Father Placide is back. “Sorry, Doc. Another dharma bum. Trying to get out to California. Looking for a handout. One more thing, Doc—”
“Look, Father,” I say, lowering my voice, “I think those ladies are waiting for you to run the meeting. Hadn’t you better—”
Father Placide laughs. “You kidding, cher?” For once he does lean close and almost whisper. “Me run that gang? I don’t tell them. They tell me.”
“Well—” I stand up. “I have to see Father Smith.”
“Good luck, ma fren,” says Father Placide, shaking hands, hollow-eyed but merry. “Tell Simon to phone home.” He laughs. Tired as he is, he doesn’t seem to bear a grudge.
“I will.”
Dan — yes, that’s his name — looks up from his index cards as I pass and addresses not me, it seems, but there’s no one else in the hall.
“Why make it complicated?” he says, not quite to me and not quite as a question. “It’s just a cop-out. There is such a thing. He quit, period. Who wouldn’t like to quit and take to the woods? But somebody has to do the scut work. Some people—” he says vaguely, and goes back to spinning his Rolodex.
“Right,” I say as vaguely as I close the door.
6. THE FIRE-TOWER ROAD winds through a longleaf-pine forest to a gentle knoll perhaps fifty feet above the surrounding countryside. Beyond, fronting a meadow, stretches a spacious low building with a small central steeple, which looks stuck on, and far-flung brick wings. The building looks deserted. The meadow is overgrown. Half a dozen Holstein cows graze, all facing away from the bright afternoon sun.
There is a single metal utility shed straddled by the legs of the tower, fitted with two aluminum windows. A chimney pipe of bluish metal sticks through the roof.
Not a soul is in sight. I roll down the Caprice window and listen. There is no sound, not even cicadas. No breeze stirs the pines, which glitter in the sunlight like steel knitting needles.
Getting out, I walk backward, the better to see the tower. It is an old but sturdy structure of braced steel, perhaps a hundred feet tall. The cubicle perched on top looks like a dollhouse. One window is propped open. Shading my eyes against the sun, I yell. My voice is muffled. The air is dense and yellow as butter.
A bare hand and arm appear at the window. It is not a clear gesture. It could be a greeting or summons or nothing. I will take it that he is waving me up. I climb a dozen steep flights of green wooden steps smelling of paint. Presently the crowns of the longleafs are beside me, then below me. The heavy shook sheaves of needles, each clasping a secret yellow stamen, seem to secrete a dense vapor in which the sunlight refracts.
Thumbtacked to a post at the foot of the tower are three cards, two ordinary business cards and an old-fashioned holy picture of the Sacred Heart, each with the scribbled note: “Thanks for favors granted.” On the metal upright of the tower I notice several penciled crosses, like the plus signs a child would make.
The stairs run smack into the floor of the tiny house. The trapdoor is open. Father Smith gives me a hand.
I haven’t seen him in months. We were both in Alabama, he almost next door on the Gulf Coast at a place named Hope Haven for impaired priests, mostly drunks. I used to attend his Mass, not for religious reasons, but to get away from Fort Pelham, the golf course, the tin-roofed rec hall, the political arguments, and the eternal stereo-V.
He has aged. He still looks like an old Ricardo Montalban with a handsome seamed face as tanned as cordovan leather, hair like Brillo, and the same hairy futbol wrists. His chest is a barrel suspended by tendons in his neck. Emphysema. As he pulls me up past him, his breath has an old-man’s-nose smell. But he is freshly shaven and wears a clean polo shirt, unpressed chinos, and old-fashioned sneakers.
He is different. It comes to me that the difference is that he is unsmiling and puzzled. He inclines his head to the tiny room. The gesture is not clear. It could mean make yourself at home.
Home is exactly (I find out) six feet square. He is more than six feet tall. I see a bedroll against the wall. I reckon he sleeps on the floor catercornered.
The room is furnished with a high table in the center, two chairs like barstools, in one corner a chemical toilet, and nothing more. Mounted on the table is a bronze disk azimuth, larger than a dinner plate, fitted with two sighting posts and divided into 360 degrees. The four sides of the cubicle are glass above the wainscot except for a wall space covered by a map. Hanging from the map are strings weighted by fish sinkers. Next to the map is a wall telephone.
Outside, the gently rolling terrain stretches away, covered by pines as far as the eye can see. In the slanting afternoon sun the crowns of the pines are bluish and rough as the pile of a shag rug. The countryside seems strangely silent and unpopulated except toward the south, where the condos and high-rises on the lakefront stick up like a broken picket fence.
“It’s good to see you, Father.” I offer my hand, but he does not seem to notice. Perhaps he regarded his pulling me up through the trapdoor as a handshake. Then I see that something is wrong with him. He is standing indecisively, fists in his pockets, brows knitted in a preoccupied expression. He does not look crazy but excessively sane, like a busy man of the world, with a thousand things on his mind, waiting for an elevator. Then suddenly he snaps his fingers softly as if he had just remembered something, seems on the very point of mentioning it, and as suddenly falls silent.
We stand so for a while. I wait for him to tell me to sit. But he’s in a brown study, frowning, hands deep in pockets, making and unmaking fists. So, why not, I invite him to have a seat. He does.
We sit on the high stools opposite each other, the azimuth between us.
“Allow me to state my business, Father. Two pieces of business. Father Placide wanted to know how you were and wanted me to inquire whether you might help him out. Dr. Comeaux wanted to know whether you have decided to recommend his purchase of the buildings and property of St. Margaret’s.”
Again he gives every sign of understanding, seems on the point of replying, but again falls silent and gazes down at the azimuth with terrific concentration, as if he were studying a chess board.
“Father,” I say presently, “I know you must be upset about the hospice closing.”
Nodding agreeably, but then frowning, studying the table.
“I know how you feel about the Qualitarian program taking over, the pedeuthanasia, the gereuthanasia, but—”
“No no,” he says suddenly, but not raising his eyes. “No no.”
“No no what?”
“It wasn’t that.”
“Wasn’t what?”
“They have their reasons. Not bad reasons, are they? They make considerable sense, wouldn’t you agree? They’re not bad fellows. They make some sense,” he says, nodding and repeating himself several times in the careless musing voice of a bridge player studying his hand. “Well, don’t they?” he asks, almost slyly, cocking his head and almost meeting my eyes.
“It could be argued,” I say, studying him. “Then are you going to approve the sale to Dr. Comeaux?”
“Hm.” Now he’s drumming his fingers and tucking in his upper lip as if he had almost decided on his next play. “But here’s the question,” he says in a different, livelier voice — and then hangs fire.
“Yes?”
“Tom,” he says, nodding, almost himself now, but concentrating terrifically on each word, “what would you say was wrong with a person who is otherwise in good health but who has difficulties going about his daily duties, that is — say — when he is supposed to go to a meeting, a parish-council meeting, a school-board meeting, visit the nursing home, say Mass — his feet seem to be in glue. He can hardly set one foot in front of the other, can hardly pick up the telephone, can hardly collect his thoughts, has to struggle to answer the simplest question. What would you say was wrong with such a person?”