suddenly, it all came together. It was the moment a mathematician solves a theorem and writes on his pad with a flourish: QED. Quod erat demonstrandum.
It has been proved.
‘Do you have a car?’ Luc asked.
‘Yes, of course.’
‘Can I borrow it?’
Luc’s phone vibrated in his hand. Another call was coming in. He took it away from his ear for a moment to look at the caller ID.
Sara Mallory.
His heart pounded. He hit answer without warning Isaak he was dropping off.
‘Sara!’
There was silence. Then a man’s voice. An old voice.
‘We have her.’
Luc knew who it was. ‘What do you want?’
‘To talk. Nothing more. Then she can go. And you too. There are things you need to understand.’
‘Let me speak to her.’
There were muffled sounds. He waited.
‘Luc?’ It was Sara.
‘Are you all right?’
She was frightened. ‘Please help me.’
The man was back on the line. ‘There. You spoke to her.’
‘If you hurt her I’ll kill you. I will kill you.’