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Slaughter told himself that this was crazy. He was tired. He should be home and asleep by now. But if there were some kind of wild dog coming into town, it would return to where it was successful at its killing, and the next night was as good a time as any to expect it. Slaughter was ten steps through the field, moving up from the corner in a vague line toward the center and the hollow there and Clifford's house up near the far end of the other block. This route would have been close to the direction Clifford followed, although Slaughter wouldn't know for sure until the two men he'd assigned to this had come here in the morning and investigated. Oh, that's fine, that's really great, he told himself and understood now just how tired he must be, shuffling through here, marring any tracks that they might find. That's great police work. Like a bad joke. Thinking that the criminal will come back to the crime scene, our investigator scuffs out any evidence that might be left. That's really great. Just what the hell must you be thinking? Well, I've done the damage now, he told himself, and he was too committed to his purpose to go back without some satisfaction. He might just as well keep going.

Which he did reluctantly. Because in spite of his determination, he felt really, unaccountably, disturbed. Not the vague uneasiness that he had been experiencing since finding old Doc Markle. This was something different, more precise, some visceral reaction to this place and hour. Part of it was no doubt caused by Slaughter's fatigue, by memories of Clifford's shredded face, by thoughts of what the medical examiner had called "psychopathic" animal behavior. Mere Pavlovian suggestion that he understood and could make compensation for. And part of it was no doubt too the stillness of the night, Slaughter all alone here in the silence that by contrast emphasized each brush of his pantlegs through the weeds and grass, each crunch of his boots upon the gravel. He was knee-deep in the grass now, moving slowly, the flashlight in his left hand ready to be switched on if he needed it, his right hand near his revolver in its holster, and he told himself that he was being silly. He had gone through worse than this when he had worked on nightshift in Detroit, checking through an unlocked warehouse, chasing someone down a mazelike alley, walking into that grocery store, those two kids. That was quite awhile ago, he told himself, heart pounding. You're just not used to this the last few years. It didn't help as well that now a rustling wind had started blowing through the weeds and tall grass, making sounds as if there were movement in them. Once Slaughter turned, but he saw nothing, fighting the impulse to switch on his flashlight. No, save it until you're absolutely certain, he was thinking. Don't scare off some thing before it's close enough for you to see it.

So Slaughter continued walking. He had thought that with the night light from the stars and moon he'd have no trouble seeing. But the silver glow distorted things. Indeed it made objects seem much nearer, and it obscured details so that everything seemed blurred. He glanced toward the stockpens with their shadows and their faintly moving shapes of cattle and the buildings behind them. He was thinking that he'd better not get too close to the pens, or some guard might mistake him for a thief and pull out his gun. Slaughter was halfway through the field now, and he couldn't find the hollow. He'd been glancing so much all around that he had angled from his course, and now he didn't know if left or right was where he ought to go. The hollow had been rimmed by long grass, he remembered, and he maybe wouldn't find it even if he stood ten feet away. He told himself he should have kept his eyes toward Clifford's house across there, keeping in a line with it, but now that he considered, there was no way drunken Clifford would have staggered in a straight line anyhow. He'd have veered off one way, then the other, so this was still a replication of what had happened, and Slaughter figured that he'd shifted too much toward the stockpens. Moving now the other way, he suddenly was conscious of the wind. Or rather the absence of it. But the rustling through the grass had still continued, coming nearer.

He turned, startled, ready with his flashlight, lurching back to gain some distance, and the tangled strand of broken wire must have been there all along for him to see when he first came here, staring down at Clifford. It was snagged against his heels now, and his arms flew out, his head jerked up to face the moon, and he was falling. He was braced to hit the ground, already calculating how he'd have to roll to break his fall, but he kept dropping, surging heavily past the level of the ground, and then his head struck something hard that set off shock-waves through his brain and left him sightless for a moment. He was rolling. That was all the motive he retained, just reflex and his training, pure adrenaline that scalded him into motion. He was reaching for his gun. He'd lost it. He was in the hollow. Panicked thoughts that he was powerless to order. Christ, the hollow. It had happened just like this to Clifford. Slaughter groped for his flashlight, but he couldn't find it. He heard rustling coming toward him. Scrambling from the hollow toward the open ground where he at least would have the chance to run, he felt the claws flick down his face, and he was screaming, falling backward, landing breathless on another object which was so hard that it seemed to rupture his right kidney. He was fumbling for it, Jesus, and he saw up there the thing as it was crouching now to leap at him, its fur puffed up to make it even larger, hissing, its eyes wild, mouth wide, teeth bare, leaping toward him, and he had the gun from underneath him now. He raised it toward the hissing fury diving toward him, squeezing the trigger, blinded this time by the muzzle flash, knocked flat by the recoil as the fury blew apart above him, thudding on his stomach, and he didn't think the blood would ever stop its shower upon him.

FOUR

The hotel room was small and musty, space enough for a narrow bed, a desk and chair, a TV on the desk, and that was dial. The desk was scratched, its finish cracked by years of drinks spilled across it, plus the television had no channel dial. You had to grip a tiny metal post and turn until your fingers ached, and even then that didn't do much good because the television only got one channel. The image kept flipping, black and white. The window had no screen. You had to leave it closed to shut the insects out, which partly was the reason for the mustiness in here, but mostly, Dunlap knew, the must was from the aging wooden walls. The place had been erected back in 1922. Dun-lap knew that from a plaque that he had seen embedded in the bar downstairs, as if a hotel so outdated were something the town was proud of. Threadbare carpet, creaky bed, a common toilet at the far end of each hall. He'd had to get up in the night to urinate, had made a wrong turn coming back, and almost hadn't found his room, so involuted were the halls, one merging in a T with others and those others merging yet again with others, like a rabbit's den, a gigantic maze that kept twisting inward. Dunlap was fearful about what he'd do in case of a fire, which considering the tinderlike walls was overdue for several years now, and he didn't like the thought of jumping toward the alley from the second story.