It was that lack of terror, I think, which convinced me I was dead.
Now a shape moved over me, interposing itself between my line of sight and the empty sky. It was roughly pyramidal, its edges indistinct; it was like a mountain, all in shadow, looming over me.
I recognized this apparition, of course: it was the thing which had stood before me, as we lay exposed on the Ice. Now this machine — for such I thought it must be — swept towards me. It moved with an odd, flowing motion; if you think of how the sand in a glass timer might shift in a composite movement of grains if you tilt the device, you will have something of the effect. I saw, at the corner of my vision, how the blurred edge of the machine’s skirt swept over my chest and stomach. Then I felt a series of prickles — tiny jabs — across my chest and belly.
Thus, sensation had returned! — and with the suddenness of a rifle shot. There was a soft scraping against the skin of my chest, as if cloth were being cut away and pulled back. And now the prickles grew deeper; it was as if tiny, insectile palps were reaching below my flesh, infesting me. I felt pain — a million tiny needle-jabs, burrowing into my gut.
So much for Death — so much for Discorporeality! And with the realization of my continued existence came the return of Fear — instantly, and in a great flood of spurting chemicals which swilled around inside me with great intensity.
Now the looming shadow of the mountain-creature, blurred and ominous, crept further along my body, in the direction of my head. Soon I should be smothered! I wanted to scream — but I could feel nothing of my mouth and lips and neck.
I had never, in all my travels, felt so helpless as in that moment. I felt splayed out, like a frog on a dissecting table.
In the last moment, I felt something move over my hand. I could feel an etiolated cold there, a brush of hair: it was Nebogipfel’s hand, holding mine. I wondered if he were lying beside me, even now, as this ghastly vivisection proceeded. I tried to enclose his fingers, but I could not move a muscle.
And now the pyramidal shadow reached my face, and my friendly patch of sky was obscured. I felt needles burrow into my neck, chin, cheeks and forehead. There was a prickle — an unbearable itch — across the surface of my exposed eyes. I longed to look away, to close my eyes; but I could not: it was the most exquisite torture I can imagine!
Then, with that deep fire penetrating even my eyeballs, my grasp on consciousness slipped mercifully away.
When next I woke, my emergence had none of the nightmarish quality of my first arousal. I surfaced towards the world through a layer of sunlit dreams: I swam through fragmentary visions of sand, forest and ocean; I tasted again tough, salty bivalves; and I lay with Hilary Bond in warmth and darkness.
Then, slowly, full awakening came.
I was lying on some hard surface. My back, which responded with a twinge when I tried to move, was real enough; as were my splayed-out legs, my arms, my tingling fingers, the engine-like whistle of air through my nostrils, and the thrum of blood in my veins. I lay in darkness — utter and complete — but that little fact, which once might have terrified me, now seemed incidental, for I was alive again, surrounded by the familiar mechanical rattle of my own body. I felt an access of relief, pure and intense, and I let out a whoop of joy!
I sat up. When I laid my hands on the floor I found coarse-grained particles there, as if a layer of sand sat over some harder surface. Though I wore only my shirt, trousers and boots, I felt quite warm. I remained in complete darkness; but the echoes of that foolish holler had returned swiftly to my ears, and I had the sensation that I was in some enclosed space.
I turned my head this way and that, seeking a window or door; but this was without avail. However I became aware of a heaviness about my head — something was pinching my nose — and when I lifted my hands to investigate, I found a pair of heavy spectacles sitting on my face, the glass integrated with the frame.
I probed at this clumsy device — and the room was flooded with a brilliant light.
At first I was dazzled, and I squeezed my eyes shut. I snatched off the spectacles — and found that the light disappeared, leaving me sunk in darkness. And when I donned the spectacles, the brightness returned.
It did not tax my ingenuity far to understand that the darkness was the reality; and that the light was being furnished for me by the spectacles themselves, which I had inadvertently activated. The spectacles were some equivalent of Nebogipfel’s goggles, which the poor Morlock had lost in the Palaeocene Storm.
My eyes adjusted to the illumination, and I stood up and inspected myself. I was whole, and, it seemed, hale; I could find no trace on my hands or arms of the action of that diffuse pyramid-creature on my skin. I noticed a series of white traces, though, in the fabric of my jungle-twill shirt and trousers; when I ran my finger along these, I found low, ridged seams, as if clumsy repairs had been effected in my clothes.
I was in a chamber perhaps twelve feet across and about as high — and it was the most peculiar room I had visited in all my travels through time so far. To picture it, you must begin with a hotel room of the late nineteenth century. But the room was not constructed on the rectangular pattern common in my day; rather, it was a rounded cone, something like the inside of a tent. There was no door, and no furniture of any sort. The floor was covered by an even layer of sand, in which I could see the indentations where I had slept.
On the walls there was a rather garish paper — a purple, flock concoction — and what looked like window-frames, set about with heavy curtains. But the frames contained not glass, but only panels coated with more of the flock-paper.
There was no light source in the room. Instead, a steady and diffuse glow permeated the air, like the light of a cloudy day. I was by now convinced, however, that the illumination I saw was some artifact of my spectacles rather than anything physical. The ceiling above me was an ornate affair, decorated with the most remarkable paintings. Here and there in that baroque cascade I could make out fragments of the human form, but so jumbled about and distorted that the design was impossible to make out: it was not grotesque, but instead clumsy and confused — as if the artist had the technical ability of a Michelangelo, but the vision of a retarded child. And so you have it: the elements, I suppose, of a cheap hotel room of my day but transmogrified into this peculiar geometry, like something out of a dream!
I walked about, and my boots crunched on the coarse sand. I found no seam in the walls, no hint of a door. In one part of the room there was a cubicle, about three feet on a side, made of white porcelain. When I stepped off the sand and onto the porcelain platform, steam hissed, quite unexpectedly, from vents in the walls. I stepped back, startled, and the jets desisted; the lingering steam lapped about my face.
I found a series of small bowls set on the sand. They were a hand’s-breadth across and had shallow rims, like saucers. Some of the bowls contained water, and others portions of food: simple stuff, fruit and nuts and berries and the like, but nothing I could readily recognize. Finding myself thirsty, I drained a couple of the water-bowls. I found the bowls clumsy to use; their shallow profiles gave them a tendency to dump their contents over my chin, and they were less like cups, I thought, than the dishes one uses to water a dog or cat. I nibbled at a little of the food; the taste of the fruit pieces was bland but acceptable.
After this my hands and lips were left sticky, and I looked about for a sink or toilet facilities. There were none, of course; and I resorted to rinsing myself with the contents of another of the little water-bowls, and drying my face on a corner of my shirt.